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Bird in Space

Constantin Brancusi (French (born Romania), Hobita 1876–1957 Paris)

Date:
1923
Medium:
Marble
Dimensions:
(with base) H. 56-3/4, Diam. 6-1/2 in. (144.1 x 16.5 cm)
Classification:
Sculpture
Credit Line:
Bequest of Florene M. Schoenborn, 1995
Accession Number:
1996.403.7ab
Rights and Reproduction:
© 2011 Artists Rights Society (ARS), New York
  • Description

    Born in Rumania, Constantin Brancusi first studied sculpture at the School of Arts and Crafts in Craiova (1894–98) and the National School of Fine Arts in Bucharest (1898–1902). In 1904 he left Romania permanently, traveling through Budapest, Vienna, Munich, Zurich, and Basel before settling in Paris. There, he continued his training at the École des Beaux-Arts (1905–07), and his work of the period attracted the attention of the French sculptor Auguste Rodin. About 1907 Brancusi began to work by direct carving as a means of distancing himself from Rodin's style. In Paris, Brancusi associated with many artists of the day, including Henri Rousseau, Henri Matisse, Fernand Léger, Amedeo Modigliani, and Marcel Duchamp. Brancusi showed five of his sculptures in the 1913 Armory Show in New York, and continued to exhibit widely throughout his life.


    From the 1920s to the 1940s Brancusi was preoccupied by the theme of a bird in flight. He concentrated not on the physical attributes of the bird but on its movement. In "Bird in Space" wings and feathers are eliminated, the swell of the body is elongated, and the head and beak are reduced to a slanted oval plane. Balanced on a slender conical footing, the figure's upward thrust is unfettered. Brancusi's inspired abstraction realizes his stated intent to capture "the essence of flight." This particular conception of "Bird in Space" is the first in a series of seven sculptures carved from marble and nine cast in bronze, all of which were painstakingly smoothed and polished.


    "Bird in Space" of 1923 was initially collected by Brancusi's great American patron John Quinn, who first saw the work in progress in the sculptor's Paris studio. Upon its completion in December 1923, Quinn had it shipped to New York, where nineteen years later, in 1942, it was acquired by Florene M. Schoenborn and her husband, Samuel A. Marx.

  • Exhibition History

    Paris, France: Centre Georges Pompidou, 14 avril au 21 août 1995. Philadelphia, Pennsylvania: Philadelphia Museum of Art, October 8 - December 31, 1995. ¦Brancusi¦, exh cat. #68, p. 203 (illus. in b&w and color).

486757

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