Timothy H. O'Sullivan (American, born Ireland, 1840–1882)
Albumen silver print from glass negative
Image: 21.8 x 29.1 cm (8 9/16 x 11 7/16 in.)
Gilman Collection, Purchase, Marlene Nathan Meyerson Family Foundation Gift, 2005
Not on view
By the close of the Civil War twenty-five-year-old Timothy O'Sullivan had had seven years' experience in wet plate photography, five of them working from a van on or near the battlefield. His technical proficiency under adverse conditions and his strong constitution recommended him as a photographer for the Geological Exploration of the Fortieth Parallel, the first of several exploratory surveys of the American West. Clarence King, an enterprising geologist from Yale, had convinced the government to implement a study of the geological structure and natural resources of the region west of the Great Plains and east of California, the so-called Great American Desert. From 1867 to 1872, King and his corps of young scientists mapped and described a band one hundred miles wide by three hundred miles long lying roughly along the route of the railroad that would link the east and west coasts in 1869. The Humboldt Sink was perhaps the most desolate landscape studied by the expedition. Known locally as the "worst place between Missouri and Hell," the mountain-rimmed salt marsh was blisteringly hot, mosquito infested, and rank with sulfur and rotting vegetation. King went temporarily blind there, and fever prostrated most of the men. But O'Sullivan continued to work. In this photograph his portable developing box is visible in the left foreground; in the middle ground his van (a converted ambulance), dwarfed by the vastness, establishes scale and articulates the emptiness of the space. The print is inscribed on the verso "Valley 5,000 ft. above sea, East of East Humboldt Range. Group of Salt Geyser Springs/Salt Marsh Valley/97 percent salt 3 borax."
Inscription: Inscribed in pencil on print, verso BC: "Valley 5000 ft above sea, East of East Humboldt Range // Group of Salt Geyser Springs—Salt Marsh Valley // 97 percent salt 3 borax."
Alfred Rudolph Waud; [John Coplans]; Gilman Paper Company Collection, New York, October 12, 1977
The Metropolitan Museum of Art. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25, 1993–July 4, 1993.
Edinburgh International Festival, Edinburgh, Scotland. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," August 7, 1993–October 2, 1993.
National Gallery of Art, Washington D.C. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," June 19, 1994–September 11, 1994.
The Metropolitan Museum of Art. "Masterpieces of Photography from the Gilman Paper Company Collection," February 26, 1999–May 23, 1999.
Horan, James E. Jr. Mr. Timothy O'Sullivan, America's forgotten photographer : the life and work of the brilliant photographer whose camera recorded the American scene from the battlefields of the Civil War to the frontiers of the West. New York: Bonanza Books, 1966. p. 180.
Dingus, Rick. The Photographic Artifacts of Timothy O'Sullivan. 1st ed. Albuquerque: University of New Mexico Press, 1982. p. 101.
Apraxine, Pierre. Photographs from the Collection of the Gilman Paper Company. Reeds Springs, Mo.: White Oak Press, 1985. pl. 110.
Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Virginia Heckert, and Jeff L. Rosenheim. The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993. pl. 115.
From the King Expedition, 1867-72; O'Sullivan's photographic equipment is at left with his mules and traveling darkroom in the middle ground.