Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms

Underpainting attributed to Tawaraya Sōtatsu  (Japanese, died ca. 1640)

Calligrapher:
Hon'ami Kōetsu (Japanese, 1558–1637)
Period:
Momoyama period (1573–1615)
Date:
dated 1606
Culture:
Japan
Medium:
Poem card (shikishi) mounted as a hanging scroll; ink, gold, and silver on paper
Dimensions:
Overall: 7 15/16 x 7in. (20.2 x 17.8cm) Overall with mounting: 53 x 14 3/4 in. (134.6 x 37.5 cm) Overall with knobs: 53 x 16 1/2 in. (134.6 x 41.9 cm)
Classification:
Paintings
Credit Line:
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Accession Number:
1975.268.59
  • Description

    Nagamureba ni
    mono omou aki ni
    mata waga mi
    hitotsu no mine no
    matsu kaze

    Gazing into the distance,
    in a melancholy autumn mood,
    is it for me alone that winds
    howl through boughs of pines
    on that solitary peak?

    —Trans. John T. Carpenter

    This poem page is one of the earliest verifiable works by the influential calligrapher Hon’ami Kōetsu. The poem, included in the anthology New Collection of Ancient and Modern Poems (Shin kokin wakashū), is by the monk-poet Kamo no Chōmei (1153–1216), who was famous for his poems on cherry blossoms. Kōetsu and Tawaraya Sōtatsu produced many similar works on both individual sheets and handscrolls. Rarely do background motifs have any semantic or symbolic connection to the poems they accompany. Here, however, Kōetsu responded with élan to the decorated handscrolls and shikishi that Sōtatsu’s studio presented him to write upon.

60012565

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