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413 records
Goya (Francisco de Goya y Lucientes) x
Three Washerwomen; Madrid Album (B), page 45
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.8
Origin of the harpoon or banderillas, plate 7 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and burin
Accession Number: 21.19.7
A Woman Handing a Mug to an Old Man, from Images of Spain Album (F), 93
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.48
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.17
They Are Getting Drunk
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash (indian ink) on laid Netherlandish paper
Accession Number: 35.103.11
Moenippus (Menipo Filosofo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching printed in black ink
Accession Number: 31.31.17
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.13
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and drypoint on wove paper
Accession Number: 22.60.25(50)
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(78)
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(42)
Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher
Accession Number: 22.60.25(36)
Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor [do these] either (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin
Accession Number: 22.60.25(10)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and drypoint
Accession Number: 22.60.25(37)
Cruel Lástima!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished lavis, burin and burnisher on wove paper
Accession Number: 51.530.2(48)
Flying Folly (Disparate volante), from the Disparates (Follies), or Los Proverbios, plate 5
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1846–63
Medium: Etching and aquatint; posthumous proof, before number, 1848-63
Accession Number: 32.78.3
Plate 12 from "The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(12)
Title Page for First Edition of La Tauromaquia (The Bullfight)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Text printed in black ink on laid paper
Accession Number: 21.19.34
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching
Accession Number: 21.19.23
Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burnisher
Accession Number: 22.60.25(4)
Plate 62 from 'Los Caprichos': Who would have thought it? (Quien lo creyera!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(62)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
Plate 35 from 'The Disasters of War' (Los Desastres de La Guerra): 'One Can't Tell Why (No se puede saber por qué)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished lavis, drypoint and burin
Accession Number: 22.60.25(35)
Tambien esto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and burnisher on wove paper
Accession Number: 22.60.25(43)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin
Accession Number: 32.62.19
Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint, and burin
Accession Number: 32.62.4
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint, burin, and drypoint; posthumous proof, before number; 1848-63
Accession Number: 21.54.1
Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(19)
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(42)
Esto es malo
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(46)
A Man Interfering in a Street Fight, from Images of Spain Album (F), 82
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.45
Three Washerwomen; Madrid Album (B), page 45
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.8
Origin of the harpoon or banderillas, plate 7 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.7
A Woman Handing a Mug to an Old Man, from Images of Spain Album (F), 93
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.48
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.17
They Are Getting Drunk
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.11
Moenippus (Menipo Filosofo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 31.31.17
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.13
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(50)
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(78)
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(42)
Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(36)
Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor [do these] either (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(10)
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(37)
Cruel Lástima!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 51.530.2(48)
Flying Folly (Disparate volante), from the Disparates (Follies), or Los Proverbios, plate 5
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1846–63
Accession Number: 32.78.3
Plate 12 from "The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(12)
Title Page for First Edition of La Tauromaquia (The Bullfight)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 21.19.34
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.23
Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(4)
Plate 62 from 'Los Caprichos': Who would have thought it? (Quien lo creyera!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(62)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
Plate 35 from 'The Disasters of War' (Los Desastres de La Guerra): 'One Can't Tell Why (No se puede saber por qué)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(35)
Tambien esto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(43)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.19
Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.4
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 21.54.1
Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(19)
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(42)
Esto es malo
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(46)
A Man Interfering in a Street Fight, from Images of Spain Album (F), 82
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.45
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