Parent Page/Current Page
Byzantium and Islam: Age of Transition

Major support has been provided by Mary and Michael Jaharis, The Stavros Niarchos Foundation, and The Hagop Kevorkian Fund.

Additional support has been provided by the National Endowment for the Arts.

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Selected Artworks

Featured Media

A Scholars' Day Workshop: Collecting Byzantine and Islamic Art Part 1

Program information

Organized by The Metropolitan Museum of Art and The Center for the History of Collecting in America at The Frick Collection, this Scholars' Day workshop took place in the Byzantium and Islam: Age of Transition exhibition galleries and the New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. Scholars and curators were invited to speak about different aspects of collecting Byzantine and Islamic works of art.

Recorded Monday, June 4, 2012

Part One of Six

Welcoming Remarks
Jennifer Mock, Assistant Museum Educator, The Metropolitan Museum of Art
Inge Reist, Chief of Research Collections and Programs, Director of the Center for the History of Collecting, Frick Art Reference Library

Morning Introduction
Helen Evans, Mary and Michael Jaharis Curator of Byzantine Art, Medieval Art and the Cloisters, The Metropolitan Museum of Art

Yale University's Collecting of Works from Gerasa, Jordan
Lisa Brody, Associate Curator of Ancient Art, Yale University Art Gallery

Byzantium and Islam

Age of Transition

March 14–July 8, 2012

Accompanied by a blog, a catalogue, and an Audio Guide

As the seventh century began, vast territories extending from Syria to Egypt and across North Africa were ruled by the Byzantine Empire from its capital, Constantinople (modern Istanbul). Critical to the wealth and power of the empire, these southern provinces, long influenced by Greco-Roman traditions, were home to Orthodox, Coptic, and Syriac Christians, Jewish communities, and others. Great pilgrimage centers attracted the faithful from as far away as Yemen in the east and Scandinavia in the west. Major trade routes reached eastward down the Red Sea past Jordan to India in the south, bringing silks and ivories to the imperial territories. Major cities made wealthy by commerce extended along inland trade routes north to Constantinople and along the Mediterranean coastline. Commerce carried images and ideas freely throughout the region.

In the same century, the newly established faith of Islam emerged from Mecca and Medina along the Red Sea trade route and reached westward into the empire's southern provinces. Political and religious authority was transferred from the long established Christian Byzantine Empire to the newly established Umayyad and later Abbasid Muslim dynasties. The new powers took advantage of existing traditions of the region in developing their compelling secular and religious visual identities. This exhibition follows the artistic traditions of the southern provinces of the Byzantine Empire from the seventh century to the ninth, as they were transformed from being central to the Byzantine tradition to being a critical part of the Islamic world.

From the Blog

A Final Note
Posted on July 31, 2012 by Brandie Ratliff
Ivory Panels
Posted on July 6, 2012 by Annie Labatt
Interview with the Registrar
Posted on July 5, 2012 by Annie Labatt