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Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art, 1400–1700
April 3–September 3, 2012
Selected Highlights (81-120 of 131 Results)
Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller
Mathais Füssli the Youngest
(Swiss, Zurich 1671–1739 Zurich)
Date: 1694
Medium: Pen and brown ink, brush and brown wash
Accession Number: 2007.223.43
Joseph Sold by His Brothers into Egypt
Daniel Lindtmayer
(Swiss, Schaffhausen 1552–1606/1607 Lucerne)
Date: 1574
Medium: Pen and black ink.
Accession Number: 1996.415
Three Scenes from the Life of the Prophet Daniel
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1564
Medium: Pen and black ink. Framing line in pen and black ink.
Accession Number: 2009.335
St. Jerome in the Wilderness
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: 1509
Medium: Woodcut
Accession Number: 41.1.160
The Penitent St. Jerome
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1539–91
Medium: Pen and black and grey ink. Double framing line in pen and black ink, by the artist.
Accession Number: 2008.505
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp
(Swiss, Biel ca. 1557/60–ca. 1597/98 Bern)
Date: ca. 1570–80
Medium: Pen and black ink and gray wash
Accession Number: 2000.579
Christ Saving Eve
Hans Jakob Nüscheler the Elder
(Swiss, Zurich 1583–1654 Zurich)
Date: 1595–1654
Medium: Brush and gray and black ink
Accession Number: 2003.428
Study for a Stained Glass Window
Christoph Murer
(Swiss, Zurich 1558–1614 Winterthur)
Date: late 16th–early 17th century
Medium: Pen and black ink and gray wash; framing lines in brown ink
Accession Number: 1995.298
Battle Scene
Hans Heinrich Waegmann
(Swiss, Zurich 1559–ca. 1626 Lucern)
Date: ca. 1611–14
Medium: Pen and dark brown ink, brush and brown wash, over black chalk. Framing line in dark brown ink.
Accession Number: 2006.111
Allegory of Air and Earth
Bartholomäus Reiter
(German, 1583–1622 (active Munich))
Date: 1618
Medium: Pen and brown ink with gray and violet wash and white heightening over black chalk and graphite
Accession Number: 2001.530
An Allegory of Fortune with Two River Gods
Hans Jakob Ebelmann
(German, Speyer ca. 1570–ca. 1625 Speyer)
Date: 1624
Medium: Pen and black ink and grey and blue wash over black chalk
Accession Number: 2005.2
Landscape
Isaak Major
(German, Frankfurt am Main ca. 1576–1630/36 Vienna)
Date: early 17th century
Medium: Pen and blue ink, brush and blue wash
Accession Number: 66.93.5
Old St. Paul's Cathedral, London, seen from the East
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 17th century
Medium: Pen and brown ink and brown and gray wash over black chalk, squared in black chalk, and incised
Accession Number: 2010.529
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Medium: Black chalk and gray wash on a sheet of laid paper; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
Accession Number: 2002.484
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Medium: Plates: etching
Accession Number: 17.3.2641(1)
Design for a Chandelier with Sixteen Candles
Isaak Ehe
(German, Nuremberg 1586–1632 Nuremberg)
Date: 1632
Medium: Brush and brown, ochre, and gold paint, touches of orange and blue gouache, over a preliminary sketch in grey gouache(?) on vellum prepared with white.
Accession Number: 53.600.32
Design for a Chimneypiece with a Personification of Virtue
Anonymous, German, 17th century
Date: 1616
Medium: Pen and grey and black ink, brush and watercolor
Accession Number: 2011.171
Teutsche Academie der Bau-Bildhauer-und Maler-Kunst
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1675
Accession Number: 1981.1206
I) Uebrig gebliebene Merckzeichen von den Römischen Antiquitäten und der Bild=Hauer=Kunst der Alten in Basso-relievo ... Anmerckungen ... von der Mahlerey ..von Henrico Testelino
Edited by Johann Jakob von Sandrart
(German, Regensburg 1655–1698 Nuremberg)
Date: 1692
Medium: Engraving
Accession Number: 38.44.1
Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel
(German, Frankenthal 1613/14–1681 Frankfurt am Main)
Date: ca. 1635–45
Medium: watercolor on vellum
Accession Number: 68.66
A Male Teal
Johann Jakob Walther
(German, Saxony ca. 1604–ca. 1677 Strasburg)
Date: 1604–80
Medium: Watercolor and gouache heightened with gum Arabic
Accession Number: 2006.495
The Last Judgment
Michael Herr
(German, Metzingen bei Reutlingen 1591–1661 Nuremberg)
Date: ca. 1620
Medium: Pen and black ink over red chalk
Accession Number: 2000.580
The Last Judgment
Michael Herr
(German, Metzingen bei Reutlingen 1591–1661 Nuremberg)
Date: 1615–20
Medium: Pen and black ink with gray wash over black chalk
Accession Number: 1998.41.3
Three Scenes of the Assassination of Clerics
Augustin Braun
(German, Cologne ca. 1570–1639 Cologne)
Date: late 16th–mid-17th century
Medium: Pen and brown ink over graphite with brush and brown and gray wash; framing line in brown ink
Accession Number: 2003.374
The Prodigal Son Squanders his Fortune with Prostitutes
Augustin Braun
(German, Cologne ca. 1570–1639 Cologne)
Date: late 16th–mid-17th century
Medium: Pen and brown ink, brush and brown wash
Accession Number: 2003.515
Lot and His Daughters (recto); Rocky Landscape with a Castle and Bridge (verso)
Hermann Weyer
(German, Coburg 1596–ca. 1621 Coburg)
Date: ca. 1616
Medium: Pen and black ink, gray wash, white heightening on yellow prepared paper (recto); pen and black ink (verso)
Accession Number: 2005.118a, b
The Triumph of Cybele, after Paolo Fiammingo's 'Triumph of Earth'
Hans Friedrich Schorer
(German, ca. 1609–1649, (active Augsburg))
Date: 1634
Medium: Pen and black ink, gray wash and white heightening
Accession Number: 1998.41.8
Women Bathing in a Wood, Surprised by a Satyr
Balthasar Katzenberger
(German, Würzburg ca. 1580–after 1627 Würzburg (?))
