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Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art, 1400–1700
April 3–September 3, 2012
Selected Highlights (1-100 of 131 Results)
Album of Tournaments and Parades in Nuremberg
Date: late 16th–mid-17th century
Medium: Pen and ink, watercolor, gold and silver washes; paper bound in gold-tooled leather
Accession Number: 22.229
Ecce Homo
Anonymous, German, 17th century
Date: late 16th–early 17th century
Medium: Silver, silver gilt, rosewood
Accession Number: 1973.286
Head of a Bearded Man
Anonymous, Bohemian, 14th century
Date: 1360–80
Medium: Pen and gray-brown ink, brush with gray-black and brown wash, traces of white gouache highlights.
Accession Number: 2003.29
Salvator Mundi
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: ca. 1505
Medium: Oil on wood
Accession Number: 32.100.64
Roundel with Christ Healing the Blind Man
Hirschvogel Workshop
Date: 1517–27
Medium: Colorless and pot-metal glass with vitreous paint
Accession Number: 2009.281
Head of a Woman
Anonymous, Bohemian, 15th century
Date: ca. 1405–10
Medium: Watercolor on vellum
Accession Number: 2010.119
Shrine
Matthias Walbaum
(Kiel, Germany 1554–1632 Augsburg, active Augsburg 1579–1632)
Date: 1598–1600
Medium: Ebony, silver, silver gilt, gouache on parchment
Accession Number: 17.190.823
Charity
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: ca. 1540
Medium: Bronze
Accession Number: 26.14.13
Christ in Gethsemane
Anonymous, German, 16th century
Date: ca. 1490
Medium: Pen and brown ink
Accession Number: 1998.264
Christ Appearing to Mary Magdalen
Master of the Drapery Studies
(German, Strasbourg, ca. 1470–1500)
Date: ca. 1490
Medium: Pen and brown ink, brush and brown wash, and black chalk
Accession Number: 57.32.1
Temperance
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: ca. 1540
Medium: Bronze
Accession Number: 1986.319.43
Welcome panel
Anonymous, Swiss
Date: early 17th century
Medium: Stained and enameled glass
Accession Number: 1974.28.190
The Crucifixion
Monogrammist G.Z.
(German, active ca. 1514–21)
Date: 1521
Medium: Woodcut
Accession Number: 23.80
Standing Madonna in Mourning
Monogrammist G.Z.
(German, active ca. 1514–21)
Date: 1520
Medium: Pen and black ink
Accession Number: 2004.162
Music-Making Angels
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1521
Medium: Pen and brown ink
Accession Number: 61.257
Saint John the Baptist in the Wilderness
Hans Süss von Kulmbach
(German, Kulmbach ca. 1480–1522 Nuremberg)
Date: ca. 1510–15
Medium: Pen and brown ink with traces of black chalk and brush and grey ink
Accession Number: 53.112
Saint Eustace and Saint George
Hans Süss von Kulmbach
(German, Kulmbach ca. 1480–1522 Nuremberg)
Date: ca. 1511
Medium: Pen and brown ink, brush and gray wash
Accession Number: 2007.405
Portrait of a man, bust-length, wearing a hat
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: ca. 1510–15
Medium: Red chalk
Accession Number: 2002.123
Landsknecht
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: early 16th century
Medium: Pen and iron gall ink
Accession Number: 2003.424
The Presentation of the Infant Jesus in the Temple
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: early to mid-16th century
Medium: Pen and brown ink, gray and some pink wash, red chalk
Accession Number: 62.124.3
The Return of the Prodigal Son
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: 1540
Medium: Pen and black ink, grey wash
Accession Number: 19.151.3
Return of the Prodigal Son, from The History of the Prodigal Son
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: ca. 1540
Medium: Engraving
Accession Number: 50.607.3
Joseph and Potiphar's Wife
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1510–65
Medium: Pen and black ink.
Accession Number: 50.605.2
Joseph and Potiphar's Wife, from The Story of Joseph
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date:
Medium: Engraving; second state of two (New Hollstein)
Accession Number: 49.132.82
Ammon and Jonadab
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1539
Medium: Pen and brown and black ink.
