Cheeky Swagger (a.k.a. Dan) is a member of the Museum's Teen Advisory Group.
Posted: Friday, July 12, 2013
I learned from visiting PUNK: Chaos to Couture that punk was an ironic movement and that its irony has contributed to its staying power. When punk started in the mid-1970s, it was dealing with a social landscape that had lost sight of its goals. The hippies said they wanted a revolution, but changing the world is not a passive exercise. That's where the punks came in.
Posted: Thursday, June 13, 2013
When I walked into the Metropolitan Museum's PUNK: Chaos to Couture exhibition, I was not expecting big-name designers. Punk was supposedly a movement for nobody and nothing, wasn’t it? However, upon walking into the exhibition's catacomb of glorified dissension, replete with pieces from Galliano, Dolce and Gabbana, and Prada, I soon realized that the designer clothes on display are a testament to punk's power. I didn't used to associate names like Versace and Dior with crusty-shirted tribalism and deconstructionism, but punk has so changed the landscape for artistic expression that Givenchy and Johnny Rotten can now coexist happily in the same place.
Posted: Friday, May 10, 2013
The Teen Advisory Group recently set out to learn about Impressionist art. Captained by Associate Museum Educator Kathy Galitz, we actually began our journey not with Impressionist art itself but with a brief exposé on what is lovingly referred to as "academic" art. Yes, academic.
Posted: Tuesday, February 26, 2013
How many times has the word "perspective" appeared when referring to one's impression of, well, any artwork or art gallery? "Perspective" is like the bacon of art vocabulary; you sprinkle it over any conversation and it can spark a delicious array of reactions. In my experience, abstract art produces the most varied responses.
Posted: Tuesday, November 27, 2012
According to Joseph Loh, a Museum educator specializing in Japanese art, the ideal time to see cherry blossoms is not when they are most bountiful, nor when the flowers have peaked at full bloom, but rather as the flowers begin to fall and inevitably die. It is the melancholy nature, he says, that makes this event so spectacular because it can only be witnessed once each year.
Posted: Tuesday, November 13, 2012
Posted: Monday, October 22, 2012
Posted: Monday, September 17, 2012
Last week, Audrey wrote a blog post about the Met's Drawing and Painting Experiments teen class. I also participated in a summer teen program at the Met: the Art and Film Intensive, a three-week course taught by staff from the New York Film Academy and the Metropolitan Museum.