This drawing, like many others made at the beginning of his stay at Gósol, did not result in a canvas. However, the idea of male nudity was carried through in other paintings, and this sheet suggests that Picasso was considering a work that would contrast the Ages of Man. The anonymous adolescent reappears frequently in work made at Gósol, while the elder figure bears the features of Josep Fondevila, Picasso's aged and patient innkeeper. Although several drawings show Fondevila nude, it is not known whether Fondevila posed for them or simply inspired them.
Inscription: Signed in graphite, lower right: Picasso
[probably Würthle & Sohn, Vienna]; Scofield Thayer, Vienna and New York (ca. 1922–d. 1982; on extended loan to Worcester Art Museum, Massachusetts, 1939–82; his bequest to MMA)
Worcester Art Museum. "The Art of the Third Republic: French Painting 1870–1940," February 22–March 16, 1941, no. 42.
Worcester Art Museum. "The Dial and the Dial Collection," April 30–September 8, 1959, no. 198.
Worcester Art Museum. "'The Dial': Arts and Letters in the 1920s," March 7–May 10, 1981, no. 116.
Barcelona. Museu Picasso. "Picasso, 1905–1906: De l'epoca rosa als ocres de Gósol," February 5–April 19, 1992, no. 129.
Kunstmuseum Bern. "Picasso, 1905–1906: De l'epoca rosa als ocres de Gósol," May 8–June 26, 1992, no. 129.
New York Studio School. "Image and Eye: The Art of Goya and Picasso," October 24–November 11, 1995, unnumbered cat.
Paris. Musée Picasso. "Picasso 1901–1909: Chefs d'oeuvre du Metropolitan Museum of Art, New York," October 21, 1998–January 25, 1999, unnumbered cat. (fig. 3).
New York. The Metropolitan Museum of Art. "Picasso in The Metropolitan Museum of Art," April 27–August 1, 2010, no. 32.