Tiffany is a member of the Museum's Teen Advisory Group.
Posted: Friday, July 4, 2014
As your eyes adjust to the dim light in the exhibition Charles James: Beyond Fashion, text appears on the glass before you and guides how you should consider the dresses behind it—if you can even call them dresses! Charles James revolutionized the twentieth-century fashion establishment through his idiosyncratic transformation of stiff millinery material into soft, fluid lines that mirror his notion of a woman's ideal form. The lines of his dresses emulate the modern art of Georgia O'Keeffe.
Posted: Friday, April 25, 2014
In European Paintings gallery 643, we were struck by two paintings by Lucas Cranach the Elder that portray fearless heroines furthering the Christian cause. At first, we thought (wrongly) that the two works depict the same girl due to the figures' rich, red-orange dresses and pale faces with curly hair. We also noted the parallel between the guy beheading the girl in one work and the girl beheading the guy in the other. When we learned that the girls are actually different people—Barbara and Judith—we synthesized the two brave heroines into one and created a short story about her.
Posted: Tuesday, March 11, 2014
The first object seen upon entering the exhibition The American West in Bronze, 1850–1925 is a buffalo, perhaps one of the most important symbols of the American West. This sculpture, Henry Merwin Shrady's Buffalo, stands in front of a blown-up chromolithograph of a herd of wild buffalo, and showcases the exhibition's unique point of view, blending the artists' and patrons' fondest memories and wildest dreams of what the vast, "untouched" frontier meant. Nostalgia and excitement abound in the exhibition, as brave pioneers conquer the West and search for the American Dream.
Posted: Friday, February 7, 2014
Before we encountered Xu Bing's Book from the Sky, we passed by Ai Weiwei's Han Jar Overpainted with Coca-Cola Logo—and almost missed it. The pot, located in the ancient Chinese galleries, looks ordinary except for its iconic logo. This was where we started to learn that the contemporary Chinese art scene is born from the synthesis and refutation of tradition.
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Thursday, August 1, 2013
Sudden violence in the United States, especially when unpredictable, triggers an immediate and mass reaction. This is hardly so in the case of Pakistan, however, a country where violence is the norm and not the exception. At the Museum's roof garden this summer, contemporary Pakistani artist Imran Qureshi challenges American viewers to immerse themselves in the bloodbath of civilians killed in sectarian conflicts far away from our own shores.
Posted: Friday, June 21, 2013
The punk aesthetic of the 1970s, its underground survival throughout the 1980s, and its high-fashion revival in the 1990s have profoundly shaped what it means to be a rebellious youth. To be punk means to express one's disillusionment with the status quo and to challenge it.
Posted: Monday, January 14, 2013
Is art merely the "imitation of the good," as the ancient Greek philosopher Plato wrote in his Republic, or the "lie that makes us realize truth," as the Spanish artist Picasso contended? Does art serve a utilitarian, religious, or aesthetic purpose, or no purpose at all?
Posted: Tuesday, November 20, 2012
In western society, people don't really notice the transition between seasons until it has already taken place. Artworks painted in the Japanese Rinpa style, by contrast, highlight a cultural focus on the seasons through natural imagery, vibrant colors, and connections to literature. This fall, in the exhibition Designing Nature: The Rinpa Aesthetic in Japanese Art, Ogata Kenzan's Autumn Ivy shows us how much one can appreciate nature through observation and reflection.
Posted: Monday, October 22, 2012