Posted: Tuesday, January 29, 2013
Have a favorite nook at the Met? A quiet space where you can truly be alone with the pieces? Whether your answer to this question is "yes" or "no," I suggest you explore the smaller special exhibitions scattered throughout the Metropolitan Museum.
Posted: Wednesday, January 23, 2013
My first introduction to the Metropolitan Museum was through a portfolio drawing class I took in 2010. I think it would be fair to say that the course was the reason I stuck around as a member of the Teen Advisory Group, and thus the reason I'm writing this blog post today.
Posted: Monday, January 14, 2013
Is art merely the "imitation of the good," as the ancient Greek philosopher Plato wrote in his Republic, or the "lie that makes us realize truth," as the Spanish artist Picasso contended? Does art serve a utilitarian, religious, or aesthetic purpose, or no purpose at all?
Posted: Tuesday, January 8, 2013
Many teens already make a habit out of visiting the Metropolitan Museum, but I thought I should let our blog readers know about a teen program I think they would really enjoy. One Saturday each month, the Met offers a class called Saturday Sketching for visitors ages 11 through 18. I've been attending these tranquil drawing sessions for some time now, and I have enjoyed meeting new friends and catching up with the old ones who frequently come to the class.
Posted: Friday, December 28, 2012
Posted: Thursday, December 20, 2012
Let's consider these two images aesthetically, as visual matter to be both analytically dissected and emotionally felt.
Posted: Wednesday, December 12, 2012
Photoshop is a relatively new program that allows people to manipulate images digitally. However, artists began manipulating images long before Photoshop came to be.
Posted: Tuesday, December 4, 2012
Among the humorous, tragic, beautiful, and controversial photographs found in the current exhibition Faking It: Manipulated Photography Before Photoshop, you will find disappearing people, questionable "others," ghostlike figures, and possible spirits. By using various methods of manipulation such as the combining of several negatives into one cohesive piece, mid-nineteenth-century photographers were able to make these spooky images.
Posted: Tuesday, November 27, 2012
According to Joseph Loh, a Museum educator specializing in Japanese art, the ideal time to see cherry blossoms is not when they are most bountiful, nor when the flowers have peaked at full bloom, but rather as the flowers begin to fall and inevitably die. It is the melancholy nature, he says, that makes this event so spectacular because it can only be witnessed once each year.
Posted: Tuesday, November 20, 2012
In western society, people don't really notice the transition between seasons until it has already taken place. Artworks painted in the Japanese Rinpa style, by contrast, highlight a cultural focus on the seasons through natural imagery, vibrant colors, and connections to literature. This fall, in the exhibition Designing Nature: The Rinpa Aesthetic in Japanese Art, Ogata Kenzan's Autumn Ivy shows us how much one can appreciate nature through observation and reflection.