Image: 43 1/2 x 17 3/8 in. (110.5 x 44.1 cm)
Overall: 71 3/4 x 20 1/4 in. (182.2 x 51.4 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Not on view
This pair of hanging scrolls (with 1977.172), though separated recently as is apparent from their different mountings, once formed part of a triptych flanking a central scroll that depicted the Daoist immortal Lu Dongbin (now in the Nelson-Atkins Museum, Kansas City). This schema, cultivated and popular in Zen temples in Japan, reflected the desire to express the underlying unity of the natural and spiritual worlds. The flying, calling, sleeping, and feeding geese reference the four fundamental aspects of monastic life.
Tesshū Tokusai was one of the most cultivated monks of early Japanese Zen Buddhism. As a spiritual discipline, he devoted himself to painting orchids and geese in the style of contemporary Chinese masters. The inscription on the left scroll, partially damaged, includes the date of the eleventh month, 1343, as well as the words for “Japan” and “a respected scholar.”
Marking: Seal (unidentified)
New York. The Metropolitan Museum of Art. "Arts of Japan," 1998.
New York. The Metropolitan Museum of Art. "Blossoms of Many Colors: A Selection from the Permanent Collection of Japanese Art," March 21, 2000–August 9, 2000.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.
New York. The Metropolitan Museum of Art. "Birds in the Art of Japan," February 2, 2013–July 28, 2013.