Accession Number: 50.605.1
Amnon and Jonadab, from The Story of Amnon and Tamar
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1540
Medium: Engraving; first state of two (New Hollstein)
Accession Number: 66.529.17
Two Children Playing with a Ball
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Medium: Pen and brown ink, brush and brown wash, heightened with white bodycolor
Accession Number: 2007.223.4
Perspectival Drawing of a Cradle
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Medium: Pen and black ink, brush and grey, and a reddish brown chalk
Accession Number: 2007.223.1
Perspectival Drawing of an Armchair
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Medium: Pen and black ink, brush and grey wash
Accession Number: 2007.223.2
Perspectival Drawing of a Column Base with Cube
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Medium: Pen and black ink, brush and grey wash
Accession Number: 2007.223.3
Perspectival Drawing of a Column Base with Geometrical Form
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Medium: Pen and black ink, brush and bluish grey and brown washes
Accession Number: 2007.223.5
Perspectival Drawing with Three Cubes
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Medium: Pen and black ink, brush and grey wash
Accession Number: 2007.223.6
Two studies for Saint Ulrich of Augsburg
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: ca. 1505–8
Medium: Pen and brown ink
Accession Number: 2010.531
Virgin and Child with a Cleric
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: ca. 1503–5
Medium: Pen and brown ink
Accession Number: 2006.582
Episode from the "Gesta Romanorum": The Emperor and the Page
Jörg Breu the Elder
(German, Augsburg 1480–1537 Augsburg)
Date: 1500–1537
Medium: Pen and black ink, gray wash. Framing line in pen and black ink.
Accession Number: 2009.446
Saint Thomas
Hans Holbein the Younger
(German, Augsburg 1497/98–1543 London)
Date: 1527
Medium: Pen and black ink, brush and gray wash, heightened with white
Accession Number: 2001.188
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Medium: Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines
Accession Number: 1995.269
Samson and Delilah
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1506
Medium: Pen and black ink with white heightening on brown prepared paper
Accession Number: 06.1051.2
The Emperor Maxentius Ordering the Burning of the Fifty Wise Men...
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1500–1538
Medium: Pen and brown ink, and wash over black chalk
Accession Number: 2003.3
Bust of a Man
Wolfgang Huber
(German, Feldkirch/Vorarlberg ca. 1485/90–1553 Passau)
Date: 1522
Medium: Black and white chalk on red prepared paper
Accession Number: 50.202
Bust of a Bearded Old Man
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Medium: Pen and black ink
Accession Number: 1997.19
The Bearer of the Banner of the Canton Glarus
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Medium: Pen and brown ink
Accession Number: 2003.323
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Date: 16th century
Medium: Pen and black ink
Accession Number: 1996.31
Urania
Wenzel Jamnitzer
(German, Vienna 1507/8–1585 Nuremberg)
Date: 1520–85
Medium: Black chalk
Accession Number: 2001.111
A Dog Looking to the Right
Tobias Stimmer
(Swiss, Schaffhausen 1539–1584 Strasbourg)
Date: 1564
Medium: Pen and grey ink, brush and black and grey wash
Accession Number: 2007.223.7
A Greyhound in Profile Facing Left
Virgil Solis
(German, (?) 1514–1562 Nuremberg)
Date: 1549
Medium: Pen and brown ink over graphite
Accession Number: 2001.497
Design for an Elaborate Fountain Surmounted by a Statue of St. Christopher; verso: Studies of Architectural Details
Wendel Dietterlin, the Elder
(German, Pfullendorf 1550/51–ca. 1599 Strasbourg)
Date: 1550–99
Medium: Pen and black ink, brush and grey wash; verso: black chalk and pen and black ink
Accession Number: 2006.89
Architectura von Ausstheilung / Symmetria und Proportion der Fünff Seulen
Wendel Dietterlin, the Elder
(German, Pfullendorf 1550/51–ca. 1599 Strasbourg)
Date: 1598
Medium: Etching
Accession Number: 19.4
Male Nude Lying on a Table
Monogrammist AW
(German, active ca. 1567 (?))
