Ticketed Talk

Beethoven: The Sights and Sounds of the Romantic Sublime

Evening: Landscape with an Aqueduct (detail)

Marsha Morton, Professor, Pratt Institute

Beethoven began composing in the 1790s, when theories of Romanticism and the sublime were being formulated in Germany. This talk will consider the context within which his music came to embody the dark drives, metaphysical essence, and "endless longing" (E. T. A. Hoffmann) that inspired generations of musicians, artists, and writers, and figured prominently in shifting definitions of artistic and national identity.

Above: Théodore Gericault (French, 1791–1824). Evening: Landscape with an Aqueduct (detail), 1818. The Metropolitan Museum of Art, New York, Purchase, Gift of James A. Moffett 2nd, in memory of George M. Moffett, by exchange, 1989 (1989.183)

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Featuring: Artist in Residence The Civilians, Attacca Quartet, Ryoji Ikeda's Superposition, John Zorn, Salif Keita, Cory Arcangel, Christopher Taylor, Cecile McLorin Salvant, Henry Louis Gates, Jr., Anna Wintour, and more.

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The Grace Rainey Rogers Auditorium and the Ruth and Harold D. Uris Center for Education are equipped with infrared sound enhancement systems (with headsets and neck loops). To obtain a headset or neck loop please ask an usher. Headsets and neck loops are available free of charge with identification. Real-time captioning is also available upon request.