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413 records
Goya (Francisco de Goya y Lucientes) x
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.32
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 51.530.2(16)
Gravediggers; Images of Spain Album (F), page 51
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush with brown and gray-brown wash on laid paper
Accession Number: 35.103.32
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(41)
Acrobats; Images of Spain Album, 67
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.38
They don't like it (No Quieren), from The Disasters of War (Los Desastres de la Guerra), plate 9
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(9)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Medium: Etching
Accession Number: 20.22
They Are Getting Drunk
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash (indian ink) on laid Netherlandish paper
Accession Number: 35.103.11
Plate 66 from 'Los Caprichos':There it goes (Allá vá eso.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(66)
Y esto tambien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint or lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(45)
Plate 80 from 'Los Caprichos': It is time (Ya es hora.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(80)
Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(21)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.5
A Maja and Two Companions
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.5
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, aquatint, drypoint, burin, and burnishing
Accession Number: 21.19.1-.34
Plate 46 from ' Los Caprichos': Correction (Correccion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(46)
Cruel Lástima!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished lavis, burin and burnisher on wove paper
Accession Number: 51.530.2(48)
A Young Woman at a Well
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.9
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(49)
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching on wove paper
Accession Number: 22.60.25(72)
Title Page for First Edition of La Tauromaquia (The Bullfight)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Text printed in black ink on laid paper
Accession Number: 21.19.34
Plate 59 from 'Los Caprichos':And still they don't go! (Y aun no se van!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, engraving and aquatint
Accession Number: 18.64(59)
Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(30)
The Moors settled in Spain, giving up the superstitiions of the Koran, adopted this art of hunting, and spear a bull in the open, plate 3 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.3
If he Is guilty, let him die quickly (Si es deliquente qe. muera presto)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Etching, printed in black ink with platetone
Accession Number: 2007.49.376
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(53)
Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(70)
Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, and drypoint on laid paper
Accession Number: 18.64(67)
Masquerading Asses
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush with gray and black wash (indian ink), touched with pen and irongall ink on laid Netherlandish paper
Accession Number: 35.103.17
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint and burin; posthumous proof, dryly inked, 1848-63
Accession Number: 31.79.2
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.32
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(16)
Gravediggers; Images of Spain Album (F), page 51
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.32
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(41)
Acrobats; Images of Spain Album, 67
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.38
They don't like it (No Quieren), from The Disasters of War (Los Desastres de la Guerra), plate 9
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(9)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Accession Number: 20.22
They Are Getting Drunk
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.11
Plate 66 from 'Los Caprichos':There it goes (Allá vá eso.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(66)
Y esto tambien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(45)
Plate 80 from 'Los Caprichos': It is time (Ya es hora.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(80)
Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(21)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.5
A Maja and Two Companions
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.5
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.1-.34
Plate 46 from ' Los Caprichos': Correction (Correccion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(46)
Cruel Lástima!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 51.530.2(48)
A Young Woman at a Well
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.9
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(49)
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(72)
Title Page for First Edition of La Tauromaquia (The Bullfight)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 21.19.34
Plate 59 from 'Los Caprichos':And still they don't go! (Y aun no se van!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(59)
Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(30)
The Moors settled in Spain, giving up the superstitiions of the Koran, adopted this art of hunting, and spear a bull in the open, plate 3 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.3
If he Is guilty, let him die quickly (Si es deliquente qe. muera presto)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 2007.49.376
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(53)
Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(70)
Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(67)
Masquerading Asses
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.17
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 31.79.2
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