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Masterworks from the Met - Jerrilynn Dodds

The Denial of St. Peter

Jerrilynn Dodds, Dean, Sarah Lawrence College.

The Baroque period yielded some of the most vital and brilliant artists of all time. Opulent courts, powerful patrons, colliding cultures, strengthening religions, and increasingly complex politics provided the backdrop for painting to become a potent expression of the moment. This series explores a work from the Met’s collection by each of three monumental figures of this remarkable age—Caravaggio, Velázquez, and Rubens. From different corners of Europe, these great masters provide three different interpretations of Baroque art.

Today's topic:
Caravaggio: The Denial of Saint Peter, (1571–1610)

This series is made possible in part by the Samuel White Patterson Lecture Fund.

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Tickets to this event include Museum admission.

Above: Caravaggio (Michelangelo Merisi),  (Italian, 1571–1610). The Denial of Saint Peter (detail). Oil on canvas; 37 x 49 3/8 in. (94 x 125.4 cm). The Metropolitan Museum of Art, New York, Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997 (1997.167)

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