Date: 1580–1627
Medium: Pen and gray ink and gray and blue-green wash. Double framing lines in pen and grey ink.
Accession Number: 2006.304
Standing Female Figure with an Anchor ("Spes")
Hinrich Degener
(German, Hamburg, ca. 1615/16)
Date: 1600–1630
Medium: Pen and brown ink, gray wash, heightened with white
Accession Number: 2000.155
The Wild Man
Conrad Meyer
(Swiss, Zürich 1618–1689 Zürich)
Date: 1649
Medium: Pen and black and white ink, brush and brown wash, heightened with white gouache, over traces of graphite.
Accession Number: 2006.481
Neptune and Amphitrite
Hans Ulrich Franck
(German, Kaufbeuren ca. 1590/95–1675 Ausburg)
Date: 1595–1675
Medium: Black chalk, traces of red chalk, pen and black ink and brown and gray wash, heightened with white
Accession Number: 2002.86
An Allegory of Chastity
Hans Ulrich Franck
(German, Kaufbeuren ca. 1590/95–1675 Ausburg)
Date: 1600–1675
Medium: Pen and black ink and gray wash over black lead, heightened with white
Accession Number: 2000.261
Venus and Cupid (r); Studies of a Woman (v.)
Nikolaus Knüpfer
(German, Leipzig 1603–1655/60 Utrecht)
Date: 1620–60
Medium: Pen and brown ink, brown wash and lead white heightening; framing lines in brown ink
Accession Number: 1999.151a, b
Pygmalion
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1662
Medium: Brush and gray and black wash, heightened with white.
Accession Number: 1996.414
The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 17th century
Medium: Red chalk
Accession Number: 2005.491
Christ on the Cross Between Mary and Saint John
Johann Christophorus Storer
(German, Konstanz ca. 1611/1620–1671 Konstanz/Milan (?))
Date: 1620–71
Medium: Pen and black ink, brush and brown wash, heightened with white over black chalk.
Accession Number: 1996.416
The Assumption of the Virgin
Johann Christophorus Storer
(German, Konstanz ca. 1611/1620–1671 Konstanz/Milan (?))
Date: 1641
Medium: Pen and black ink, gray wash, over black chalk or graphite; squared for transfer in graphite or black chalk
Accession Number: 2011.455
An Allegory of the Union of the House of Orange and the Wittelsbach Family (Design for a Title Page of a Thesis)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: mid-17th–late 17th century
Medium: Black chalk, pen and brown ink, gray wash
Accession Number: 2005.75
February (one of a series representing the labors of the months)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: 1690 or slightly earlier
Medium: Red chalk
Accession Number: 17.97.25
November (one of a series representing the labors of the months)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: 1690 or slightly earlier
Medium: Red chalk
Accession Number: 17.97.26
Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller
Mathais Füssli the Youngest
(Swiss, Zurich 1671–1739 Zurich)
Date: 1694
Accession Number: 2007.223.43
Joseph Sold by His Brothers into Egypt
Daniel Lindtmayer
(Swiss, Schaffhausen 1552–1606/1607 Lucerne)
Date: 1574
Accession Number: 1996.415
Three Scenes from the Life of the Prophet Daniel
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1564
Accession Number: 2009.335
St. Jerome in the Wilderness
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: 1509
Accession Number: 41.1.160
The Penitent St. Jerome
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1539–91
Accession Number: 2008.505
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp
(Swiss, Biel ca. 1557/60–ca. 1597/98 Bern)
Date: ca. 1570–80
Accession Number: 2000.579
Christ Saving Eve
Hans Jakob Nüscheler the Elder
(Swiss, Zurich 1583–1654 Zurich)
Date: 1595–1654
Accession Number: 2003.428
Study for a Stained Glass Window
Christoph Murer
(Swiss, Zurich 1558–1614 Winterthur)
Date: late 16th–early 17th century
Accession Number: 1995.298
Battle Scene
Hans Heinrich Waegmann
(Swiss, Zurich 1559–ca. 1626 Lucern)
Date: ca. 1611–14
Accession Number: 2006.111
Allegory of Air and Earth
Bartholomäus Reiter
(German, 1583–1622 (active Munich))
Date: 1618
Accession Number: 2001.530
An Allegory of Fortune with Two River Gods
Hans Jakob Ebelmann
