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Byzantium and Islam: Age of Transition

Major support has been provided by Mary and Michael Jaharis, The Stavros Niarchos Foundation, and The Hagop Kevorkian Fund.

Additional support has been provided by the National Endowment for the Arts.

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Selected Artworks

Featured Media

Byzantium and Islam: Age of Transition

Program information

Examine aspects of images used by the Christian, Jewish, and emerging Muslim communities in the Byzantine Empire. Concludes with music that connects the three faiths.

Presented in conjunction with the exhibition Byzantium and Islam: Age of Transition, on view March 14 through July 8, 2012 at The Metropolitan Museum of Art.
http://www.metmuseum.org/exhibitions/listings/2012/byzantium-and-islam

The Icons of Sinai: Continuity at a Time of Controversy
Hieromonk Justin of Sinai

Jews and Samaritans in an Age of Transition
Steven Fine, professor of Jewish History, Yeshiva University, and Director, Yeshiva University Center for Israel Studies

Panel Discussion
Moderated by Helen C. Evans, Mary and Michael Jaharis Curator of Byzantine Art, Department of Medieval Art and The Cloisters, MMA

Performance
Music between East and West: Continuity and Change
Alan Gampel, pianist and musicologist Clive Greensmith, cellist

This Sunday at the Met is made possible by Coexist Foundation.
Major support for the exhibition has been provided by Mary and Michael Jaharis The Stavros Niarchos Foundation The Hagop Kevorkian Fund.
Additional support has been provided by the National Endowment for the Arts.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Byzantium and Islam

Age of Transition

March 14–July 8, 2012

Accompanied by a blog, a catalogue, and an Audio Guide

As the seventh century began, vast territories extending from Syria to Egypt and across North Africa were ruled by the Byzantine Empire from its capital, Constantinople (modern Istanbul). Critical to the wealth and power of the empire, these southern provinces, long influenced by Greco-Roman traditions, were home to Orthodox, Coptic, and Syriac Christians, Jewish communities, and others. Great pilgrimage centers attracted the faithful from as far away as Yemen in the east and Scandinavia in the west. Major trade routes reached eastward down the Red Sea past Jordan to India in the south, bringing silks and ivories to the imperial territories. Major cities made wealthy by commerce extended along inland trade routes north to Constantinople and along the Mediterranean coastline. Commerce carried images and ideas freely throughout the region.

In the same century, the newly established faith of Islam emerged from Mecca and Medina along the Red Sea trade route and reached westward into the empire's southern provinces. Political and religious authority was transferred from the long established Christian Byzantine Empire to the newly established Umayyad and later Abbasid Muslim dynasties. The new powers took advantage of existing traditions of the region in developing their compelling secular and religious visual identities. This exhibition follows the artistic traditions of the southern provinces of the Byzantine Empire from the seventh century to the ninth, as they were transformed from being central to the Byzantine tradition to being a critical part of the Islamic world.

From the Blog

A Final Note
Posted on July 31, 2012 by Brandie Ratliff
Ivory Panels
Posted on July 6, 2012 by Annie Labatt
Interview with the Registrar
Posted on July 5, 2012 by Annie Labatt