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Marisa Merz: The Sky Is a Great Space

January 24–May 7, 2017 

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  • August Sander: People of the Twentieth Century. A Photographic Portrait of Germany

    Approximately 150 images by the pioneering German photographer August Sander (1876-1964) will be on view at The Metropolitan Museum of Art beginning May 25, 2004. The photographs are drawn from the artist's most famous project, People of the Twentieth Century (Menschen des 20. Jahrhunderts), which was envisioned as a comprehensive visual record of the German populace.

  • Andy Goldsworthy on the Roof

    British sculptor Andy Goldsworthy (born 1956), known for working in, and with, the natural landscape, has been invited by The Metropolitan Museum of Art to create the sculpture installation for The Iris and B. Gerald Cantor Roof Garden, opening to the public on May 4, 2004. Andy Goldsworthy on the Roof will consist of two monumental, organic domes of wood and stone, inspired by the immediate surroundings of Central Park and its architectural setting. This special project will be exhibited in the 10,000-square-foot open-air space that offers spectacular views across Central Park to the Manhattan skyline. This is one in a series of solo-artist installations presented on the Cantor Roof Garden, and the first to be constructed on site by the artist.

  • American Impressions, 1865-1925: Prints, Drawings, and Watercolors from the Collection

    More than 50 works on paper by some of the best-known and most highly regarded late 19th-century American artists will be displayed at The Metropolitan Museum of Art, beginning on June 8, in American Impressions, 1865-1925: Prints, Drawings, and Watercolors from the Collection. Among the artists featured will be such luminaries as Winslow Homer, James McNeill Whistler, Mary Cassatt, and Maurice Prendergast. The exhibition was organized to complement and coincide with the Museum's retrospective Childe Hassam, American Impressionist, opening to the public on June 10, and will situate Hassam within a broader context of artists of the same period who treated the same images and used the same media.

  • Christo and Jeanne-Claude: The Gates, Central Park, New York

    The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Fifty-one preparatory drawings and collages by Christo, 64 photographs, and 11 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 12-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

  • Dazzling Byzantine Treasures Displayed in Major International Exhibition at Metropolitan Museum, Opening March 23

    As the triumphant Byzantine general Michael VIII Palaiologos entered Constantinople on August 15, 1261, carrying aloft the famed icon of the Virgin Hodegetria, the city's eternal protector, he initiated an artistic and intellectual flowering in Byzantium, and among its East Christian rivals, that would endure for nearly 300 years. The restoration of the "Empire of the Romans" – the basileia ton Rhomaion – just 57 years after the fall of Constantinople to the knights of the Fourth Crusade in 1204, encouraged faith-inspired art of astonishing beauty and widespread influence.

  • Selected Masterpieces from Metropolitan Museum's Collection of Islamic Art on View During Gallery Renovation

    A key milestone in the final phase of The Metropolitan Museum of Art's 1993 master plan for construction in the southern part of its main building will be initiated this month, with the temporary closing of the galleries for Islamic art for enlargement, renovation, and restoration beginning June 2. Over the next several years, the 30-year-old galleries will be expanded to include additional display space and updated to reflect the most recent scholarship and museological practices.

  • Echoing Images: Couples in African Sculpture

    Couples in African art and how that theme has been expressed in 28 cultures across the continent are explored in an exhibition at The Metropolitan Museum of Art, beginning February 10, 2004. Featuring some 60 works in wood, bronze, terracotta, and beadwork that were created between the 12th and the 20th centuries, Echoing Images: Couples in African Sculpture will provide for the first time a dynamic range of artistic commentaries on human duality. The works on exhibition draw primarily from important public and private collections in the New York area, including the American Museum of Natural History, the Brooklyn Museum of Art, and the High Museum in Atlanta.

  • Once-in-a-Lifetime Viewing Opportunity within Old Kingdom Tombs at New Gateway to Metropolitan Museum's Egyptian Collection

    The Metropolitan Museum of Art announced today the eagerly awaited reopening of the Old Kingdom tombs of Perneb and Raemkai – which will go on temporary view without the glass panels that will be installed later this spring – for a rare six-week viewing by the public.

  • Playing with Fire: European Terracotta Models, 1740-1840

    Playing with Fire: European Terracotta Models, 1740-1840, the first major museum exhibition devoted to Neoclassical terracotta sculptures, will open at The Metropolitan Museum of Art on January 28, 2004. Unprecedented in scale and range, the exhibition unites approximately 135 works from collections throughout Europe and the U.S. Ranging from quick preliminary sketches to completely finished models, the sculptures demonstrate the dash and erudition of modelers across Europe during the Neoclassical age. The international character of the exhibition reflects the broad scope of this rich tradition and includes works by such great modelers as Antonio Canova, Augustin Pajou, Johann Heinrich Dannecker, Philippe-Laurent Roland, and Johan Tobias Sergel. The exhibition also examines the work of sculptors little known outside their home countries, such as the Russian Mikhail Ivanovich Kozlovsky and the Swiss Valentin Sonnenschein, as well as several anonymous modelers.

  • Poets, Lovers and Heroes in Italian Mythological Prints

    Printmaking revolutionized artistic production in the 15th century by allowing artists to create numerous impressions from a single matrix and distribute their work to a wider audience then ever before. Italian artists from Mantegna to Canova embraced the medium, focusing their efforts largely on depictions of scenes from Greek and Roman mythology. A new exhibition exploring the Italian passion for mythological prints that started in the Renaissance and lasted into the early decades of the 19th century opens on February 3, 2004, at The Metropolitan Museum of Art. Drawn from the Metropolitan Museum's collections, Poets, Lovers, and Heroes in Italian Mythological Prints showcases more than 100 woodcuts, engravings, and etchings, as well as illustrated books, by such artists as Jacopo de' Barbari, Marcantonio Raimondi, Ugo da Carpi, Agostino and Annibale Carracci, Salvator Rosa, Giovanni Benedetto Castiglione, and Giambattista and Domenico Tiepolo among others.