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414 records
Thomas Rowlandson x
The Connoisseur
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1780–1800
Medium: Ink washed with watercolor
Accession Number: 08.227.16
Death Turned Pilot / The Fatal Pilot (from The English Dance of Death, vol. II, pl. 9)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 1, 1815
Medium: Hand-colored etching
Accession Number: 2012.401.26
Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq)
Attributed to Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1810
Medium: Hand-colored etching
Accession Number: 1984.1026.2
Tavern scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor, graphite, pen and ink
Accession Number: 1978.594.4
Satan, Sin and Death, from Milton's Paradise Lost, Book the 2nd
Thomas Rowlandson
(British, London 1757–1827 London)
Date: after 1790
Medium: Etching, printed in brown ink
Accession Number: 59.533.375
The Tyrant of the Continent is Fallen, Europe is Free, England Rejoices
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 1, 1814
Medium: Hand-colored etching
Accession Number: 59.533.1574
A French Family
Samuel Alken
(British, London 1756–1815)
Date: November 5, 1792
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.1788
A Snug Cabin, or the Port Admiral
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 30, 1808
Medium: Hand-colored etching
Accession Number: 59.533.568
The Inn at the Ford
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor
Accession Number: 59.533.1666
Harbor scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Pen and ink
Accession Number: 59.533.1664
Dr. Syntax with a Balky Horse Before an Inn
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Medium: Pen and ink, with watercolor
Accession Number: 59.533.1652
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 20, 1786
Medium: Etching, hand colored
Accession Number: 59.533.195
St. Austle, Cornwall
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Watercolor, graphite, pen and ink
Accession Number: 1978.594.1
Surrey Institution (The Microcosm of London, plate 81)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: September 1, 1809
Medium: Etching and aquatint, hand colored
Accession Number: 2012.136.589.2
The Surprising Irish Giant of St. James's Street
Thomas Rowlandson
(British, London 1757–1827 London)
Date: March 27, 1785
Medium: Hand-colored etching
Accession Number: 59.533.91
An Excursion to Brighthelmstone, made in the year 1789
Written and designed by Henry Wigstead
(British, 1760–1800)
Date: 1790
Medium: Book: aquatint
Accession Number: 28.89
Despair, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 21, 1800
Medium: Etching
Accession Number: 59.533.715
Dressing for a Masquerade
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1790
Medium: Hand-colored etching and stipple
Accession Number: 59.533.344
Landscape with Oxen and Felled Tree
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Medium: Graphite, pen and ink
Accession Number: 59.533.1665
Kings Place, or a View of M [Fox's] Best Friends
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 22, 1784
Medium: Etching
Accession Number: 59.533.61
The Champion of Oakhampton, Attacking the Hydra of Gloucester Place. "Bellva Multorum es Capitum!!" [thou are the beast of many heads]–Vide Horace [Epistles I, i.76]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: March 15, 1809
Medium: Hand-colored etching
Accession Number: 59.533.1319
Dining Room Scene
After Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Medium: Pen and ink, with watercolor
Accession Number: 59.533.1651
Preparing for a Duel
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 12, 1795
Medium: Hand-colored etching
Accession Number: 59.533.501
Child and Lamb
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(22)
Anything Will Do For an Officer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 1, 1796
Medium: Etching, hand-colored
Accession Number: 59.533.506
Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(10)
Exeter Change
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1850
Medium: Pen and grey and brown ink, watercolor, over graphite
Accession Number: 17.97.7(39)
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Medium: Hand-colored etching
Accession Number: 59.533.1221
Anger, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Medium: Etching
Accession Number: 59.533.712
Title Page to Tegg's Caricature Magazine
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1808
Medium: Hand-colored etching
Accession Number: 59.533.1217
The Connoisseur
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1780–1800
Accession Number: 08.227.16
Death Turned Pilot / The Fatal Pilot (from The English Dance of Death, vol. II, pl. 9)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 1, 1815
Accession Number: 2012.401.26
Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq)
Attributed to Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1810
Accession Number: 1984.1026.2
Tavern scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 1978.594.4
Satan, Sin and Death, from Milton's Paradise Lost, Book the 2nd
Thomas Rowlandson
(British, London 1757–1827 London)
Date: after 1790
Accession Number: 59.533.375
The Tyrant of the Continent is Fallen, Europe is Free, England Rejoices
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 1, 1814
Accession Number: 59.533.1574
A French Family
Samuel Alken
(British, London 1756–1815)
Date: November 5, 1792
Accession Number: 59.533.1788
A Snug Cabin, or the Port Admiral
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 30, 1808
Accession Number: 59.533.568
The Inn at the Ford
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1666
Harbor scene
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1664
Dr. Syntax with a Balky Horse Before an Inn
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Accession Number: 59.533.1652
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 20, 1786
Accession Number: 59.533.195
St. Austle, Cornwall
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 1978.594.1
Surrey Institution (The Microcosm of London, plate 81)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: September 1, 1809
Accession Number: 2012.136.589.2
The Surprising Irish Giant of St. James's Street
Thomas Rowlandson
(British, London 1757–1827 London)
Date: March 27, 1785
Accession Number: 59.533.91
An Excursion to Brighthelmstone, made in the year 1789
Written and designed by Henry Wigstead
(British, 1760–1800)
Date: 1790
Accession Number: 28.89
Despair, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 21, 1800
Accession Number: 59.533.715
Dressing for a Masquerade
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1790
Accession Number: 59.533.344
Landscape with Oxen and Felled Tree
Thomas Rowlandson
(British, London 1757–1827 London)
Date: late 18th–early 19th century
Accession Number: 59.533.1665
Kings Place, or a View of M [Fox's] Best Friends
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 22, 1784
Accession Number: 59.533.61
Dining Room Scene
After Thomas Rowlandson
(British, London 1757–1827 London)
Date: 18th–19th century
Accession Number: 59.533.1651
Preparing for a Duel
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 12, 1795
Accession Number: 59.533.501
Child and Lamb
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1827
Accession Number: 17.97.7(22)
Anything Will Do For an Officer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 1, 1796
Accession Number: 59.533.506
Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(10)
Exeter Change
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1770–1850
Accession Number: 17.97.7(39)
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Accession Number: 59.533.1221
Anger, from Le Brun Travested [sic], Or Caricatures of the Passions
Thomas Rowlandson
(British, London 1757–1827 London)
Date: January 21, 1800
Accession Number: 59.533.712
Title Page to Tegg's Caricature Magazine
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1808
Accession Number: 59.533.1217
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