(German, Speyer ca. 1570–ca. 1625 Speyer)
Date: 1624
Accession Number: 2005.2
Landscape
Isaak Major
(German, Frankfurt am Main ca. 1576–1630/36 Vienna)
Date: early 17th century
Accession Number: 66.93.5
Old St. Paul's Cathedral, London, seen from the East
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 17th century
Accession Number: 2010.529
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Accession Number: 2002.484
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Accession Number: 17.3.2641(1)
Design for a Chandelier with Sixteen Candles
Isaak Ehe
(German, Nuremberg 1586–1632 Nuremberg)
Date: 1632
Accession Number: 53.600.32
Design for a Chimneypiece with a Personification of Virtue
Anonymous, German, 17th century
Date: 1616
Accession Number: 2011.171
Teutsche Academie der Bau-Bildhauer-und Maler-Kunst
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1675
Accession Number: 1981.1206
Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel
(German, Frankenthal 1613/14–1681 Frankfurt am Main)
Date: ca. 1635–45
Accession Number: 68.66
A Male Teal
Johann Jakob Walther
(German, Saxony ca. 1604–ca. 1677 Strasburg)
Date: 1604–80
Accession Number: 2006.495
The Last Judgment
Michael Herr
(German, Metzingen bei Reutlingen 1591–1661 Nuremberg)
Date: ca. 1620
Accession Number: 2000.580
The Last Judgment
Michael Herr
(German, Metzingen bei Reutlingen 1591–1661 Nuremberg)
Date: 1615–20
Accession Number: 1998.41.3
Three Scenes of the Assassination of Clerics
Augustin Braun
(German, Cologne ca. 1570–1639 Cologne)
Date: late 16th–mid-17th century
Accession Number: 2003.374
The Prodigal Son Squanders his Fortune with Prostitutes
Augustin Braun
(German, Cologne ca. 1570–1639 Cologne)
Date: late 16th–mid-17th century
Accession Number: 2003.515
Lot and His Daughters (recto); Rocky Landscape with a Castle and Bridge (verso)
Hermann Weyer
(German, Coburg 1596–ca. 1621 Coburg)
Date: ca. 1616
Accession Number: 2005.118a, b
The Triumph of Cybele, after Paolo Fiammingo's 'Triumph of Earth'
Hans Friedrich Schorer
(German, ca. 1609–1649, (active Augsburg))
Date: 1634
Accession Number: 1998.41.8
Women Bathing in a Wood, Surprised by a Satyr
Balthasar Katzenberger
(German, Würzburg ca. 1580–after 1627 Würzburg (?))
Date: 1580–1627
Accession Number: 2006.304
Standing Female Figure with an Anchor ("Spes")
Hinrich Degener
(German, Hamburg, ca. 1615/16)
Date: 1600–1630
Accession Number: 2000.155
The Wild Man
Conrad Meyer
(Swiss, Zürich 1618–1689 Zürich)
Date: 1649
Accession Number: 2006.481
Neptune and Amphitrite
Hans Ulrich Franck
(German, Kaufbeuren ca. 1590/95–1675 Ausburg)
Date: 1595–1675
Accession Number: 2002.86
An Allegory of Chastity
Hans Ulrich Franck
(German, Kaufbeuren ca. 1590/95–1675 Ausburg)
Date: 1600–1675
Accession Number: 2000.261
Venus and Cupid (r); Studies of a Woman (v.)
Nikolaus Knüpfer
(German, Leipzig 1603–1655/60 Utrecht)
Date: 1620–60
Accession Number: 1999.151a, b
Pygmalion
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1662
Accession Number: 1996.414
The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 17th century
Accession Number: 2005.491
Christ on the Cross Between Mary and Saint John
Johann Christophorus Storer
(German, Konstanz ca. 1611/1620–1671 Konstanz/Milan (?))
Date: 1620–71
Accession Number: 1996.416
The Assumption of the Virgin
Johann Christophorus Storer
(German, Konstanz ca. 1611/1620–1671 Konstanz/Milan (?))
Date: 1641
Accession Number: 2011.455
An Allegory of the Union of the House of Orange and the Wittelsbach Family (Design for a Title Page of a Thesis)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: mid-17th–late 17th century
Accession Number: 2005.75
February (one of a series representing the labors of the months)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: 1690 or slightly earlier
Accession Number: 17.97.25
November (one of a series representing the labors of the months)
Jonas Umbach
(German, Augsburg 1624–1693 Augsburg)
Date: 1690 or slightly earlier
Accession Number: 17.97.26
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