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A new gallery for the exhibition of the art of Native North American peoples will open at The Metropolitan Museum of Art on November 13, 2007. After three years of renovation, the enlarged gallery will display a greater number of Native American works of art than has ever before been on view at the Museum. A select group of approximately 90 works will present the art of various North American peoples, regions, and time periods in which distinct cultural, stylistic, and functional aspects will be shown. The objects range from the beautifully shaped and finished stone tools known as bannerstones that date back several millennia to a mid-1970s tobacco bag made by the well-known Assiniboine/Sioux beadwork artist Joyce Growing Thunder.
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Although the name of Lincoln Kirstein (1907-1996) today appears most often in the context of dance – specifically ballet – in America, he was also actively involved in theater, writing, and collecting art. Over a span of some 40 years, he donated more than a thousand works from his personal collection to The Metropolitan Museum of Art. These works – found in rare book and print shops around the world – all display some spark of ingenuity, esthetic grandeur, or legerdemain that attracted his eye.
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Neo Rauch at the Met: para presents 14 new paintings made specifically for this exhibition by the artist Neo Rauch (b. 1960, Leipzig, Germany), one of the most widely acclaimed painters of his generation. The exhibition — on view from May 22 through October 14, 2007 — is the third in the Museum's series dedicated to artists at mid-career, following exhibitions featuring Tony Oursler in 2005 and Kara Walker in 2006.
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Impressionist and Early Modern Paintings: The Clark Brothers Collect will bring together for the first time celebrated masterpieces once owned by rival brother collectors Robert Sterling Clark (1877-1956), founder of the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, and Stephen Carlton Clark (1882-1960), a former trustee and illustrious donor to The Metropolitan Museum of Art. Featuring more than 65 paintings, the exhibition will provide a unique opportunity to appreciate the remarkable legacies of two brothers – heirs to the Singer Sewing Machine fortune and native New Yorkers – who played notable but ultimately divergent roles as patrons of the arts in the United States.
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Two concurrent exhibitions featuring recent work by the renowned American artist Frank Stella (born 1936) will open at The Metropolitan Museum of Art on May 1, 2007.
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A spectacular "museum-within-the-museum" for the display of its extraordinary collection of Hellenistic, Etruscan, South Italian, and Roman art – much of it unseen in New York for generations – will open at The Metropolitan Museum of Art this April in its New Greek and Roman Galleries. After more than five years of construction, the long-awaited opening concludes a 15-year project for the complete redesign and reinstallation of the Museum's superb collection of classical art. Returning to public view in the new space are thousands of long-stored works from the Metropolitan's collection, which is considered one of the finest in the world. The centerpiece of the New Greek and Roman Galleries is the majestic Leon Levy and Shelby White Court – a monumental, peristyle court for the display of Hellenistic and Roman art, with a soaring two-story atrium.
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An exhibition of some 60 powerful and graphically elaborate sculptures and 30 rare historical photographs from the Papuan Gulf area of the island of New Guinea will go on view at The Metropolitan Museum of Art, beginning October 24. Featuring sacred objects as well as photographs, Coaxing the Spirits to Dance: Art of the Papuan Gulf will demonstrate how deeply embedded art was in the region's social life in the late 19th and early 20th centuries. The exhibition is the first in-depth investigation of these art traditions in 45 years. Drawn from public and private collections, as well as the Museum's own holdings, many of the works will be exhibited for the first time.
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Barcelona and Modernity: Gaudí to Dalí, la primera exposició d'aquest tipus mai muntada a Amèrica, explora el treball innovador i divers d'artistes, arquitectes i dissenyadors en els anys entre l'Exposició Internacional de 1888 i la imposició del règim feixista de Franco el 1939. Barcelona and Modernity ofereix noves visions dels moviments artístics que varen desenvolupar la cerca de la modernitat per part d'una ciutat que es confirmà aleshores com el centre neuràlgic de les activitats intel•lectuals, polítiques i culturals a Espanya.
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Barcelona and Modernity: Gaudí to Dalí — la primera exposición de este tipo jamás montada en América — explora el trabajo diverso e innovador de artistas, arquitectos, y diseñadores de Barcelona en los años entre la exposición universal de Barcelona de 1888 y la imposición del régimen fascista de Francisco Franco en 1939. Barcelona and Modernity ofrece nuevas aproximaciones a los movimientos artísticos que desarrollaron la búsqueda de la modernidad por parte de una ciudad que se confirmó entonces como el centro neurálgico de las actividades intelectuales, políticas, y culturales en España.
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Neo Rauch at the Met presents six new paintings made specifically for this exhibition by the artist Neo Rauch (b. 1960, Leipzig, Germany), one of the most widely acclaimed painters of his generation. The exhibition — on view from May 22 through September 23, 2007 —is the third in the Museum's series dedicated to artists at mid-career, following exhibitions featuring Tony Oursler in 2005 and Kara Walker in 2006.
