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465 records
William Hogarth x
Shrimp Girl
After William Hogarth
(British, London 1697–1764 London)
Date: late 18th century
Medium: Copper plate, plated with steel?
Accession Number: 21.55.1
The Company of Undertakers
William Hogarth
(British, London 1697–1764 London)
Date: 1736
Medium: Etching and engraving; second state of two
Accession Number: 91.1.45
Arms for the Foundling Hospital, ca. 1747
After William Hogarth
(British, London 1697–1764 London)
Date: December 22, 1781
Medium: Etching
Accession Number: 32.35(81)
Frontispiece to "The Humours of Oxford"
After William Hogarth
(British, London 1697–1764 London)
Date: April 1730
Medium: Etching and engraving
Accession Number: 32.35(253)
The Good Samaritan (St. Luke, Ch. X, ver. 30)
after William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Medium: Etching and engraving
Accession Number: 32.35(210)
The Author's Benefit: Pasquin
Possibly after William Hogarth
(British, London 1697–1764 London)
Date: 1736
Medium: Etching
Accession Number: 91.1.38
Cruelty in Perfection (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Medium: Etching and engraving; only state
Accession Number: 91.1.138
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
Etched and published by Richard Livesay
(British, 1753–1823)
Date: March 1, 1782
Medium: Etching
Accession Number: 32.35(83)
A Midnight Modern Conversation
William Hogarth
(British, London 1697–1764 London)
Date: March, 1732
Medium: Engraving; second state of three; printed in red ink
Accession Number: 91.1.78
Sarah Malcolm
Copy after William Hogarth
(British, London 1697–1764 London)
Date: after 1733
Medium: Etching and engraving
Accession Number: 32.35(184)
Portraits of Lord Melcombe and Lord Winchelsea
After William Hogarth
(British, London 1697–1764 London)
Date: December 22, 1781
Medium: Etching and engraving
Accession Number: 17.3.2714
Marriage a La Mode Plate II
William Hogarth
(British, London 1697–1764 London)
Date: April 1745
Medium: Engraving; second state of four
Accession Number: 32.35(9)
Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 10)
William Hogarth
(British, London 1697–1764 London)
Date: April 1726
Medium: Etching and engraving
Accession Number: 32.35(108)
The Fellow 'Prentices at their Looms (Industry and Idleness, plate 1)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; second state of two
Accession Number: 91.1.9
A Rake's Progress Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Medium: Engraving; first state of three
Accession Number: 32.35(32)
Bishop Hoadly
After William Hogarth
(British, London 1697–1764 London)
Date: July 1743
Medium: Etching and engraving; first state of two
Accession Number: 91.1.142
Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 5)
William Hogarth
(British, London 1697–1764 London)
Date: February 1725–26
Medium: Etching and engraving; second state of five
Accession Number: 32.35(134)
Portrait of William Huggins, translator of Ariosto
After William Hogarth
(British, London 1697–1764 London)
Date: 1760
Medium: Engraving
Accession Number: 32.35(183)
A Silver Mine at Sala - I (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 1)
William Hogarth
(British, London 1697–1764 London)
Date: 1723–24
Medium: Etching and engraving
Accession Number: 32.35(226)
The Idle 'Prentice at Play in the Church Yard (Industry and Idleness, plate 3)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; second state of two
Accession Number: 91.1.11
Ticket for Fielding's The Mock Doctor
After William Hogarth
(British, London 1697–1764 London)
Date: April 1733?
