Exhibitions/ Art Object
{{img.publicCaption}}

Every Shot, Every Episode

Artist:
Jennifer McCoy (American, born 1968) and
Artist:
Kevin McCoy (American, born 1967)
Date:
2001
Medium:
Custom digital video playback installation with 277 video compact discs
Dimensions:
40.6 x 50.8 x 5.1 cm (16 x 20 x 2 in.)
Classification:
Variable Media
Credit Line:
Purchase, Henry Nias Foundation Inc. Gift, 2002
Accession Number:
2002.274
Rights and Reproduction:
© Jennifer and Kevin McCoy
Not on view
From Eugène Atget and Walker Evans to Conceptual artists such as Bernd and Hilla Becher, much photographic practice has been grounded in the idea of the archive as a means of collecting and constructing meaning from the made world, including its most seemingly insignificant and throwaway creations. Contributing to and reflecting upon the increasing proliferation of images in modern culture, painters such as Robert Rauschenberg and Andy Warhol in the 1960s incorporated directly onto their canvases some of the most debased forms of mass-media pictures-tabloid photographs of celebrities and suicides-through techniques such as collage, image transfer, and silkscreening so as to confront their unavoidable presence in our culture.

Unlike the archives of their predecessors, however, the McCoys pull apart, catalogue, and sequence thousands of individual shots that comprise a completely fictitious world-the 1970s cop show Starsky & Hutch. Lodged in the subconscious of an entire generation, the McCoys' banal source material is subjected to the nonlinear, nonnarrative logic of the computer database, grouped typologically by structural technique (every zoom in, every special effect), stock character (alcoholic, bookie), or action (car chase, drug use). Both novel and traditional, Every Shot, Every Episode is a witty and thorough critique of media imagery, a portable reference guide for those raised and reared by television, and an updated version of a tradition as old as photography itself.
The Metropolitan Museum of Art. "Modern Photographs from the Collection V," June 4, 2002–December 29, 2002.

The Metropolitan Museum of Art. "Indexing the World," May 25, 2004–September 19, 2004.

Related Objects

Phat Free

Artist: David Hammons (American, born 1943) Date: 1995/1999 Medium: Single-channel digital video, transferred from video tape, color, sound, 5 min., 4 sec. Accession: 2003.269 On view in:The Met Floor 2

Balzac, The Silhouette—4 A.M.

Artist: Edward J. Steichen (American (born Luxembourg), Bivange 1879–1973 West Redding, Connecticut) Date: 1908 Medium: Gum bichromate print Accession: 33.43.36 On view in:Gallery 809

11:00 A.M. Monday, May 9th, 1910. Newsies at Skeeter's Branch, Jefferson near Franklin. They were all smoking. Location: St. Louis, Missouri.

Artist: Lewis Hine (American, 1874–1940) Date: May 9, 1910 Medium: Gelatin silver print Accession: 1970.727.1 On view in:Not on view

Port Authority

Artist: Ray K. Metzker (American, 1931–2014) Date: 1966–67 Medium: Gelatin silver print Accession: 1990.1083 On view in:Not on view

Still from an Untitled Film

Artist: Cindy Sherman (American, born Glen Ridge, New Jersey, 1954) Date: 1978 Medium: Gelatin silver print Accession: 1992.5147 On view in:Not on view