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583 records
Jean Michel Moreau the Younger x
Vignette (Chant VII.e), from Voltaire's La Henriade, part of Oeuvres complètes de Voltaire. De L'Imprimerie de la Sociètè Littèraire Typographique (Kehl). 1784-1789 (quarto size)
Isidore Stanislas Henri Helman
(French, Lille 1743–?1806/9 Paris)
Date: ca. 1782
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 64.542.213
Vignette at the begining of L'Art de la Dance, Volume II, Page 183, from Mes Passe-Temps: Chansons suivies de l'Art de la Danse, Poeme en Quatre Chants, Calqué sur l'Art Poétique de Boileau Despréaux. Ornés de Gravures d'après les Dessins de Moreau le jeune.
Jean-Baptiste-Blaise Simonet
(French, Paris 1742–after 1813)
Date: published in 1806
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 1970.613.15(5)
Les Précieuses Ridicules (Volume I, page 383), from Oeuvres de Molière, avec des remarques grammaticales, des Avertissimens et des Observations sur chaque Pièce par M. Bret. A Paris, Par la Compagnie des libraires associés. M.D.CC.LXXIII.
François Denis Née
(French, 1732–1817)
Date: published in 1788
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 55.578.6.1(5)
Vignette, Volume II, Canto XXIII, Page 405, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Jean-Baptiste-Blaise Simonet
(French, Paris 1742–after 1813)
Date: 1773–74
Medium: Etching and engraving; second state of six (Bocher)
Accession Number: 64.542.228
Le Chevalier a l'Épée, from Fabliaux ou Contes. Fables et Romans di XII et du XIII siècle, traduits ou estraits, Par Legrand d'Aussy, Troisième édition, considerablement augmentée. Paris. Jules Renouard, Libraire, Rue de Tournon, No. 6
Jean Bosq
(French, active ca. 1830)
Date: publilshed in 1829
Medium: Etching and engraving; second state of three (Bocher)
Accession Number: 59.500.580(1)
Vignette, Volume IV, Canto XLIV, Page 303, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Isidore Stanislas Henri Helman
(French, Lille 1743–?1806/9 Paris)
Date: 1774
Medium: Etching and engraving; third state of six (Bocher)
Accession Number: 64.542.243
Portrait of Pierre-Henri de Valenciennes
Augustin de Saint-Aubin
(French, Paris 1736–1807 Paris)
Date: 1788
Medium: Etching and engraving; fourth state of four (Bocher)
Accession Number: 61.653.27
Mirabeau Arrive aux Champs-Élysées (Mirabeau Arrives in Eliseum)
Louis Joseph Masquelier
(French, Cysoing 1741–1811 Paris)
Date: published mid-18th century
Medium: Colored etching and engraving; after eighth state of eight (Bocher)
Accession Number: 83.2.829
Le Souper Fin [The End of Supper], from Le Monument du Costume
After Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: 1781
Medium: Etching and engraving
Accession Number: 41.140.7
Groupe tiré du Superbe Dessin de M. Moreau le Jeune Représentant la Revue du Roi a la Plaine des Sablons (Group taken from the Superb Design of M. Moreau le Jeune Representing the Review of the King a the Plaine des Sablons)
George Malbeste
(French, Paris 1754–1843 Paris)
Date: 1787
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 66.617.16
L'Amour Médecin (Volume III, page 335), from Oeuvres de Molière, avec des remarques grammaticales, des Avertissimens et des Observations sur chaque Pièce par M. Bret. A Paris, Par la Compagnie des libraires associés. M.D.CC.LXXIII.
Jean Charles Baquoy
(French, 1721–1777)
Date: published in 1788
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 55.578.6.3(6)
Amphitrion (Volume IV, page 419), from Oeuvres de Molière, avec des remarques grammaticales, des Avertissimens et des Observations sur chaque Pièce par M. Bret. A Paris, Par la Compagnie des libraires associés. M.D.CC.LXXIII.
