Posted: Tuesday, January 31, 2012
"Pity my life and be my wife."
These words were delivered in a round, white box to a Miss Oliver in Hythe, Southampton, in the mid-nineteenth century. The box contained a beautiful Valentine's Day card covered in lace, with a basket of textile flowers in its center. Although we may never know if Miss Oliver accepted the somewhat woefully expressed petition of the man who loved her, we do know that the card and even its container survived the test of time, cherished at the very least as a keepsake.
Posted: Friday, January 20, 2012
Alisa LaGamma, curator of Heroic Africans: Legendary Leaders, Iconic Sculptures and author of the accompanying catalogue, recently discussed the Commemorative figure of a priestess, one of the masterpieces from the exhibition, for the Yale University Press blog.
Posted: Monday, January 9, 2012
By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos.
Posted: Thursday, January 5, 2012
The Museum Library, authorized by the Museum's 1870 charter and formally established in 1880, is one of the world's great collections of art historical research materials. However, thousands of printed books in the Library and other departments of the Museum are deteriorating rapidly through heavy use, acidic paper, or both. In some cases, important information has already been lost.
Posted: Wednesday, January 4, 2012
Posted: Tuesday, December 13, 2011
Sixty-five years ago today, on December 13, 1946, The Costume Institute's first exhibition at the Metropolitan Museum opened to the public.
Posted: Wednesday, December 7, 2011
In commemoration of the tenth anniversary of the events of September 11, 2001, the Museum mounted a small exhibition, The 9/11 Peace Story Quilt in the Ruth and Harold D. Uris Center for Education. On September 11, 2011, Museum visitors from all walks of life participated in various special events at the Museum: a lecture by artist Faith Ringgold—who designed the quilt with New York City youth—poetry readings, and a memorial concert.
Posted: Friday, November 18, 2011
Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.
Posted: Tuesday, November 15, 2011
One hundred and twenty-five years ago today, on November 15, 1886, The Metropolitan Museum of Art's Board of Trustees officially approved the establishment of the institution's first curatorial departments—the Department of Paintings, Department of Sculpture, and Department of Casts.
Posted: Wednesday, November 9, 2011
Caricatures and satires are generally created to comment on specific events or moments in history. The Headache, Enrique Chagoya's print of President Obama, for example, reminds us of the strident debates that took place more than a year ago about changes to the U.S. healthcare system. Chagoya based his image on a nineteenth-century print by George Cruikshank entitled The Head Ache that illustrates a man attacked by hammering and drilling demons who are the source of his woes.