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Teen Blog

Tradition and Identity in Ink Art

Angeles, TAG Member; and Jacqui, Teen Program Participant

Posted: Friday, January 31, 2014

In Ink Art: Past as Present in Contemporary China, we came across many pieces of artwork that exemplify the contrast between contemporary and traditional art. One of these pieces was Family Tree, a series of nine photographs in which the artist Zhang Huan's face gradually becomes covered in ink and traditional calligraphy.

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Teen Blog

Ink Art's Merging of the Old and the New

Emily Z., TAG Member; Sage, TAG Member; and Genevieve, TAG Member

Posted: Tuesday, January 21, 2014

Upon first seeing Han Jar Overpainted with Coca-Cola Logo in the special exhibition Ink Art: Past as Present in Contemporary China, we were overwhelmingly reminded of one of the larger themes of modern Chinese art: the conflict between the progression of the modern and the preservation of the traditional. This Han dynasty pot emblazoned with the faded Coca-Cola logo struck us as an almost humorous representation of this conflict.

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Teen Blog

Contrast and Balance in Jewels by JAR

Chantal Stein, College Intern

Posted: Tuesday, January 14, 2014

It takes a minute for your eyes to adjust to the darkness in the exhibition Jewels by JAR (on view through March 9, 2014). The walls are black, the ceilings are high, and glass cases lined with red velvet are set into walls and columns. Warm lights behind the glass spotlight the artwork within.

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Teen Blog

How Did He Paint That?

Lawrence, Former High School Intern

Posted: Tuesday, December 31, 2013

There are a handful of paintings at the Met that made a huge impression on me when I first saw them. Two of them are Sanford Robinson Gifford's A Gorge in the Mountains (Kauterskill Clove) and Frederic Edwin Church's The Aegean Sea. Every time I see these paintings, I ask myself, "How did he paint that?!"

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Teen Blog

My Favorite Room at the Met

Lucie, Former High School Intern

Posted: Monday, December 23, 2013

My favorite room at the Met is gallery 735 because it houses John Vanderlyn's Panoramic View of the Palace and Gardens of Versailles. I first visited the gallery on the recommendation of a friend, and since then I've been back many times.

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Teen Blog

Diary of a Ceiling Fan

Helen, Former High School Intern

Posted: Monday, December 16, 2013

I constantly find myself looking up at the ceilings whenever I visit The Metropolitan Museum of Art. Turning my gaze upward allows me to clear my thoughts and forget about any commotion around me.

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Teen Blog

An International Take on Textiles

Brooke, TAG Member; and Tiffany, TAG Member

Posted: Monday, November 18, 2013

Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.

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Teen Blog

A Profusion of Blue and Yellow Feathers

Angeles, TAG Member; and Jill, TAG Member

Posted: Tuesday, November 12, 2013

The panels on view in the exhibition Feathered Walls: Hangings from Ancient Peru were created by the Wari peoples of southern Peru. Their makers hand-knotted blue and yellow macaw feathers one by one onto cotton and camelid hair using slipped overhand knots. The strings of feathers were then sewn in horizontal rows onto large cotton panels.

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Teen Blog

What Does One Do with a Wall Full of Feathers?

Sage, TAG Member

Posted: Thursday, October 31, 2013

Many questions surround the beautiful feather panels, created between about 600 and 1000 by the Wari peoples of Peru, that are currently on view in the exhibition Feathered Walls: Hangings from Ancient Peru. The simplistic juxtapositions of color and painstaking care put into them tantalize the mind and make one wonder what purpose the panels served.

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Teen Blog

A New Perspective on an Ancient Object

Maleficent Twemlow (a.k.a. Anna), TAG Member

Posted: Thursday, October 24, 2013

As a preface, I would just like to ask that you not take my excitement about the work above to be some kind of authoritative perspective on it—in other words, that you'll visit the Museum, see this piece and have a great, transcendent epiphany with the swelling baritone of a hallelujah chorus behind you. Perhaps it's just me being overzealous and getting unnecessarily pumped up about something as usual. But, for a second, let's be indulgent and allow me to express how this piece requires you to reconfigure your mind, and just how weird and interesting it is. Let's break it down for a second, shall we?

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About this Blog

This blog, written by the Metropolitan Museum's Teen Advisory Group (TAG) and occasional guest authors, is a place for teens to talk about art at the Museum and related topics.