Date: 1567 (?)
Medium: Brush and black wash, watercolor, gouache
Accession Number: 2007.267
A Woman from Altmark
Melchior Lorck
(Danish, Flensburg 1526–after 1588 Hamburg (?))
Date: 1570
Medium: Pen and brown ink; framing lines in brown ink
Accession Number: 1995.299
The Circumcision
Hans Mielich
(German, Munich 1516–1573 Munich)
Date: 1516–73
Medium: Brush and brown ink, brown wash, white and yellowish bodycolor
Accession Number: 2007.436
Christ Presented to the People
Caspar Fraisinger
(German, Ochsenhausen near Biberach ca. 1560–1599 Ingolstadt)
Date: 1560–99
Medium: Pen and gray ink and gray wash, with white heightening
Accession Number: 1999.310
Venus Triumphant
Hans Werl
(German, Munich ca. 1570–1608 Munich)
Date: n.d.
Medium: Pen and black ink, gray wash, squared red chalk
Accession Number: 61.241
The Virgin and Child Surrounded by Little Angels in the Clouds
Friedrich Sustris
(German, Venice (?) ca. 1540–1599 Munich)
Date: ca. 1590
Medium: Pen and brown ink and grey wash with white heightening
Accession Number: 2001.283
The Siege of Fiesole by the Goths
Friedrich Sustris
(German, Venice (?) ca. 1540–1599 Munich)
Date: 1550–99
Medium: Black chalk, pen and brown ink, and brown wash, squared in black chalk; framing line in brown ink
Accession Number: 2004.54
Otto von Wittelsbach Liberates the Army from a Mountain Pass near Verona
Peter Candid (Pieter de Witte, Pietro Candido)
(Netherlandish, Bruges ca. 1548–1628 Munich)
Date: 1604
Medium: Black chalk, pen and black ink, gray wash
Accession Number: 2005.119
Pieta (Design for an Altar)
Peter Candid (Pieter de Witte, Pietro Candido)
(Netherlandish, Bruges ca. 1548–1628 Munich)
Date: ca. 1590–1600
Medium: Pen and black ink, gray wash
Accession Number: 2003.509
Design for a Tomb or Altar
Anonymous, German, 16th century
Date: late 16th century
Medium: Pen and brown ink and brown-gray wash
Accession Number: 2003.510
Ezekiel in the Valley of the Dry Bones
Georg Pecham
(German, Munich ca. 1568–1604 Munich)
Date: late 16th–mid-17th century
Medium: Pen and black ink, and brown, blue and pink wash
Accession Number: 2005.26
Diana Surprised at her Bath
Hans Rottenhammer, I
(German, Munich, 1564–1625, Augsburg)
Date: after 1610
Medium: Pen and ink
Accession Number: 2011.387
Rape of the Sabines
Hans Rottenhammer, I
(German, Munich, 1564–1625, Augsburg)
Date: 1600
Medium: Pen and brown ink, brown wash over black chalk
Accession Number: 1975.131.236
Design for an Ornamental Panel with the Figure of Astronomy
Johann Matthias Kager
(German, Munich 1575–1634 Augsburg)
Date: 1590–1637
Medium: Pen and black ink, brush and gray wash and ochre washes.
Accession Number: 1996.37
Christ Presented to the People
Georg Vischer
(German, Riedlingen ca. 1595–ca. 1637 Munich (?))
