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413 records
Goya (Francisco de Goya y Lucientes) x
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(11)
Muertos Recogidos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burnished aquatint on wove paper
Accession Number: 22.60.25(63)
Plate 23 from 'Los Caprichos': These specks of dust (Aquellos polbos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(23)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.9
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Medium: Etching,burnished aquatint and/or lavis
Accession Number: 1972.507.1
Plate 9 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(9)
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.17
Bravo toro [Picador Caught by a Bull]
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Lithographic crayon and scraper
Accession Number: 20.20.2
The crowd Hamstrings the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la canalla conlanzas, medias lunas, banderillas y otras armas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and drypoint
Accession Number: 21.19.12
Plate 18 from 'Los Caprichos':And his house is on fire (Ysele quema la Casa.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(18)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and drypoint
Accession Number: 22.60.25(37)
Gaspar de Guzman, Count of Olivares and Duke of Sanlucar (D. Gaspar de Guzman, Conde de Olivares, Duque de Sanlucar)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching and drypoint; First edition, 1778
Accession Number: 31.31.15
Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra):'Barbarians!' (Bárbaros!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished aquatint, burin and burnisher
Accession Number: 22.60.25(38)
Plate 12 from "The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint, and burin
Accession Number: 32.62.14
Plate 25 from 'Los Caprichos': Yes, he broke the pot (Si querbó el Cantaro.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(25)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, first published 1863
Medium: Etching, lavis and drypoint
Accession Number: 51.530.2(37)
The Dogs Let Loose on the Bull; Tauromaquia, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Medium: Etching, aquatint, drypoint, burin, and burnishing; posthumous fourth edition, 1905
Accession Number: 1986.1180.898
No hay quien los socorra
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, burin and burnisher on wove paper
Accession Number: 22.60.25(60)
Plate 29 from 'Los Caprichos': That certainly is being able to read (Esto si que es leer.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(29)
Lo peor es pedir
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and burnisher on wove paper
Accession Number: 22.60.25(55)
Plate 79 from 'Los Caprichos': No one has seen us (Nadie nos ha visto.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(79)
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(52)
Loyalty, plate 17 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching and burnished aquatint
Accession Number: 24.30.19
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper
Accession Number: 19.64
At the Count Palatine's (Al Conde Palatino), Study for Capricho, plate 33
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash(indian ink) on laid Netherlandish paper
Accession Number: 35.103.10
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
El animoso moro Gazul es el primero que lanceó toros en regla (The spirited Moor Gazul is the first to spear bulls according to the rules)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and drypoint
Accession Number: 21.19.5
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(6)
Si son de otro linage
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(61)
Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(31)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(11)
Muertos Recogidos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(63)
Plate 23 from 'Los Caprichos': These specks of dust (Aquellos polbos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(23)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.9
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Accession Number: 1972.507.1
Plate 9 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(9)
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.17
Bravo toro [Picador Caught by a Bull]
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 20.20.2
The crowd Hamstrings the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la canalla conlanzas, medias lunas, banderillas y otras armas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.12
Plate 18 from 'Los Caprichos':And his house is on fire (Ysele quema la Casa.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(18)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(37)
Gaspar de Guzman, Count of Olivares and Duke of Sanlucar (D. Gaspar de Guzman, Conde de Olivares, Duque de Sanlucar)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 31.31.15
Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra):'Barbarians!' (Bárbaros!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 22.60.25(38)
Plate 12 from "The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.14
Plate 25 from 'Los Caprichos': Yes, he broke the pot (Si querbó el Cantaro.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(25)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, first published 1863
Accession Number: 51.530.2(37)
The Dogs Let Loose on the Bull; Tauromaquia, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Accession Number: 1986.1180.898
No hay quien los socorra
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(60)
Plate 29 from 'Los Caprichos': That certainly is being able to read (Esto si que es leer.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(29)
Lo peor es pedir
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(55)
Plate 79 from 'Los Caprichos': No one has seen us (Nadie nos ha visto.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(79)
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(52)
Loyalty, plate 17 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.19
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 19.64
At the Count Palatine's (Al Conde Palatino), Study for Capricho, plate 33
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.10
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
El animoso moro Gazul es el primero que lanceó toros en regla (The spirited Moor Gazul is the first to spear bulls according to the rules)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.5
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(6)
Si son de otro linage
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(61)
Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(31)
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