The Metropolitan Museum has collected and exhibited work by living artists since its founding in 1870. Today, the department's holdings comprise more than twelve thousand works of art across a broad range of media from 1900 to the present.
Posted: Tuesday, September 8, 2015
Experiencing art in a gallery is like coming out of a subway station in a new neighborhood and trying to navigate the vast unfamiliarity of the cityscape ahead of you. Crisscrossing lines, variegated colors, and the overlapping patterns of light, architecture, and people draw your eye in every direction, creating an overwhelming visual experience. Though neighborhoods each have their own culture and atmosphere, their boundaries melt into each other, asking you to reorient yourself as you meander through them.
Posted: Friday, January 23, 2015
Every age, and every culture, has its rebels. Often, these rebels are inspired by a societal trauma. The Great War, later known as World War I, polluted the world by fostering a "lost generation." In reflection of this evolution, Sigmund Freud advanced his science of psychoanalysis, challenging the logic of man. Albert Einstein augmented his theory of relativity, questioning the prudence of physics. In art, the rebellion manifested as Cubism.
Posted: Friday, November 7, 2014
A person can have an individual relationship with art, but at The Metropolitan Museum of Art there is often a third party involved when strolling through the galleries: the security guard. It didn't take me long to realize how wise the guards at the Met are: Many of these men and women are extremely curious about art and how it is perceived, and therefore take advantage of being in one of the world's greatest museums during their work day.
Posted: Friday, September 26, 2014
I think I'd have really liked to have had my portrait painted by Pablo Picasso, but for reasons beyond the obvious desire to be painted by one of the most renowned artists to have ever existed. What is so tantalizing about Picasso's portraits is the expression of human psychology through his representation of the human form.
Posted: Friday, July 25, 2014
As I travel through the galleries of The Metropolitan Museum of Art, one question always lingers in my mind: If these inanimate objects were able to speak, what would they say? I have taken on the task of "interviewing" three sculptures to break their silence and give us more insight into their lives and stories.
Posted: Friday, May 23, 2014
I was introduced to Lilith by Kiki Smith on a tour of modern sculpture at the Met. What first struck me about this piece was its location: it's literally hanging upside down in the middle of the wall as you walk up the stairs in the Modern and Contemporary Art galleries from the first floor to the second.
Posted: Tuesday, January 21, 2014
Posted: Tuesday, January 14, 2014
It takes a minute for your eyes to adjust to the darkness in the exhibition Jewels by JAR (on view through March 9, 2014). The walls are black, the ceilings are high, and glass cases lined with red velvet are set into walls and columns. Warm lights behind the glass spotlight the artwork within.
Posted: Thursday, August 15, 2013
What happened here? Did someone spill paint on these tiles? Is this supposed to be blood? Is there blood all over the roof of the Metropolitan Museum of Art?!
Posted: Thursday, August 8, 2013
Upon first seeing Imran Qureshi's installation on the Museum's roof garden, I was immediately struck by how effectively it subverts one's expectations. Along with the rest of the Teen Advisory Group, I was simply informed that we would be visiting a "rooftop installation," which immediately brought to mind the kind of monolithic modernist sculpture that seems to be increasingly ubiquitous in outdoor art installations these days. Surprisingly, though, we were greeted with something much more subtle and thought-provoking.