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Bernini in Action: Gesture and Technique in Clay

In conjunction with the exhibition Bernini: Sculpting in Clay (on view October 3, 2012–January 6, 2013), Anthony Sigel, Guest Curator, and Conservator of Objects and Sculpture, Straus Center for Conservation and Technical Studies, Harvard Art Museums, outlines the research and discoveries he and his fellow curators made in preparation for the exhibition. By researching Bernini's methods, Sigel has determined which figures Bernini created himself and which ones were likely created by assistants. His lecture includes his own photographs of the models and detailed descriptions of Bernini's methods.

Collections, European Sculpture and Decorative Arts (74)

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Beauty and Belief
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Silent Dynamism
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A Family Gripped by Crisis
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Hands: Silent Yet Speaking
(00:01:25) 259 views

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The Body as High Drama
(00:02:01) 350 views

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Focused in Full Sight
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After Victory
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Agony's Body Language
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The Myth behind the Bust
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One Artist, Many Faces
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A Face Refuses Contact
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Collective Anxiety
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Art or Fiction?
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Beauty and Laughter Entwined
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To Bite or Not To Bite?
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The Roentgens' Rolltop Desk
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Abraham Roentgen's Writing Desk
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Thinking Outside the Box
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The Electrotyping Process
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