The ancient city of Tiwanaku on the southern shore of Lake Titicaca in the Bolivian highlands has been renowned for its impressive architecture of precisely cut, sharp-edged stone and intricately carved, monumental stone sculptures which can reach as high as twenty-four feet. The columnar figures depict individuals wearing short-patterned skirts, wide, elaborate belts, and hats or caps; they usually hold two objects, possibly snuffing tablets, tightly to their chests. The large sculptures are thought to have been part of public rituals honoring ancestors; smaller figures like the present example may have been for private ceremonies conducted by elite families or clans.
Once Nelson Rockefeller was Governor of New York—he took office on January 1, 1959—he no longer had time to view first-hand many of the objects that were offered for the collection, but was shown photographs instead. Robert Goldwater and René d'Harnoncourt saw the works and would send a written recommendation with the photos. They often began: "René and I strongly recommend" and were signed "Robert." Advisor to the collection Junius Bird also appreciated this figure, as it could be related to the great stone monoliths of the site of Tiwanaku in Bolivia.
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Artwork Details
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Title:Standing figure
Artist:Tiwanaku artist(s)
Date:500–1000 CE
Geography:Bolivia
Culture:Tiwanaku
Medium:Stone
Dimensions:H. 18 3/8 x W. 4 7/8 x D. 5 in. (46.7 x 12.4 x 12.7cm)
Classification:Stone-Sculpture
Credit Line:The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number:1979.206.833
[Louis Slavitz, New York, until 1959]; Nelson A. Rockefeller, New York, 1959, on loan to The Museum of Primitive Art, New York, 1959–1978
Museum of Primitive Art. "Works from the Permanent Collection: Peru," November 20, 1963–May 10, 1964.
Herbert F. Johnson Museum of Art, Cornell University. "Pre-Columbian Art of Latin America," May 14, 1966–June 24, 1966.
Museum of Primitive Art. "The World of Primitive Art," July 12, 1966–September 11, 1966.
The Metropolitan Museum of Art. "Art of Oceania, Africa and the Americas from The Museum of Primitive Art," May 10–August 17, 1969.
Seattle Art Museum. "Primitive Art/Masterworks," January 5, 1975–February 16, 1975.
American Federation of Arts. "Primitive Art/Masterworks," January 5, 1975–May 15, 1977.
Museum of Fine Arts, Houston. "Primitive Art/Masterworks," March 23, 1975–May 4, 1975.
Dallas Museum of Art. "Primitive Art/Masterworks," June 8, 1975–July 20, 1975.
Art Institute of Chicago. "Primitive Art/Masterworks," August 25, 1975–October 10, 1975.
Virginia Museum of Fine Arts. "Primitive Art/Masterworks," November 9, 1975–December 21, 1975.
Toledo Museum of Art. "Primitive Art/Masterworks," April 11, 1976–May 25, 1976.
Walker Art Center. "Primitive Art/Masterworks," June 27, 1976–August 8, 1976.
Denver Art Museum. "Primitive Art/Masterworks," September 10, 1976–November 7, 1976.
de Young Museum, Fine Arts Museums of San Francisco. "Primitive Art/Masterworks," March 12, 1977–May 15, 1977.
Art Institute of Chicago. "The Ancient Americas," October 10, 1992–January 3, 1993.
Museum of Fine Arts, Houston. "The Ancient Americas," February 4, 1993–April 18, 1993.
Los Angeles County Museum of Art. "The Ancient Americas," June 6, 1993–August 15, 1993.
The Metropolitan Museum of Art. "The Nelson Rockefeller Vision: In Pursuit of 'The Best' in the Arts of Africa, Oceania, and the Americas," October 7, 2013–October 9, 2014.
Museum of Primitive Art. Masterpieces in the Museum of Primitive Art: Africa, Oceania, North America, Mexico, Central to South America, Peru. Handbook series. New York, NY: Museum of Primitive Art, 1965, no. 119.
Andrew Dickson White Museum of Art. Pre-Columbian art of Latin America, 10th century B.C.-16th century A.D. Ithaca: Andrew Dickson White Museum of Art, Cornell University, 1966, no. 113.
Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 504.
American Federation of Arts. Primitive Art Masterworks: an exhibition jointly organized by the Museum of Primitive Art and the American Federation of Arts, New York. New York: American Federation of Arts, 1974, no. 40.
Newton, Douglas. Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection. New York: Alfred A. Knopf, 1978, p. 127.
Newton, Douglas, Julie Jones, and Kate Ezra. The Pacific Islands, Africa, and the Americas: The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1987, p. 156, no. 116.
Janusek, John Wayne. "Critical perspectives in identity, memory, and the built environment." In Identity and Power in the Ancient Andes : Tiwanaku Cities through Time. New York, 2004.
Young-Sánchez, Margaret. Tiwanaku: Ancestors of the Inca. Denver: Denver Art Museum, 2004, pp. 35, 195, fig, 2.14.
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The Met's collection of art of the peoples of sub-Saharan Africa, the Pacific Islands, and North, Central, and South America comprises more than eleven thousand works of art of varied materials and types, representing diverse cultural traditions from as early as 3000 B.C.E. to the present.