Date: early 17th century
Medium: Pen and brown ink and brown wash with white heightening; squared in red chalk
Accession Number: 1999.309
Madonna and Child with Mary Magdalen
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: late 16th–early 17th century
Medium: Black and red chalk
Accession Number: 2000.343
Satyrs and Nymphs
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: ca. 1599
Medium: Pen and black ink, brush and black washes, red chalk, heightened with white bodycolor, black chalk underdrawing
Accession Number: 2007.174
Tobias and the Angel
Hans von Aachen
(German, Cologne 1552–1616 Prague)
Date: 1552–1616
Medium: Black chalk, pen and brown ink, brown wash
Accession Number: 2005.418.17
Allegory of the Battle at Selimbar (October 28, 1599)
Hans von Aachen
(German, Cologne 1552–1616 Prague)
Date: 1552–1616
Medium: Pen and brown ink, brown and and red wash, over a sketch in red chalk
Accession Number: 2008.206
A Small Piece of Turf
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: 1584
Medium: Brush with gouache and watercolor over traces of charcoal underdrawing
Accession Number: 1997.20
A Hedgehog (Erinaceus roumanicus)
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: before 1584
Medium: Watercolor and gouache on vellum
Accession Number: 2005.347
Crucifixion
Jan Speckaert
(Netherlandish, born ca. 1540 Brussels, died 1577 Rome)
Date: before 1577
Medium: Pen and brown and brownish-black iron gall inks, brush and iron ink washes, heightened with white
Accession Number: 1999.85
The Resurrection of Christ
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: 1585
Medium: Pen and brown ink, brush and brown wash; graphite framing lines at left and top edges
Accession Number: 1996.52
The Flagellation of Christ
Matthäus Gundelach
(German, Hessen ca. 1566–1653/4 Augsburg)
Date: 1632
Medium: Black chalk, pen and brown ink, brush and brown wash, heightened with white
Accession Number: 2003.183
An Allegory of Wealth
Adam Gutmann
(German, Constance 1567–1637, active Salzburg)
Date: 1598
Medium: Pen and black ink, gray, brownish-green and pink washes
Accession Number: 2007.413
Allegory of Art
Joachim Lüchteke
(German, active 1595)
Date: 1595
Medium: Pen and black ink, brush and coloured washes, heightened with white, over red chalk
Accession Number: 2006.88
Allegory of Art
Peter Schmidt von Lichtenberg
(German, Lichtenberg 1585–1620 Breslau)
Date: 1609
Medium: Pen and black ink, brush and gray wash, heightened with white on yellow prepared paper
Accession Number: 1998.197
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 17.3.1876
Allegory of the Transience of Life
Christian Richter
(German, Altenburg ca. 1585/90–1667 Weimar)
Date: 1618
Medium: Pen and ink, brush and brown, blue and pink wash, heightened with white gouache
Accession Number: 2007.123
Zoller Album Amicorum
Date: 18th century
Medium: 75 sheets of laid paper inside a cardboard binding covered in marbled paper.
Accession Number: 2007.223
Allegory of Virtue
Johannes Meyer the Younger
(Swiss, Zurich 1655–1712 Zurich)
Date: 1692
Medium: Graphite with touches of pen and black ink
Accession Number: 2007.223.34
Allegory of the Transience of Life
Conrad Meyer
(Swiss, Zürich 1618–1689 Zürich)
Date: 1651
Medium: Pen and black ink
Accession Number: 2007.223.26
Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller
Mathais Füssli the Youngest
(Swiss, Zurich 1671–1739 Zurich)
Date: 1694
Medium: Pen and brown ink, brush and brown wash
Accession Number: 2007.223.43
Joseph Sold by His Brothers into Egypt
Daniel Lindtmayer
(Swiss, Schaffhausen 1552–1606/1607 Lucerne)
Date: 1574
Medium: Pen and black ink.
Accession Number: 1996.415
Three Scenes from the Life of the Prophet Daniel
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1564
Medium: Pen and black ink. Framing line in pen and black ink.
Accession Number: 2009.335
St. Jerome in the Wilderness
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: 1509
Medium: Woodcut
Accession Number: 41.1.160
The Penitent St. Jerome
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1539–91
Medium: Pen and black and grey ink. Double framing line in pen and black ink, by the artist.
Accession Number: 2008.505
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp
(Swiss, Biel ca. 1557/60–ca. 1597/98 Bern)
Date: ca. 1570–80
Medium: Pen and black ink and gray wash
Accession Number: 2000.579
Christ Saving Eve
Hans Jakob Nüscheler the Elder
(Swiss, Zurich 1583–1654 Zurich)
Date: 1595–1654
Medium: Brush and gray and black ink
Accession Number: 2003.428
Study for a Stained Glass Window
Christoph Murer
(Swiss, Zurich 1558–1614 Winterthur)
Date: late 16th–early 17th century
Medium: Pen and black ink and gray wash; framing lines in brown ink
Accession Number: 1995.298
Battle Scene
Hans Heinrich Waegmann
(Swiss, Zurich 1559–ca. 1626 Lucern)
Date: ca. 1611–14
Medium: Pen and dark brown ink, brush and brown wash, over black chalk. Framing line in dark brown ink.
