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Sources

Carboni, Stefano, ed. Venice and the Islamic World, 828–1797. Exhibition catalogue. New York: The Metropolitan Museum of Art, 2007.

Carboni, Stefano, Trinita Kennedy, and Elizabeth Marwell. "Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic World." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

———. "Islamic Art and Culture: The Venetian Perspective." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

———. "Venice and the Islamic World, 828–1797." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

———. "Venice's Principal Muslim Trading Partners: The Mamluks, the Ottomans, and the Safavids." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Covington, Richard. "East Meets West in Venice." Saudi Aramco World (March–April 2008), pp. 2–13.

Ekhtiar, Maryam D., Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar, eds. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2011 (cat. no. 109).

Hess, Catherine, ed. The Arts of Fire: Islamic Influences on Glass and Ceramics of the Italian Renaissance. Exhibition catalogue. Los Angeles: J. Paul Getty Museum, 2004.

Howard, Deborah. Venice & the East: The Impact of the Islamic World on Venetian Architecture 1100–1500. New Haven: Yale University Press, 2000.

Mack, Rosamond E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300–1600. Berkeley: University of California Press, 2002.

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Velvet fragment

The lesson plan related to Venice and the Islamic World features a sixteenth-century velvet fragment from Turkey.