Quantcast
The Collection Online / 400,386 records
414 records
Thomas Rowlandson x
The Devonshire, or Most Approved Method of Securing Votes
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 12, 1784
Medium: Hand-colored etching
Accession Number: 59.533.57
Horrid Visions of Nappy Napp'd at Last
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 23, 1808
Medium: Hand-colored etching
Accession Number: 59.533.1172
The Huntsman
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1785
Medium: Etching and aquatint
Accession Number: 59.533.143
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Medium: Etching, hand colored
Accession Number: 59.533.775
Outlines of Figures, Landscape and Cattle...for the Use of Learners
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1790–92
Medium: Etching
Accession Number: 53.638.27
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.348
Soup plate
James and Ralph Clews
(British, Colbridge, Stoke-on-Trent, active ca. 1818–36)
Date: 19th century
Medium: Pottery
Accession Number: 14.102.19
The Village Doctor
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 8, 1774
Medium: Etching and aquatint
Accession Number: 59.533.3
Rest from Labour on Sunny Days (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784
Medium: Etching and aquatint
Accession Number: 33.7(29)
A New French Phantasmagoria
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1803
Medium: Hand-colored etching
Accession Number: 59.533.887
Harbor scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Pen and ink
Accession Number: 59.533.1663
Humbugging, or Raising the Devil
Thomas Rowlandson
(British, London 1757–1827 London)
Date: March 12, 1800
Medium: Etching and aquatint with watercolor
Accession Number: 59.533.722
Farming scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor, graphite, pen and ink
Accession Number: 1978.594.2
The Monkey Room in the Tower
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 20, 1799
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.602
The Reception
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Medium: Ink and watercolor
Accession Number: 23.219.1
A Diving Machine on a New Construction
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 31, 1806
Medium: Hand-colored etching
Accession Number: 59.533.952
Joy with Tranquility, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Medium: Etching and watercolor
Accession Number: 59.533.698
Desire, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 20, 1800
Medium: Etching
Accession Number: 59.533.687
Landscape with Figures on Horseback, Another Resting Under a Gnarled Tree, and a Cottage at Right Nestled in Trees (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(2)
Joy with Tranquility, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Medium: Etching
Accession Number: 59.533.699
The Corsican Tiger at Bay!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 8, 1808
Medium: Hand-colored etching
Accession Number: 59.533.1108
Stable Yard with Horses
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Medium: Pen and India ink and wash
Accession Number: 06.1042.22
Virginia Water (Windsor)
Style of Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(19)
A French Ordinary
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 2, 1804
Medium: Hand-colored etching
Accession Number: 59.533.905
The Great Hall, Bank of England (The Microcosm of London, plate 7)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 1, 1808
Medium: Etching and aquatint, hand colored
Accession Number: 59.533.569
Satan, Sin and Death, from Milton's Paradise Lost, Book the 2nd
Thomas Rowlandson
(British, London 1757–1827 London)
Date: after 1790
Medium: Etching, printed in brown ink
Accession Number: 59.533.375
Landscape with Two Fishermen Climbing Rocks Next to a Waterfall (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Etching
Accession Number: 33.7(19)
A Print Sale – A Night Auction (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1788
Medium: Etching
Accession Number: 33.7(30)
Frontispiece, The English Dance of Death
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1816
Medium: Etching and aquatint with watercolor
Accession Number: 59.533.1638(1)
Miseries of Travelling, the Overloaded Coach
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 15, 1807
Medium: Hand-colored etching
Accession Number: 59.533.966
The Devonshire, or Most Approved Method of Securing Votes
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 12, 1784
Accession Number: 59.533.57
Horrid Visions of Nappy Napp'd at Last
Thomas Rowlandson
(British, London 1757–1827 London)
Date: August 23, 1808
Accession Number: 59.533.1172
The Huntsman
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1785
Accession Number: 59.533.143
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Accession Number: 59.533.775
Outlines of Figures, Landscape and Cattle...for the Use of Learners
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1790–92
Accession Number: 53.638.27
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Accession Number: 59.533.348
Soup plate
James and Ralph Clews
(British, Colbridge, Stoke-on-Trent, active ca. 1818–36)
Date: 19th century
Accession Number: 14.102.19
The Village Doctor
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 8, 1774
Accession Number: 59.533.3
Rest from Labour on Sunny Days (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784
Accession Number: 33.7(29)
A New French Phantasmagoria
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1803
Accession Number: 59.533.887
Harbor scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1663
Humbugging, or Raising the Devil
Thomas Rowlandson
(British, London 1757–1827 London)
Date: March 12, 1800
Accession Number: 59.533.722
Farming scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 1978.594.2
The Monkey Room in the Tower
Thomas Rowlandson
(British, London 1757–1827 London)
Date: December 20, 1799
Accession Number: 59.533.602
The Reception
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Accession Number: 23.219.1
A Diving Machine on a New Construction
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 31, 1806
Accession Number: 59.533.952
Joy with Tranquility, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Accession Number: 59.533.698
Desire, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 20, 1800
Accession Number: 59.533.687
Joy with Tranquility, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Accession Number: 59.533.699
The Corsican Tiger at Bay!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 8, 1808
Accession Number: 59.533.1108
Stable Yard with Horses
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Accession Number: 06.1042.22
Virginia Water (Windsor)
Style of Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Accession Number: 17.97.7(19)
A French Ordinary
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 2, 1804
Accession Number: 59.533.905
The Great Hall, Bank of England (The Microcosm of London, plate 7)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 1, 1808
Accession Number: 59.533.569
Satan, Sin and Death, from Milton's Paradise Lost, Book the 2nd
Thomas Rowlandson
(British, London 1757–1827 London)
Date: after 1790
Accession Number: 59.533.375
Landscape with Two Fishermen Climbing Rocks Next to a Waterfall (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(19)
A Print Sale – A Night Auction (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1788
Accession Number: 33.7(30)
Frontispiece, The English Dance of Death
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1816
Accession Number: 59.533.1638(1)
Miseries of Travelling, the Overloaded Coach
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 15, 1807
Accession Number: 59.533.966
  • Results per page:
  • 30
  • 60
  • 90

Close