Posted: Wednesday, October 9, 2013
Janet Cardiff's The Forty Part Motet, currently on view through December 8, boasts the distinction of being the first exhibition of contemporary art in the seventy-five-year history of The Cloisters museum and gardens. A sound installation consisting of forty speakers mounted on tall stands and arranged in a large oval, Cardiff's work seems to have found its ideal home in the Fuentidueña Chapel—dominated by the monumental twelfth-century apse brought to The Cloisters from the church of San Martín in Fuentidueña, Spain.
Posted: Tuesday, October 8, 2013
This year's Artist in Residence program brings Alarm Will Sound, one of the most creative ensembles working today, to the Met. Just beyond the cutting edge of music, dance, and theater, this hugely respected and highly accomplished group of performer-composers turns its collective imagination for one year to the Met's permanent collection and galleries.
Posted: Friday, October 4, 2013
We just posted my episode, entitled Breakthrough, as part of 82nd & Fifth, the award-winning web series that has introduced our audience and our curators to a whole new way of looking at works of art: one object, one curator, two minutes at a time. I chose one of my favorite masterpieces—a Bernard van Orley tapestry of The Last Supper from 1524—and was amazed by the stunning details that Met photographer Peter Zeray was able to capture. This is the 75th of this 100-episode project, and I hope you take some time to enjoy them all.
Posted: Wednesday, October 2, 2013
In celebration of the New European Paintings Galleries, 1250–1800, the Museum hosted two special evenings of concerts on September 17 and 18. Music and art came together to illuminate the time period represented by the galleries, creating a resonant cultural experience.
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.
Posted: Monday, September 23, 2013
MetPublications is a portal to the Museum's comprehensive book and online publishing program from 1964 to the present, offering free content and information from an encyclopedic collection of publications—including exhibition catalogues, collection catalogues, Museum guides, and educational materials. And now, with the addition of two hundred thirty-five issues of The Metropolitan Museum of Art Bulletin spanning the past fifty years, MetPublications currently boasts close to nine hundred titles.
Posted: Monday, September 16, 2013
Posted: Wednesday, September 11, 2013
Earlier this year, the Met became the first art museum to ever receive a TEDx license to hold a conference in the style of the globally known TED Talks. We chose the (broadly interpreted) theme of Icons and started to plan right away...
Posted: Friday, September 6, 2013
As an art historian, my goal is to offer information and insight. As a teacher, I hope to encourage people to discuss, discover, and explore. Where is the balance between these things in museum teaching and interpretation? When and how is information meaningful? How do we help visitors look closely and relate to what they see? These are some of the questions that guided me during my Kress Interpretive Fellowship at the Met this past year. My main project was a thematic, digital publication focusing on teaching adults in the European Paintings collection. The exciting final result is Looking to Connect with European Paintings: Visual Approaches for Teaching in the Galleries—it has just been released and is available as a free download (PDF) within MetPublications.
Posted: Thursday, September 5, 2013
Although theatrical plays had been presented at the original Cloisters museum at 699 Fort Washington Avenue until its closing in February 1936, it was not until the performance of The Miracle of Theophilus at The Cloisters' current home in January 1942 that a medieval drama was produced for the first time. Envisioned and organized by the curatorial staff, with a text translated from the original French into English by Curator James Rorimer—later director of The Metropolitan Museum of Art—and costumes designed by Associate Curator Margaret Freeman, the thirteenth-century play was enjoyed by a group of Museum members on the Feast of the Epiphany. Thus began a tradition of medieval theatrical performances at The Cloisters.