The Costume Institute's collection of more than thirty-five thousand costumes and accessories represents five continents and seven centuries of fashionable dress, regional costumes, and accessories for men, women, and children, from the fifteenth century to the present.
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Friday, July 12, 2013
I learned from visiting PUNK: Chaos to Couture that punk was an ironic movement and that its irony has contributed to its staying power. When punk started in the mid-1970s, it was dealing with a social landscape that had lost sight of its goals. The hippies said they wanted a revolution, but changing the world is not a passive exercise. That's where the punks came in.
Posted: Friday, July 5, 2013
In my drawing at left, I wanted to create a visual response of sorts to what I saw in PUNK: Chaos to Couture, namely the D.I.Y.: Hardware gallery.
Posted: Monday, July 1, 2013
Shhhh! The dresses in the D.I.Y.: Hardware gallery in PUNK: Chaos to Couture are punk undercover. In contrast to the more obviously punk shirts, pants, trash-bag dresses, and tie-dye ball gowns in the rest of the exhibition, these clothes are not necessarily meant to be punk. It is obvious, however, that they are indeed influenced by punk style.
Posted: Friday, June 21, 2013
The punk aesthetic of the 1970s, its underground survival throughout the 1980s, and its high-fashion revival in the 1990s have profoundly shaped what it means to be a rebellious youth. To be punk means to express one's disillusionment with the status quo and to challenge it.
Posted: Thursday, June 13, 2013
When I walked into the Metropolitan Museum's PUNK: Chaos to Couture exhibition, I was not expecting big-name designers. Punk was supposedly a movement for nobody and nothing, wasn’t it? However, upon walking into the exhibition's catacomb of glorified dissension, replete with pieces from Galliano, Dolce and Gabbana, and Prada, I soon realized that the designer clothes on display are a testament to punk's power. I didn't used to associate names like Versace and Dior with crusty-shirted tribalism and deconstructionism, but punk has so changed the landscape for artistic expression that Givenchy and Johnny Rotten can now coexist happily in the same place.
Posted: Monday, January 14, 2013
When the Brooklyn Museum transferred its costume collection to the Metropolitan Museum's Costume Institute in January 2009, the Met acquired an impressive array of garments from renowned European and American designers. Some highlights from the collection were featured in the related 2010 exhibitions American Woman: Fashioning a National Identity at the Met and American High Style: Fashioning a National Collection at the Brooklyn Museum. Yet the collection also contains a set of objects with noteworthy local origins: garments and accessories made by Brooklyn-based clothing and accessory makers—milliners, tailors, and dressmakers—working independently or in department stores during the nineteenth and twentieth centuries.
Posted: Tuesday, September 18, 2012
The Costume Institute's next exhibition swerves to the streets and clubs of New York and London, then to ateliers and runways with PUNK: Chaos to Couture. The exhibition, on view from May 9 through August 11, 2013, will examine punk's impact from the 1970s to its continuing influence on high fashion now.
Posted: Tuesday, December 13, 2011
Sixty-five years ago today, on December 13, 1946, The Costume Institute's first exhibition at the Metropolitan Museum opened to the public.
Posted: Wednesday, August 3, 2011
At the Met, we're always eager to hear from our online community through our various social media channels. Whether it's a comment about the Featured Artwork of the Day on our Facebook page, a question posed on Twitter, or a photograph posted to our Flickr group pool, our online visitors' responses are thoughtful and varied, and we enjoy reading and responding to them. Recently, the exhibition Alexander McQueen: Savage Beauty provided the Museum with an opportunity to hear from our online community in a new way; on a special McQueen page, we invited visitors to answer the question "What made you realize that fashion is an art form?" Not surprisingly, we received a wonderful range of responses, and we're excited to share them with you.