Posted: Friday, June 6, 2014
It's been almost a year since I was a member of the Met's Teen Advisory Group, and I have come to realize something important: teen programs at the Met are amazing! Who would have thought that such a large museum smack in the middle of New York City would offer absolutely free classes to teens that were taught by some the best teachers and artists around?
Posted: Thursday, May 29, 2014
What do you think about when you come to the Met? There are many things you may think of: art, walking, five thousand years of history. But have you thought about making art yourself?
Posted: Friday, May 23, 2014
I was introduced to Lilith by Kiki Smith on a tour of modern sculpture at the Met. What first struck me about this piece was its location: it's literally hanging upside down in the middle of the wall as you walk up the stairs in the Modern and Contemporary Art galleries from the first floor to the second.
Posted: Monday, May 12, 2014
The Islamic world is famous for its stunning tilework: lavish blue and turquoise ceramic tiles featuring an almost infinite array of geometric patterns. This tilework has adorned the walls of mosques, tombs, and the homes of the wealthy, enhancing the beauty of these spaces, for centuries.
Posted: Friday, May 2, 2014
Posted: Friday, April 25, 2014
In European Paintings gallery 643, we were struck by two paintings by Lucas Cranach the Elder that portray fearless heroines furthering the Christian cause. At first, we thought (wrongly) that the two works depict the same girl due to the figures' rich, red-orange dresses and pale faces with curly hair. We also noted the parallel between the guy beheading the girl in one work and the girl beheading the guy in the other. When we learned that the girls are actually different people—Barbara and Judith—we synthesized the two brave heroines into one and created a short story about her.
Posted: Thursday, April 17, 2014
Observe this painting and walk through the details of this romantic nature scene. You can almost hear the water flowing through the center of the painting; you feel like you are there in the wooded hills between Holland and Germany. The trees are fully leaved in green and reddish-brown tones, along with some zigzagging bare branches.
Posted: Friday, April 11, 2014
Walking through the galleries of eighteenth-century French art, we fell in love with The Love Letter, Jean Honoré Fragonard's feathery depiction of a flirtatious young lady. What first caught our eyes was the golden light that illuminates her pale skin and rosy cheeks. The beautiful light flows through the painting and brings out the yellow, brown, and pink tones of the work. The combination of colors is simply breathtaking.
Posted: Friday, April 4, 2014
When we recently walked through gallery 642 in European Paintings, this painting in particular caught our eye. We found it so eye-catching because of its distinctive, dark color palette that makes it stand out from the rest of the gallery, and also because of its surreal and macabre subject matter.
Posted: Friday, March 28, 2014
The sculpture Pioneer Woman in the current exhibition The American West in Bronze, 1850–1925 caught my attention because it depicts a woman. Before you roll your eyes and claim that I am stating the obvious, bear with me! The field of American Western art is dominated by renditions of men and animals, so Bryant Baker's sculpture offers a unique approach to capturing the West. The very fact that Pioneer Woman focuses on a pioneer woman makes it noteworthy, but the meaning of the work is more elusive than just its subject matter.