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Hidden in Plain Sight: Contemporary Photographs from the Collection, on view from May 15 through September 3, 2007, features the work of artists who use the camera to call our attention to the poetic richness latent in ordinary things. Often deliberately understated, these photographs are filled with everyday epiphanies, inviting us to look more closely at the world around us. The exhibition will feature approximately 35 works by American and international artists, including Walker Evans, Stephen Shore, William Eggleston, Jean-Marc Bustamante, Patrick Faigenbaum, Gabriel Orozco, Damián Ortega, Daniel Faust, Mitch Epstein, Lewis Koch, Bertien van Manen, Carrie Mae Weems, Rachel Harrison, and Shomei Tomatsu.
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Paul Poiret – who at the height of his career in pre-World War I France was the undisputed "King of Fashion" and whose sweeping vision led to a new silhouette that liberated women from the corset and introduced the shocking colors and exotic references of the Ballets Russes to the haute couture – will be celebrated with a landmark exhibition at The Metropolitan Museum of Art from May 9 through August 5, 2007. He has not been the focus of a major museum exhibition in more than 30 years.
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The theme of journeys, both real and imagined, will be presented in Journeys: Mapping the Earth and Mind in Chinese Art, opening at The Metropolitan Museum of Art on February 10. Featuring more than 60 works of art in various pictorial formats – hanging scroll, handscroll, album, fan, book, and photograph – the exhibition will explore the rich symbolic meanings and cultural significance of journeys as embodied in works of art dating from the 11th century to the present. The exhibition will be organized thematically: emotional partings and returns, roaming the wilderness, escapist visions and garden retreats, dream journeys, travelers, scenic sites and landmarks, and topographic paintings and maps. Highlights of the exhibition will include a brilliantly colored 42-foot-long map entitled Ten Thousand Miles Along the Yellow River (late 17th-early 18th century), a rare deerskin map of Forts Zeelandia and Provintia and the City of Tainan (18th century), as well as a striking series of eight photographs, The North: Bicycle Rider, by contemporary artist Hai Bo (born 1962). Approximately one-third of the works are to be shown for the first time at the Museum, including 16 loans and three new acquisitions.
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The first multi-artist exhibition of video art and new media at The Metropolitan Museum of Art will be presented from February 23 to April 29, 2007. Drawn entirely from the collection of the Museum's Department of Photographs, Closed Circuit: Video and New Media at the Metropolitan features video and new media works made between 1994 and 2004 by eight American and international artists: Darren Almond, Lutz Bacher, Jim Campbell, Omer Fast, Ann Hamilton, David Hammons, Maria Marshall, and Wolfgang Staehle. These highly respected figures in contemporary art will be represented in Closed Circuit by some of their best-known and most celebrated works, only one of which has been on exhibit before at the Met.
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An exhibition of vintage photographs celebrating one of the most memorable
episodes in the history of archaeology – the discovery and exploration of the tomb of the ancient Egyptian pharaoh Tutankhamun (Dynasty 18; ruled ca. 1336-1327 B.C.) – will be on view at The Metropolitan Museum of Art beginning December 19. The photographs, documenting every stage in the process of the excavation, were taken by the renowned archaeological photographer Harry Burton, who was a staff member of the Metropolitan Museum Egyptian Expedition when he was "lent" to Howard Carter, the famed excavator of Tutankhamun's tomb. Discovering Tutankhamun: The Photographs of Harry Burton features his spectacular black-and-white images of the entrance passage to the tomb, the opening of the sealed chambers inside, the first view of the contents and removal of the objects, and the beautifully made and decorated treasures that were found. The four chambers of the tomb were crammed with objects such as gold-covered chariots; elaborately inlaid furniture and chests; a vast array of the king's personal belongings, including jewelry; a series of shrines and coffins that protected the king; and the famous solid-gold mask that adorned his mummy – the last, among the most iconic examples of ancient Egyptian art ever to have come to light.
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With nearly 200 works of art from more than 60 public and private collections around the world, Venice and the Islamic World, 828 – 1797 is the first major exhibition to explore one of the most important and distinctive facets of Venetian art history: the exchange of art objects and interchange of artistic ideas between the great Italian maritime city and her Islamic neighbors in the eastern Mediterranean. Glass, textiles, carpets, arms and armor, ceramics, sculpture, metalwork, furniture, paintings, drawings, prints, printed books, book bindings, and manuscripts tell the fascinating story of the Islamic contribution to the arts of Venice during her heyday, from the medieval to the Baroque eras. 828, the year two Venetian merchants stole Saint Mark's hallowed body from Muslim-controlled Alexandria and brought it to their native city, and 1797, when the Venetian Republic fell to the French conqueror Napoleon Bonaparte, form the chronological parameters of the exhibition that opens at The Metropolitan Museum of Art on March 27, 2007.
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An exhibition of exquisite Asian lacquer decorated with mother-of-pearl will open at The Metropolitan Museum of Art on December 2. Featuring some 50 works dating from the eighth to the 19th century, Mother-of-Pearl: A Tradition in Asian Lacquer will illustrate the remarkable variety of effects found in the use of minute pieces of mother-of-pearl to create mosaic-like patterns and dazzling scenes. It will also explore the importance of lacquer decorated with mother-of-pearl in interregional trade from the 12th to the 19th century and in the development of maritime global trade – particularly works made in India and Japan – in the late 16th and early 17th centuries. Drawn largely from the Museum's permanent collection, the exhibition will include recent acquisitions as well as several important loans from public and private collections in the United States.
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