Accession Number: 2006.111
Allegory of Air and Earth
Bartholomäus Reiter
(German, 1583–1622 (active Munich))
Date: 1618
Medium: Pen and brown ink with gray and violet wash and white heightening over black chalk and graphite
Accession Number: 2001.530
An Allegory of Fortune with Two River Gods
Hans Jakob Ebelmann
(German, Speyer ca. 1570–ca. 1625 Speyer)
Date: 1624
Medium: Pen and black ink and grey and blue wash over black chalk
Accession Number: 2005.2
Landscape
Isaak Major
(German, Frankfurt am Main ca. 1576–1630/36 Vienna)
Date: early 17th century
Medium: Pen and blue ink, brush and blue wash
Accession Number: 66.93.5
Old St. Paul's Cathedral, London, seen from the East
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 17th century
Medium: Pen and brown ink and brown and gray wash over black chalk, squared in black chalk, and incised
Accession Number: 2010.529
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Medium: Black chalk and gray wash on a sheet of laid paper; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
Accession Number: 2002.484
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Medium: Plates: etching
Accession Number: 17.3.2641(1)
Design for a Chandelier with Sixteen Candles
Isaak Ehe
(German, Nuremberg 1586–1632 Nuremberg)
Date: 1632
Medium: Brush and brown, ochre, and gold paint, touches of orange and blue gouache, over a preliminary sketch in grey gouache(?) on vellum prepared with white.
Accession Number: 53.600.32
Design for a Chimneypiece with a Personification of Virtue
Anonymous, German, 17th century
Date: 1616
Medium: Pen and grey and black ink, brush and watercolor
Accession Number: 2011.171
Teutsche Academie der Bau-Bildhauer-und Maler-Kunst
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1675
Accession Number: 1981.1206
I) Uebrig gebliebene Merckzeichen von den Römischen Antiquitäten und der Bild=Hauer=Kunst der Alten in Basso-relievo ... Anmerckungen ... von der Mahlerey ..von Henrico Testelino
Edited by Johann Jakob von Sandrart
(German, Regensburg 1655–1698 Nuremberg)
Date: 1692
Medium: Engraving
Accession Number: 38.44.1
Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel
(German, Frankenthal 1613/14–1681 Frankfurt am Main)
Date: ca. 1635–45
Medium: watercolor on vellum
Accession Number: 68.66
Album of Tournaments and Parades in Nuremberg
Date: late 16th–mid-17th century
Accession Number: 22.229
Ecce Homo
Anonymous, German, 17th century
Date: late 16th–early 17th century
Accession Number: 1973.286
Head of a Bearded Man
Anonymous, Bohemian, 14th century
Date: 1360–80
Accession Number: 2003.29
Salvator Mundi
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: ca. 1505
Accession Number: 32.100.64
Roundel with Christ Healing the Blind Man
Hirschvogel Workshop
Date: 1517–27
Accession Number: 2009.281
Head of a Woman
Anonymous, Bohemian, 15th century
Date: ca. 1405–10
Accession Number: 2010.119
Shrine
Matthias Walbaum
(Kiel, Germany 1554–1632 Augsburg, active Augsburg 1579–1632)
Date: 1598–1600
Accession Number: 17.190.823
Charity
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: ca. 1540
Accession Number: 26.14.13
Christ in Gethsemane
Anonymous, German, 16th century
Date: ca. 1490
Accession Number: 1998.264
Christ Appearing to Mary Magdalen
Master of the Drapery Studies
(German, Strasbourg, ca. 1470–1500)
Date: ca. 1490
Accession Number: 57.32.1
Temperance
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: ca. 1540
Accession Number: 1986.319.43
Welcome panel
Anonymous, Swiss
Date: early 17th century
Accession Number: 1974.28.190
The Crucifixion
Monogrammist G.Z.
