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Bast! quand tu me donnerais un peu de sentiment pour ce soir....., from La Fiore Aux Amours, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.29)
...C'est égal, mosieu Désormay, une opinion à toi ça serait meilleur marché, from "Histoire de Politiquer", Masques et Visages, plate 2, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.52)
Mon dernier Caprice m'a cassé trois dents, plate VI from the series Les Lorettes Vieillies, published in Paris (Journal), November 18, 1852
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: November 18, 1852
Medium: Lithograph; second and last state
Accession Number: 63.704.12
Ta maison est lourde!, from Les Partageuses, Masques et Visages, plate 13, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(1.13)
Moi......le Mosieu donnait toujours pour le petit ban!, from Les Lorettes Vieillies, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.49)
Gare les poches!, from Bohêmes, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.9)
L'homme, ça mange les moutons, comme fait le loup, et ça bêle comme le mouton et touche à tout......Misère-et-corde!, from Les Propos de Thomas Vireloque, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.21)
Ego! Ego! Ego!....Tous égaux, from Les Propos de Thomas Vireloque, Masques et Visages, plate 12, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.32)
La paternité ça gâte la taille!, from "Les Maris Me Font Toujours Rire", Masques et Visages, plate 16, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.76)
Qu'est-ce que t'as Mimie?...., from Les Parens Terribles, Masques et Visages, plate 16, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.56)
Patron!, from "Histoire d'en Dire Deux", Masques et Visates, plate 2, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.2)
L'Procurer du Roi! d'quoi s'mêle-t-i?, from Bohêmes, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.19)
La faction aux bouquets, from L'École des Pierrots, Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(3.36)
....Et Madame?, from L'École des Pierrots, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(3.31)
Des principes!...., from "Histoire de Politiquer", Masques et Visages, plate 25, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.75)
Y avait la parole, y a eu l'Imprimerie; Misère-et-corde!, from Les Propos de Thomas Vireloque, Masques et Visages, plate 5, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.25)
Encore! si j'avais autant de ménages à faire....., from Les Lorettes Vieillies, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.39)
Oui, mais tu vas voir le Capitaine venir et tarabuster le Scélérant, from Les Parens Terribles, Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.46)
L'Arthur, from Les Partageuses, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(1.19)
C'te profession de foi-là, voyez-vous, Polyte, à mon point de vue, c'est dégoûtant!, from "Histoire de Politiquer", Masques et Visages, plate 14, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.64)
"Le bel Adolphe", from Les Invalides du Sentimet, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(1.49)
C'est aujourd'hui Sainte Madeleine....., from Les Lorettes Vieillies, Masques et Visages, plate 17, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.47)
Permettez-moi de vous faire observer, Ma'm'selle de Fallacieux, que tont ça n'explique pas votre conduite à Rome, from "Histoire de Politiquer", Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.56)
Oswald, from Les Invalides du Sentimet, Masques et Visages, plate 27, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(1.67)
Vous connaissez cette charmante persone?, from Les Partageuses, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(1.1)
Belle créature! et pas de corset, from Les Propos de Thomas Vireloque, Masques et Visages, plate 3, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.23)
........L'homme est le chef-d'oeuvre de la Création!, from Les Propos de Thomas Vireloque, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(4.29)
Il n'est pas question de la question d'Orient: vous me devez sept livres dix sous, from "Histoire de Politiquer", Masques et Visages, plate 29, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Medium: Lithograph; third state of three (Armelhault & Bocher)
Accession Number: 61.538.1(3.79)
Le retour du marché, from Les Anglais Chez Eux, Masques et Visages, plate 10, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(3.10)
La maitresse de qui?, from "Les Maris Me Font Toujours Rire", Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Medium: Lithograph; second state of two (Armelhault & Bocher)
Accession Number: 61.538.1(2.66)
Mon dernier Caprice m'a cassé trois dents, plate VI from the series Les Lorettes Vieillies, published in Paris (Journal), November 18, 1852
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: November 18, 1852
Accession Number: 63.704.12
Ta maison est lourde!, from Les Partageuses, Masques et Visages, plate 13, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852
Accession Number: 61.538.1(1.13)
Moi......le Mosieu donnait toujours pour le petit ban!, from Les Lorettes Vieillies, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(2.49)
Gare les poches!, from Bohêmes, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(4.9)
Ego! Ego! Ego!....Tous égaux, from Les Propos de Thomas Vireloque, Masques et Visages, plate 12, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(4.32)
La paternité ça gâte la taille!, from "Les Maris Me Font Toujours Rire", Masques et Visages, plate 16, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Accession Number: 61.538.1(2.76)
Qu'est-ce que t'as Mimie?...., from Les Parens Terribles, Masques et Visages, plate 16, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(4.56)
Patron!, from "Histoire d'en Dire Deux", Masques et Visates, plate 2, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(2.2)
L'Procurer du Roi! d'quoi s'mêle-t-i?, from Bohêmes, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(4.19)
La faction aux bouquets, from L'École des Pierrots, Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Accession Number: 61.538.1(3.36)
....Et Madame?, from L'École des Pierrots, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Accession Number: 61.538.1(3.31)
Des principes!...., from "Histoire de Politiquer", Masques et Visages, plate 25, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(3.75)
Encore! si j'avais autant de ménages à faire....., from Les Lorettes Vieillies, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851
Accession Number: 61.538.1(2.39)
L'Arthur, from Les Partageuses, Masques et Visages, plate 19, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(1.19)
"Le bel Adolphe", from Les Invalides du Sentimet, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852
Accession Number: 61.538.1(1.49)
C'est aujourd'hui Sainte Madeleine....., from Les Lorettes Vieillies, Masques et Visages, plate 17, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Accession Number: 61.538.1(2.47)
Oswald, from Les Invalides du Sentimet, Masques et Visages, plate 27, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1853
Accession Number: 61.538.1(1.67)
Vous connaissez cette charmante persone?, from Les Partageuses, Masques et Visages, plate 1, bound in Oeuvres Nouvelles, vol. I
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Accession Number: 61.538.1(1.1)
Belle créature! et pas de corset, from Les Propos de Thomas Vireloque, Masques et Visages, plate 3, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Accession Number: 61.538.1(4.23)
........L'homme est le chef-d'oeuvre de la Création!, from Les Propos de Thomas Vireloque, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. IV
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1851–52
Accession Number: 61.538.1(4.29)
Le retour du marché, from Les Anglais Chez Eux, Masques et Visages, plate 10, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Accession Number: 61.538.1(3.10)
La maitresse de qui?, from "Les Maris Me Font Toujours Rire", Masques et Visages, plate 6, bound in Oeuvres Nouvelles, vol. II
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1852–53
Accession Number: 61.538.1(2.66)
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