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Douglas Eklund, Associate Curator, Department of Photographs
Posted: Wednesday, September 22, 2010
Inside the museum—not just the Met but any art museum—photography has been birthed in hallways. It began to spring from the shoulders of museums' print departments in the 1920s and 1930s, when modernism was making a case for photography as an independent art form. Over the decades it has spread institutionally through the in-between spaces that architecturally mirror the medium's proudly mongrel status as both art and not art.
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