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414 records
Thomas Rowlandson x
Fairy and Lion
Ascribed to Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(21)
The Devonshire, or Most Approved Method of Securing Votes
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 12, 1784
Medium: Hand-colored etching
Accession Number: 59.533.57
A New French Phantasmagoria
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1803
Medium: Hand-colored etching
Accession Number: 59.533.887
A Game at Put in a Country Alehouse.
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 10, 1810
Medium: Etching
Accession Number: 59.533.1353
Miseries of Human Life
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1808
Medium: Etching
Accession Number: 59.533.1023–.1079
Rural Sports: Balloon Hunting
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811
Medium: Etching with hand coloring
Accession Number: 62.696.20
Standing Nude Man Supporting Fainting Female: copy after a sculptured group (Gaul in the Uffizi)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor
Accession Number: 69.131.6
Picturesque Beauties of Boswell. Part the first and Part the second...
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1786
Medium: Engraving
Accession Number: 59.533.148-167
Boney Turned Moralist
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 1, 1814
Medium: Hand-colored etching
Accession Number: 59.533.1572
A Tit BIt for a Strong Stomach
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 20, 1809
Medium: Hand-colored etching
Accession Number: 59.533.1293
The Parachute or a Sage Lady's Second Experiment
Thomas Rowlandson
(British, London 1757–1827 London)
Date: September 1785
Medium: Hand-colored etching
Accession Number: 59.533.97
The Philosopher (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Etching and aquatint
Accession Number: 33.7(18)
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1792
Medium: Etching and aquatint hand-colored with watercolor
Accession Number: 59.533.567
Nap Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory Over the Combined Fleets
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 13, 1805
Medium: Hand-colored etching
Accession Number: 59.533.933
How to Escape Losing
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1791
Medium: Pen and brush, gray ink
Accession Number: 59.533.1662
Desire, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 21, 1800
Medium: Etching
Accession Number: 59.533.696
Seashore scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Pen and ink, with watercolor
Accession Number: 59.533.1650
French Barracks
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 12, 1791
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.433
The Comforts of Bath and Public Breakfast
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor, graphite, pen and ink
Accession Number: 1978.594.5
A Butcher
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 1, 1790
Medium: Etching and aquatint
Accession Number: 59.533.349
Woman Talking to a Seated Male Nude
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Pen and brush in grey and red ink
Accession Number: 59.533.1721
A Charm for Democracy, Reviews, Analysed, & Destroyed Jany 1st 1799 to the Confusion of Its Affliliated Friends
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 1, 1799
Medium: Hand-colored etching
Accession Number: 42.121(66)
Rapture, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Medium: Etching
Accession Number: 59.533.694
How Happy Could I Be With Either, Were t'Other Dear Charmer Away
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1780
Medium: Etching, brown ink
Accession Number: 59.533.1
Friends and Foes–Up He Goes–Sending the Corsican Munchausen to St. Cloud
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 13, 1813
Medium: Hand-colored etching
Accession Number: 59.533.1525
Boating in the Park
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(20)
Great Cry and Little Wool
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 22, 1783
Medium: Etching
Accession Number: 59.533.17a
The Sculptor
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Medium: Etching and watercolor
Accession Number: 59.533.1833
Child and Lamb
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(22)
Caricatures Anglaises: Monsieur Craque Perruquier et Madamoiselle Flore
After Thomas Rowlandson
(British, London 1757–1827 London)
Date: after August 1800
Medium: Hand-colored etching
Accession Number: 62.576.13
Fairy and Lion
Ascribed to Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Accession Number: 17.97.7(21)
The Devonshire, or Most Approved Method of Securing Votes
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 12, 1784
Accession Number: 59.533.57
A New French Phantasmagoria
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1803
Accession Number: 59.533.887
A Game at Put in a Country Alehouse.
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 10, 1810
Accession Number: 59.533.1353
Miseries of Human Life
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1808
Accession Number: 59.533.1023–.1079
Rural Sports: Balloon Hunting
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811
Accession Number: 62.696.20
Standing Nude Man Supporting Fainting Female: copy after a sculptured group (Gaul in the Uffizi)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 69.131.6
Picturesque Beauties of Boswell. Part the first and Part the second...
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1786
Accession Number: 59.533.148-167
Boney Turned Moralist
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 1, 1814
Accession Number: 59.533.1572
A Tit BIt for a Strong Stomach
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 20, 1809
Accession Number: 59.533.1293
The Parachute or a Sage Lady's Second Experiment
Thomas Rowlandson
(British, London 1757–1827 London)
Date: September 1785
Accession Number: 59.533.97
The Philosopher (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(18)
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1792
Accession Number: 59.533.567
Nap Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory Over the Combined Fleets
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 13, 1805
Accession Number: 59.533.933
How to Escape Losing
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1791
Accession Number: 59.533.1662
Desire, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 21, 1800
Accession Number: 59.533.696
Seashore scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1650
French Barracks
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 12, 1791
Accession Number: 59.533.433
The Comforts of Bath and Public Breakfast
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 1978.594.5
A Butcher
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 1, 1790
Accession Number: 59.533.349
Woman Talking to a Seated Male Nude
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1721
A Charm for Democracy, Reviews, Analysed, & Destroyed Jany 1st 1799 to the Confusion of Its Affliliated Friends
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 1, 1799
Accession Number: 42.121(66)
Rapture, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Accession Number: 59.533.694
How Happy Could I Be With Either, Were t'Other Dear Charmer Away
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1780
Accession Number: 59.533.1
Friends and Foes–Up He Goes–Sending the Corsican Munchausen to St. Cloud
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 13, 1813
Accession Number: 59.533.1525
Boating in the Park
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Accession Number: 17.97.7(20)
Great Cry and Little Wool
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 22, 1783
Accession Number: 59.533.17a
The Sculptor
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Accession Number: 59.533.1833
Child and Lamb
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Accession Number: 17.97.7(22)
Caricatures Anglaises: Monsieur Craque Perruquier et Madamoiselle Flore
After Thomas Rowlandson
(British, London 1757–1827 London)
Date: after August 1800
Accession Number: 62.576.13
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