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The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis

The exhibition is made possible by the Michel David-Weill Fund.

Selected Works

  • King
    King

    Date: ca. 1150–1200

  • King
    King

    Date: ca. 1150–1200

  • Queen
    Queen

    Date: ca. 1150–1200

  • Queen
    Queen

    Date: ca. 1150–1200

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The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis

Program information

Presented in conjunction with the exhibition The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis (on view November 15, 2011–April 22, 2012), this Sunday at the Met program explores what the Isle of Lewis chessmen can tell us about the development of chess as both a game and an art form.

Recorded March 4, 2012

Introduction
Barbara Drake Boehm, Department of Medieval Art and The Cloisters, The Metropolitan Museum of Art

The Art and Evolution of Chess
Dylan Loeb McClain, The New York Times chess columnist

Made for Laughs: How Comic Are the Lewis Chessmen?
James Robinson, senior curator, Late Medieval Collections, Department of Prehistory and Europe, The British Museum

Before TV and Computers: Playing Games in the Middle Ages
Charles T. Little, curator, Department of Medieval Art and The Cloisters, The Metropolitan Museum of Art

The exhibition is made possible by the Michel David-Weill Fund.

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The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis

Program information

British Museum curator James Robinson joins Met curator Barbara Drake Boehm for a conversation about the mysterious origins, playful details, and superb craftsmanship of the Lewis Chessmen, on the occasion of the Cloisters exhibition The Game of Kings: Medieval Ivory Chessmen from the Isle of Lewis.

The Game of Kings is on view at The Cloisters, the Metropolitan Museum's branch in northern Manhattan for medieval art, from November 15, 2011, through April 22, 2012.

The Game of Kings

Medieval Ivory Chessmen from the Isle of Lewis

November 15, 2011–April 22, 2012

The Romanesque Hall (The Cloisters)

Accompanied by a blog

In 1831, a hoard of luxury goods—including more than seventy chess pieces and several other objects, all made of carved walrus ivory and dating from the twelfth century—was unearthed on the Isle of Lewis off the west coast of Scotland. The chess pieces (thereafter known as the Lewis Chessmen), which come from at least four distinct, but incomplete sets, are arguably the most famous chess pieces in the world today, and are among the icons of the collections of the British Museum in London and the National Museum of Scotland in Edinburgh. For this exhibition, more than thirty chessmen from the collection of the British Museum are being shown at The Cloisters, the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. This represents the first time such a large ensemble of the chessmen has traveled outside the United Kingdom. After the showing in New York, they will return to London.

The Lewis Chessmen are generally believed to have been made in Norway. Stylistic similarities to sculpture point specifically to the Norwegian city of Trondheim, as does archaeological evidence of workshops for the carving of walrus ivory. At the time that the chessmen were carved, the seat of political and ecclesiastical control of the Isle of Lewis was in Norway, and shipping lanes from Norway to Ireland went past the Outer Hebrides. The Lewis hoard may represent a merchant's wares, lost or abandoned on the isle in the twelfth century.

Each of the pieces is a delightful sculpture in miniature, with a specific, individualized character. The kings all sit with their swords on their laps, but some have long hair and beards, and others are clean shaven. The knights wear distinct headgear, carry different shields, and ride different shaggy ponies. Among the warders (rooks) in the exhibition, who are represented as foot soldiers, one bites the top of his shield, barely containing his frenzied eagerness for battle. Scholars have identified such figures as berserkers (the soldiers of Odin from Norse mythology), known from the Heimskringla—the Chronicle of the Kings of Norway—of the poet Snorri Sturluson (ca. 1179–1241).

The exhibition at The Cloisters, in the center of the Romanesque Hall, takes the form of the endgame of a famous chess match. The fallen pieces, organized by type, are displayed in auxiliary cases along the edges of the room. Examples of medieval chessmen from the Metropolitan's Main Building are also displayed nearby.

The game of chess is believed to have originated in India in the sixth century A.D., and to have spread west first through Persia, and then through the Islamic territories, until it reached Europe. As played today, chess is an important legacy of the Middle Ages. The piece in the form of an elephant in Indian chess was transformed into a bishop of the church in medieval Europe. And the piece that accompanied the king—his advisor or vizier—became the queen. The Lewis Chessmen are among the earliest examples in which both bishops and queens are found. Although they are now all white, some of the Lewis Chessmen were stained red, according to an early report. (The use of black and white chess pieces did not become standard until later.)

From the Blog

High Ground
Posted on April 20, 2012 by Barbara Drake Boehm
End Game
Posted on April 17, 2012 by Barbara Drake Boehm
A Ruler's Riddle
Posted on April 10, 2012 by Larry List