(German, active ca. 1514–21)
Date: 1521
Accession Number: 23.80
Standing Madonna in Mourning
Monogrammist G.Z.
(German, active ca. 1514–21)
Date: 1520
Accession Number: 2004.162
Music-Making Angels
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1521
Accession Number: 61.257
Saint John the Baptist in the Wilderness
Hans Süss von Kulmbach
(German, Kulmbach ca. 1480–1522 Nuremberg)
Date: ca. 1510–15
Accession Number: 53.112
Saint Eustace and Saint George
Hans Süss von Kulmbach
(German, Kulmbach ca. 1480–1522 Nuremberg)
Date: ca. 1511
Accession Number: 2007.405
Portrait of a man, bust-length, wearing a hat
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: ca. 1510–15
Accession Number: 2002.123
Landsknecht
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: early 16th century
Accession Number: 2003.424
The Presentation of the Infant Jesus in the Temple
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: early to mid-16th century
Accession Number: 62.124.3
The Return of the Prodigal Son
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: 1540
Accession Number: 19.151.3
Return of the Prodigal Son, from The History of the Prodigal Son
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: ca. 1540
Accession Number: 50.607.3
Joseph and Potiphar's Wife
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1510–65
Accession Number: 50.605.2
Joseph and Potiphar's Wife, from The Story of Joseph
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date:
Accession Number: 49.132.82
Ammon and Jonadab
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1539
Accession Number: 50.605.1
Amnon and Jonadab, from The Story of Amnon and Tamar
Heinrich Aldegrever
(German, Paderborn ca. 1502–1555/1561 Soest)
Date: 1540
Accession Number: 66.529.17
Two Children Playing with a Ball
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Accession Number: 2007.223.4
Perspectival Drawing of a Cradle
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Accession Number: 2007.223.1
Perspectival Drawing of an Armchair
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1500–1546
Accession Number: 2007.223.2
Perspectival Drawing of a Column Base with Cube
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Accession Number: 2007.223.3
Perspectival Drawing of a Column Base with Geometrical Form
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Accession Number: 2007.223.5
Perspectival Drawing with Three Cubes
Peter Flötner
(German, Thurgau 1485–1546 Nuremberg)
Date: 1528
Accession Number: 2007.223.6
Two studies for Saint Ulrich of Augsburg
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: ca. 1505–8
Accession Number: 2010.531
Virgin and Child with a Cleric
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: ca. 1503–5
Accession Number: 2006.582
Episode from the "Gesta Romanorum": The Emperor and the Page
Jörg Breu the Elder
(German, Augsburg 1480–1537 Augsburg)
Date: 1500–1537
Accession Number: 2009.446
Saint Thomas
Hans Holbein the Younger
(German, Augsburg 1497/98–1543 London)
Date: 1527
Accession Number: 2001.188
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Accession Number: 1995.269
Samson and Delilah
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1506
Accession Number: 06.1051.2
The Emperor Maxentius Ordering the Burning of the Fifty Wise Men...
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date: 1500–1538
Accession Number: 2003.3
Bust of a Man
Wolfgang Huber
(German, Feldkirch/Vorarlberg ca. 1485/90–1553 Passau)
Date: 1522
Accession Number: 50.202
Bust of a Bearded Old Man
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Accession Number: 1997.19
The Bearer of the Banner of the Canton Glarus
Urs Graf
(Swiss, Solothurn ca. 1485–1529/30 Basel)
Date: 1521
Accession Number: 2003.323
The King's Sons Shooting at Their Father's Corpse
Anonymous, German, 16th century
Date: 16th century
Accession Number: 1996.31
Urania
Wenzel Jamnitzer
(German, Vienna 1507/8–1585 Nuremberg)
Date: 1520–85
Accession Number: 2001.111
A Dog Looking to the Right
Tobias Stimmer
(Swiss, Schaffhausen 1539–1584 Strasbourg)
Date: 1564
Accession Number: 2007.223.7
A Greyhound in Profile Facing Left
Virgil Solis
(German, (?) 1514–1562 Nuremberg)
Date: 1549
Accession Number: 2001.497
Design for an Elaborate Fountain Surmounted by a Statue of St. Christopher; verso: Studies of Architectural Details
Wendel Dietterlin, the Elder
(German, Pfullendorf 1550/51–ca. 1599 Strasbourg)
Date: 1550–99
Accession Number: 2006.89
Architectura von Ausstheilung / Symmetria und Proportion der Fünff Seulen
Wendel Dietterlin, the Elder
(German, Pfullendorf 1550/51–ca. 1599 Strasbourg)
Date: 1598
Accession Number: 19.4
Male Nude Lying on a Table
Monogrammist AW
(German, active ca. 1567 (?))
