In a witty version of a “mirror image,” Braque took the oval backing board off a looking glass, covered it with white gesso, and turned the vertical format to a horizontal one to emphasize the tabletop effect. The two pieces of differently grained faux bois stand for the respective wood planes of wall and table, reinforcing oscillating viewpoints, while the latter displays the daily news: two actual pages and hand-drawn letters that refer to the newspaper Le Journal. He placed an ad for Motobloc automobiles (suggesting the male “drive”) next to one publicizing L’amour obligatoire (Mandatory love), a handbook on women’s “proper” sexual comportment, and conjoined them with a wineglass amusingly split into positive and negative forms.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
[Galerie Kahnweiler, Paris; photo no. 1180]; Dr. Gottlieb Friedrich Reber, Lausanne (until ca. 1959; ca.1959 [possibly a gift] to Eichmann); Dr. Ingeborg Eichmann (later Dr. Ingeborg Pudelko Eichmann), Zürich and elsewhere (1959–d. 1980); her heirs (1980–99; sold in September 1999 to Lauder); Leonard A. Lauder, New York (1999–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–16; gift to MMA)
Paris. Galerie Maeght. "Georges Braque: Papiers collés, 1912–14," May 1963, no. 23 (as "Papier collé et fusain," lent by Madame Pudelko Eichmann).
Kunsthalle Bielefeld. "Zeichnungen und Collagen des Kubismus: Picasso, Braque, Gris," March 11–April 29, 1979, no. 148 (as "Stilleben," 1913, lent by Kunsthaus Zürich, on loan from a private collection).
Washington, D.C. National Gallery of Art. "Shock of the News," September 23, 2012–January 27, 2013, no. 3 (dated late 1913 or 1914, lent by a private collection).
New York. The Metropolitan Museum of Art. "Cubism: The Leonard A. Lauder Collection," October 20, 2014–February 16, 2015, no. 16.
New York. The Metropolitan Museum of Art. "Cubism and the Trompe l'Oeil Tradition," October 17, 2022–January 22, 2023, unnumbered cat. (pl. 111).
Tristan Tzara. "Le papier collé ou le proverbe en peinture." Cahiers d'art 6 (1931), ill. p. 65, as "Nature morte," 1913.
George Isarlov. Georges Braque. Paris, 1932, p. 19, no. 191, as "Bouteille".
Georges Braque. Exh. cat., Kunsthalle Basel. Basel, 1933, p. 18, no. 72, ill. n.p.
André Salmon. "Georges Braque." Cahiers d'Art 8 (1933), ill. p. 30, as 1913.
Herta Wescher. "Les collages cubistes." Art d'Aujourd'hui 4, nos. 3–4 (May 1953), ill. p. 34, as "Bouteille et journal".
Frank Elgar. "Une conquête du Cubisme: Le papier collé." XXe Siècle no. 6 (January 1956), ill. p. 10, as "Papier collé," 1913.
John Richardson. Georges Braque. Harmondsworth, Middlesex, 1959, pp. 10, 31, pl. 10b, as "Still-life with Newspaper, Glass, and Bottle," 1913, in the collection of the Kunsthaus Zürich, on loan from Dr. Ingeborg Eichmann-Pudelko.
Galerie Maeght. Georges Braque: Papiers collés, 1912–1914. Paris, 1963, unpaginated (checklist), no. 23, ill.
Ulrich Weisner et al. Zeichnungen und Collagen des Kubismus: Picasso, Braque, Gris. Exh. cat., Kunsthalle Bielefeld. Bielefeld, 1979, pp. 263, 271, colorpl. 148.
Nicole Worms de Romilly and Jean Laude. [Catalogue de l'œuvre de Georges Braque]. Vol. [1], Le Cubisme, fin 1907–1914. [Paris], 1982, pp. 237, 287, no. 225, ill. p. 236, as "Bouteille, verre et journal MOTO," in the collection of Dr. Ingeborg Eichmann-Pudelko on deposit at the Kunsthaus Zürich.
Judith Brodie. Shock of the News. Exh. cat., National Gallery of Art. Washington, D.C., 2012, pp. 6, 130 n. 19, colorpl. 3.
"Objects Promised to the Museum during the Year 2012–2013." The Metropolitan Museum of Art, One Hundred Forty-third Annual Report of the Trustees for the Fiscal Year July 1, 2012, through June 30, 2013 (2013), p. 45.
Anne Umland inCubism: The Leonard A. Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum of Art. New York, 2014, pp. 105, 309 n. 45, no. 16, ill. p. 103 (color).
Rebecca Rabinow inCubism: The Leonard A. Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum of Art. New York, 2014, p. 163.
Anna Jozefacka and Luise Mahler inCubism: The Leonard A. Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum of Art. New York, 2014, pp. 255–56, fig. 16.
Jason Farago. "Close Read: An Art Revolution, Made with Scissors and Glue." nytimes.com. January 29, 2021, ill. (color).
Emily Braun in Emily Braun and Elizabeth Cowling. Cubism and the Trompe l’Oeil Tradition. Exh. cat., The Metropolitan Museum of Art. New York, 2022, pp. 25–26, 211, 243, 263 nn. 8, 10, colorpl. 111.
Georges Braque (French, Argenteuil 1882–1963 Paris)
1956
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
