Posted: Tuesday, January 14, 2014
It takes a minute for your eyes to adjust to the darkness in the exhibition Jewels by JAR (on view through March 9, 2014). The walls are black, the ceilings are high, and glass cases lined with red velvet are set into walls and columns. Warm lights behind the glass spotlight the artwork within.
Posted: Tuesday, December 31, 2013
Posted: Monday, December 23, 2013
Posted: Monday, December 16, 2013
I constantly find myself looking up at the ceilings whenever I visit The Metropolitan Museum of Art. Turning my gaze upward allows me to clear my thoughts and forget about any commotion around me.
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Tuesday, November 12, 2013
The panels on view in the exhibition Feathered Walls: Hangings from Ancient Peru were created by the Wari peoples of southern Peru. Their makers hand-knotted blue and yellow macaw feathers one by one onto cotton and camelid hair using slipped overhand knots. The strings of feathers were then sewn in horizontal rows onto large cotton panels.
Posted: Thursday, October 31, 2013
Many questions surround the beautiful feather panels, created between about 600 and 1000 by the Wari peoples of Peru, that are currently on view in the exhibition Feathered Walls: Hangings from Ancient Peru. The simplistic juxtapositions of color and painstaking care put into them tantalize the mind and make one wonder what purpose the panels served.
Posted: Thursday, October 24, 2013
As a preface, I would just like to ask that you not take my excitement about the work above to be some kind of authoritative perspective on it—in other words, that you'll visit the Museum, see this piece and have a great, transcendent epiphany with the swelling baritone of a hallelujah chorus behind you. Perhaps it's just me being overzealous and getting unnecessarily pumped up about something as usual. But, for a second, let's be indulgent and allow me to express how this piece requires you to reconfigure your mind, and just how weird and interesting it is. Let's break it down for a second, shall we?
Posted: Wednesday, October 16, 2013
The idea for our 3D sculpture came together after taking pictures of a Chinese chimera and a bodhisattva from the Asian Art galleries, along with Ritual Seat for a Noble (Osa' osa), currently on view in the Met's Arts of Africa, Oceania, and the Americas galleries. From there, we took each of the photos and stitched them together using 3D printing software.
Posted: Wednesday, October 9, 2013
The inspiration for our 3D scanning and printing workshop project came from our mutual interest in both Asian and Greek mythology. Although we came across many potential subjects while getting to know the Museum's collection, we quickly decided to base our plastic sculpture on Greek mythological figures and Buddhist deities—combining animal and human forms to create a supernatural god.