Francesco Sapori. La dodicesima esposizione d'arti a Venezia—1920. Bergamo, 1920, p. 51.
Odilon Redon, 1840–1916. Exh. cat., Matthiesen Gallery. London, 1959, unpaginated, no. 75, ill.
Anita Brookner. "Current and Forthcoming Exhibitions: London." Burlington Magazine 104 (March 1962), p. 130, fig. 35.
XIX and XX Century French Paintings, Drawings, and Bronzes. Exh. cat., Lefevre Fine Art Ltd. London, 1962, pp. 2, 17, no. 13 [see Ref. Sterling and Salinger 1967], dates it about 1906; erroneously labels it as no. 12.
Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, p. 13, ill., date it about 1912–14; mention that this bouquet is treated with greater definition than the one in "Flowers in a Chinese Vase" (MMA 59.16.3) and note that the vase in the two paintings appears to be the same, but seen here from the other side.
Louise d'Argencourt. 1912: Break up of Tradition/Traditions et ruptures. Exh. cat., Winnipeg Art Gallery. Winnipeg, 1987, pp. 188–89, ill., dates it about 1912–14.
Susan Alyson Stein in Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. Exh. cat., Yokohama Museum of Art. [Tokyo], 1989, pp. 150, no. 95, ill. (color).
Denys Sutton in Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. Exh. cat., Yokohama Museum of Art. [Tokyo?], 1989, p. 25.
Alec Wildenstein. "Fleurs et paysages." Odilon Redon: Catalogue raisonné de l'œuvre peint et dessiné. 3, Paris, 1996, pp. 108–9, no. 1518, ill. (color and black and white).