Date: 1567 (?)
Accession Number: 2007.267
A Woman from Altmark
Melchior Lorck
(Danish, Flensburg 1526–after 1588 Hamburg (?))
Date: 1570
Accession Number: 1995.299
The Circumcision
Hans Mielich
(German, Munich 1516–1573 Munich)
Date: 1516–73
Accession Number: 2007.436
Christ Presented to the People
Caspar Fraisinger
(German, Ochsenhausen near Biberach ca. 1560–1599 Ingolstadt)
Date: 1560–99
Accession Number: 1999.310
Venus Triumphant
Hans Werl
(German, Munich ca. 1570–1608 Munich)
Date: n.d.
Accession Number: 61.241
The Virgin and Child Surrounded by Little Angels in the Clouds
Friedrich Sustris
(German, Venice (?) ca. 1540–1599 Munich)
Date: ca. 1590
Accession Number: 2001.283
The Siege of Fiesole by the Goths
Friedrich Sustris
(German, Venice (?) ca. 1540–1599 Munich)
Date: 1550–99
Accession Number: 2004.54
Otto von Wittelsbach Liberates the Army from a Mountain Pass near Verona
Peter Candid (Pieter de Witte, Pietro Candido)
(Netherlandish, Bruges ca. 1548–1628 Munich)
Date: 1604
Accession Number: 2005.119
Pieta (Design for an Altar)
Peter Candid (Pieter de Witte, Pietro Candido)
(Netherlandish, Bruges ca. 1548–1628 Munich)
Date: ca. 1590–1600
Accession Number: 2003.509
Design for a Tomb or Altar
Anonymous, German, 16th century
Date: late 16th century
Accession Number: 2003.510
Ezekiel in the Valley of the Dry Bones
Georg Pecham
(German, Munich ca. 1568–1604 Munich)
Date: late 16th–mid-17th century
Accession Number: 2005.26
Diana Surprised at her Bath
Hans Rottenhammer, I
(German, Munich, 1564–1625, Augsburg)
Date: after 1610
Accession Number: 2011.387
Rape of the Sabines
Hans Rottenhammer, I
(German, Munich, 1564–1625, Augsburg)
Date: 1600
Accession Number: 1975.131.236
Design for an Ornamental Panel with the Figure of Astronomy
Johann Matthias Kager
(German, Munich 1575–1634 Augsburg)
Date: 1590–1637
Accession Number: 1996.37
Christ Presented to the People
Georg Vischer
(German, Riedlingen ca. 1595–ca. 1637 Munich (?))