Medium: Etching
Accession Number: 91.1.43
The Second Stage of Cruelty (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Medium: Etching and engraving; first state of two
Accession Number: 91.1.137
Frontispiece to Moliere's "L'Avare"
After William Hogarth
(British, London 1697–1764 London)
Date: 1732
Medium: Etching and engraving; second state of three
Accession Number: 32.35(254)
Cruelty in Perfection (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Medium: Etching and engraving; only state
Accession Number: 32.35(120)
A Rake's Progress, Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Medium: Etching and engraving; third state of three
Accession Number: 91.1.87
Fustium Admonitio (Beaver's Roman Military Punishments, 1725, Chapter 13)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Medium: Etching
Accession Number: 32.35(88)
The Committee (Twelve Large Illustrations for Samuel Butler's Hudbras, Plate 10)
William Hogarth
(British, London 1697–1764 London)
Date: February 1725
Medium: Etching and engraving; fourth state of five
Accession Number: 91.1.103
Debates on Palmistry
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1782
Medium: Etching
Accession Number: 91.1.6
Boys Peeping at Nature
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1782
Medium: Etching and aquatint
Accession Number: 32.35(206)
The Industrious 'Prentice Grown Rich and Sheriff of London (Industry and Idleness, plate 8)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; first state of two
Accession Number: 32.35(45)
Shrimp Girl
After William Hogarth
(British, London 1697–1764 London)
Date: late 18th century
Accession Number: 21.55.1
The Company of Undertakers
William Hogarth
(British, London 1697–1764 London)
Date: 1736
Accession Number: 91.1.45
Arms for the Foundling Hospital, ca. 1747
After William Hogarth
(British, London 1697–1764 London)
Date: December 22, 1781
Accession Number: 32.35(81)
Frontispiece to "The Humours of Oxford"
After William Hogarth
(British, London 1697–1764 London)
Date: April 1730
Accession Number: 32.35(253)
The Good Samaritan (St. Luke, Ch. X, ver. 30)
after William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Accession Number: 32.35(210)
The Author's Benefit: Pasquin
Possibly after William Hogarth
(British, London 1697–1764 London)
Date: 1736
Accession Number: 91.1.38
Cruelty in Perfection (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Accession Number: 91.1.138
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
Etched and published by Richard Livesay
(British, 1753–1823)
Date: March 1, 1782
Accession Number: 32.35(83)
A Midnight Modern Conversation
William Hogarth
(British, London 1697–1764 London)
Date: March, 1732
Accession Number: 91.1.78
Sarah Malcolm
Copy after William Hogarth
(British, London 1697–1764 London)
Date: after 1733
Accession Number: 32.35(184)
Portraits of Lord Melcombe and Lord Winchelsea
After William Hogarth
(British, London 1697–1764 London)
Date: December 22, 1781
Accession Number: 17.3.2714
Marriage a La Mode Plate II
William Hogarth
(British, London 1697–1764 London)
Date: April 1745
Accession Number: 32.35(9)
Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 10)
William Hogarth
(British, London 1697–1764 London)
Date: April 1726
Accession Number: 32.35(108)
The Fellow 'Prentices at their Looms (Industry and Idleness, plate 1)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 91.1.9
A Rake's Progress Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Accession Number: 32.35(32)
Bishop Hoadly
After William Hogarth
(British, London 1697–1764 London)
Date: July 1743
Accession Number: 91.1.142
Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 5)
William Hogarth
(British, London 1697–1764 London)
Date: February 1725–26
Accession Number: 32.35(134)
Portrait of William Huggins, translator of Ariosto
After William Hogarth
(British, London 1697–1764 London)
Date: 1760
Accession Number: 32.35(183)
The Idle 'Prentice at Play in the Church Yard (Industry and Idleness, plate 3)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 91.1.11
Ticket for Fielding's The Mock Doctor
After William Hogarth
(British, London 1697–1764 London)
Date: April 1733?
Accession Number: 91.1.43
The Second Stage of Cruelty (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Accession Number: 91.1.137
Frontispiece to Moliere's "L'Avare"
After William Hogarth
(British, London 1697–1764 London)
Date: 1732
Accession Number: 32.35(254)
Cruelty in Perfection (The Four Stages of Cruelty)
William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1751
Accession Number: 32.35(120)
A Rake's Progress, Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Accession Number: 91.1.87
Fustium Admonitio (Beaver's Roman Military Punishments, 1725, Chapter 13)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Accession Number: 32.35(88)
The Committee (Twelve Large Illustrations for Samuel Butler's Hudbras, Plate 10)
William Hogarth
(British, London 1697–1764 London)
Date: February 1725
Accession Number: 91.1.103
Debates on Palmistry
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1782
Accession Number: 91.1.6
Boys Peeping at Nature
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1782
Accession Number: 32.35(206)
The Industrious 'Prentice Grown Rich and Sheriff of London (Industry and Idleness, plate 8)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 32.35(45)
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