Jean-Baptiste-Blaise Simonet
(French, Paris 1742–after 1813)
Date: published in 1788
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 55.578.6.4(7)
Les Adieux (The Goodbye), from Le Monument du Costume
Nicolas de Launay
(French, Paris, 1739–1792)
Date: 1777
Medium: Etching and engraving; third state of four (Bocher)
Accession Number: 41.140.6
N'Ayes Pas Peur, Ma Bonne Amie (Take Courage, My Love), from Le Monument du Costume
Isidore Stanislas Henri Helman
(French, Lille 1743–?1806/9 Paris)
Date: 1776
Medium: Etching; first state of five (Bocher)
Accession Number: 33.6.18
L'Officier en Promenade du Midi (The Officer Walking at Midday), from a series of 12 plates, engraved after a group known as the Ports de Mer de la France (harbor scenes) by J. Vernet
Engraved by Jacques Philippe Le Bas
(French, Paris 1707–1783 Paris)
Date: 1767
Medium: Etching and engraving; third state of three (Bocher)
Accession Number: 53.600.1679
Vignette page 100 depicting Psyche seated on a couch with her eyes lowered, illuminated by a lamp; Cupid is seated on the other side of the couch in the dark looking towards Psyche, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis
Jean-Baptiste-Blaise Simonet
(French, Paris 1742–after 1813)
Date: published in 1795
Medium: Etching; first state of four (Bocher)
Accession Number: 17.3.2641-6(h)
Vignette accompanying music depicting a projected scene with two women beneath an angel as men and women look on with a dog beneath the scene
Martin
(French, 18th century)
Date: 1772
Medium: Etching and engraving
Accession Number: 59.500.625(6)
Design for the Engraving "Réjouissances du Peuple . . . à Reims le 27 aout 1765"
Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: 1767
Medium: Pen and black ink, brush and black and gray wash
Accession Number: 67.524.1
Couronnement de Voltaire (Coronation of Voltaire)
Charles Étienne Gaucher
(French, Paris 1741–1804 Paris)
Date: 1782
Medium: Etching and engraving; third state of seven (Bocher)
Accession Number: 35.100.6
Arrivée de J.J. Rousseau aux Champs-Elysées (Arrival of J.J. Rousseau in Eliseum)
Charles François Adrien Macret
(French, Abbeville 1751–1789 Paris)
Date: 1782
Medium: Etching and engraving; fourth state of five (Bocher)
Accession Number: 62.602.53
La Sortie de L'Opéra [Leaving the Opera], from Le Monument du Costume
After Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: n.d.
Medium: Etching and engraving
Accession Number: 33.6.15
Portrait of Pierre-Henri de Valenciennes
Augustin de Saint-Aubin
(French, Paris 1736–1807 Paris)
Date: 1788
Accession Number: 61.653.27
Mirabeau Arrive aux Champs-Élysées (Mirabeau Arrives in Eliseum)
Louis Joseph Masquelier
(French, Cysoing 1741–1811 Paris)
Date: published mid-18th century
Accession Number: 83.2.829
Le Souper Fin [The End of Supper], from Le Monument du Costume
After Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: 1781
Accession Number: 41.140.7
Les Adieux (The Goodbye), from Le Monument du Costume
Nicolas de Launay
(French, Paris, 1739–1792)
Date: 1777
Accession Number: 41.140.6
N'Ayes Pas Peur, Ma Bonne Amie (Take Courage, My Love), from Le Monument du Costume
Isidore Stanislas Henri Helman
(French, Lille 1743–?1806/9 Paris)
Date: 1776
Accession Number: 33.6.18
Design for the Engraving "Réjouissances du Peuple . . . à Reims le 27 aout 1765"
Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: 1767
Accession Number: 67.524.1
Couronnement de Voltaire (Coronation of Voltaire)
Charles Étienne Gaucher
(French, Paris 1741–1804 Paris)
Date: 1782
Accession Number: 35.100.6
Arrivée de J.J. Rousseau aux Champs-Elysées (Arrival of J.J. Rousseau in Eliseum)
Charles François Adrien Macret
(French, Abbeville 1751–1789 Paris)
Date: 1782
Accession Number: 62.602.53
La Sortie de L'Opéra [Leaving the Opera], from Le Monument du Costume
After Jean Michel Moreau the Younger
(French, Paris 1741–1814 Paris)
Date: n.d.
Accession Number: 33.6.15
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