Date: early 17th century
Accession Number: 1999.309
Madonna and Child with Mary Magdalen
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: late 16th–early 17th century
Accession Number: 2000.343
Satyrs and Nymphs
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: ca. 1599
Accession Number: 2007.174
Tobias and the Angel
Hans von Aachen
(German, Cologne 1552–1616 Prague)
Date: 1552–1616
Accession Number: 2005.418.17
Allegory of the Battle at Selimbar (October 28, 1599)
Hans von Aachen
(German, Cologne 1552–1616 Prague)
Date: 1552–1616
Accession Number: 2008.206
A Small Piece of Turf
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: 1584
Accession Number: 1997.20
A Hedgehog (Erinaceus roumanicus)
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: before 1584
Accession Number: 2005.347
Crucifixion
Jan Speckaert
(Netherlandish, born ca. 1540 Brussels, died 1577 Rome)
Date: before 1577
Accession Number: 1999.85
The Resurrection of Christ
Joseph Heintz the Elder
(Swiss, Basel 1564–1609 Prague)
Date: 1585
Accession Number: 1996.52
The Flagellation of Christ
Matthäus Gundelach
(German, Hessen ca. 1566–1653/4 Augsburg)
Date: 1632
Accession Number: 2003.183
An Allegory of Wealth
Adam Gutmann
(German, Constance 1567–1637, active Salzburg)
Date: 1598
Accession Number: 2007.413
Allegory of Art
Joachim Lüchteke
(German, active 1595)
Date: 1595
Accession Number: 2006.88
Allegory of Art
Peter Schmidt von Lichtenberg
(German, Lichtenberg 1585–1620 Breslau)
Date: 1609
Accession Number: 1998.197
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 17.3.1876
Allegory of the Transience of Life
Christian Richter
(German, Altenburg ca. 1585/90–1667 Weimar)
Date: 1618
Accession Number: 2007.123
Zoller Album Amicorum
Date: 18th century
Accession Number: 2007.223
Allegory of Virtue
Johannes Meyer the Younger
(Swiss, Zurich 1655–1712 Zurich)
Date: 1692
Accession Number: 2007.223.34
Allegory of the Transience of Life
Conrad Meyer
(Swiss, Zürich 1618–1689 Zürich)
Date: 1651
Accession Number: 2007.223.26
Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller
Mathais Füssli the Youngest
(Swiss, Zurich 1671–1739 Zurich)
Date: 1694
Accession Number: 2007.223.43
Joseph Sold by His Brothers into Egypt
Daniel Lindtmayer
(Swiss, Schaffhausen 1552–1606/1607 Lucerne)
Date: 1574
Accession Number: 1996.415
Three Scenes from the Life of the Prophet Daniel
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1564
Accession Number: 2009.335
St. Jerome in the Wilderness
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: 1509
Accession Number: 41.1.160
The Penitent St. Jerome
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 1539–91
Accession Number: 2008.505
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms
Hans Jakob Plepp
(Swiss, Biel ca. 1557/60–ca. 1597/98 Bern)
Date: ca. 1570–80
Accession Number: 2000.579
Christ Saving Eve
Hans Jakob Nüscheler the Elder
(Swiss, Zurich 1583–1654 Zurich)
Date: 1595–1654
Accession Number: 2003.428
Study for a Stained Glass Window
Christoph Murer
(Swiss, Zurich 1558–1614 Winterthur)
Date: late 16th–early 17th century
Accession Number: 1995.298
Battle Scene
Hans Heinrich Waegmann
(Swiss, Zurich 1559–ca. 1626 Lucern)
Date: ca. 1611–14
Accession Number: 2006.111
Allegory of Air and Earth
Bartholomäus Reiter
(German, 1583–1622 (active Munich))
Date: 1618
Accession Number: 2001.530
An Allegory of Fortune with Two River Gods
Hans Jakob Ebelmann
(German, Speyer ca. 1570–ca. 1625 Speyer)
Date: 1624
Accession Number: 2005.2
Landscape
Isaak Major
(German, Frankfurt am Main ca. 1576–1630/36 Vienna)
Date: early 17th century
Accession Number: 66.93.5
Old St. Paul's Cathedral, London, seen from the East
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 17th century
Accession Number: 2010.529
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Accession Number: 2002.484
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Accession Number: 17.3.2641(1)
Design for a Chandelier with Sixteen Candles
Isaak Ehe
(German, Nuremberg 1586–1632 Nuremberg)
Date: 1632
Accession Number: 53.600.32
Design for a Chimneypiece with a Personification of Virtue
Anonymous, German, 17th century
Date: 1616
Accession Number: 2011.171
Teutsche Academie der Bau-Bildhauer-und Maler-Kunst
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremberg)
Date: 1675
Accession Number: 1981.1206
Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel
(German, Frankenthal 1613/14–1681 Frankfurt am Main)
Date: ca. 1635–45
Accession Number: 68.66
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