Image: 25.7 x 35.6 cm (10 1/8 x 14 in.)
Frame: 60 x 75.2 cm (23 5/8 x 29 5/8 in.)
The J. Paul Getty Museum, Los Angeles
Not on view
When Silvy’s River Scene was first exhibited, in 1858, critics extolled the artist’s ability to transform the present-day scene before the camera into a perfect embodiment of the picturesque. In fact, Silvy went to great lengths to improve upon the beauty of nature. To add human interest to the rural landscape, he conscripted friends and locals to pose on both sides of the river and hired a technician to operate the camera while he directed the participants’ positions and gestures. The photograph was printed from two glass negatives, which he retouched extensively, painting in clouds, foliage, and reflections in the water.
The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.
Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.
Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 54, pp. 79, 221.