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Pine Trees in Pushkin Park
Morning Wash
Foxtrot
Asphalting a Street in Moscow
Vladimir Majakowski
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Impatient with the backwardness of Russia, and in search of a concrete, immediate art, Mayakovsky became the poet of a revolutionary regime. Rodchenko, a fellow revolutionary, evoked his friend's inner conviction in a series of brilliant portraits that match Boris Pasternak's description of his character: "He sat on a chair as on the saddle of a motorcycle....His way of carrying himself suggested something like a decision when it has been executed and its consequences are irrevocable. This decision was his very genius...and he had devoted his whole being to incarnate it without any pity or reserve."
Inscription: Artist's (?) studio stamp, verso LC: [illegible, in Russian]; inscribed in ink, verso UC: "geen negatief - ge Kregen van [illegible] // Rodchenko // Moskau Sept '60"; inscribed in pencil, verso C and LL: "30/40"; "v. Mayakovski, 1924", "Rochenko [sic] - 1"; [Translation of Dutch inscription by Janine Dudok van Heel: "No negative gotten from Rodchenko, Moscow Sept '60"]
[Edwynn Houk]; John C. Waddell, August 6, 1987
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