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Goya (Francisco de Goya y Lucientes) x
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, lavis, drypoint, and burin
Accession Number: 21.19.30
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(11)
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(33)
Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(17)
Maja and an Officer
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.3
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.14
Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, lavis and burin
Accession Number: 22.60.25(23)
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra):'Ravages of war' (Estragos de la guerra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 51.530.2(30)
Plate 13 from 'Los Caprichos':They are hot (Estan calientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(13)
Plate 66 from 'Los Caprichos':There it goes (Allá vá eso.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(66)
Plate10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor [do these] either.' (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin
Accession Number: 51.530.2(10)
Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra):It always happens (Siempre sucede)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and drypoint
Accession Number: 22.60.25(8)
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.9
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(42)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(11)
Feminine Folly (Disparate femenino), from the series, Disparates, or Los Proverbios, plate 1
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–62
Medium: Etching, aquatint and drypoint ?
Accession Number: 32.78.2
Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(70)
Gatesca Pantomima
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burin and burnisher on wove paper
Accession Number: 22.60.25(73)
Majas on a Balcony
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1800–1810
Medium: Oil on canvas
Accession Number: 29.100.10
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
Plate 46 from ' Los Caprichos': Correction (Correccion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(46)
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and burin
Accession Number: 18.64(28)
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.17
Weeping Woman and Three Men
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.4
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 16.4.7
Rabble (Populacho), from The Disasters of War (Los Desastres de la Guerra), plate 28
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(28)
Plate 3 from 'Los Caprichos': Here comes the bogey-man (Que viene el Coco.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(3)
Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin
Accession Number: 32.62.12
A Woman Handing a Mug to an Old Man, from Images of Spain Album (F), 93
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.48
Y esto tambien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint or lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(45)
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.30
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(11)
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(33)
Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(17)
Maja and an Officer
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.3
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.14
Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(23)
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra):'Ravages of war' (Estragos de la guerra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(30)
Plate 13 from 'Los Caprichos':They are hot (Estan calientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(13)
Plate 66 from 'Los Caprichos':There it goes (Allá vá eso.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(66)
Plate10 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nor [do these] either.' (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(10)
Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra):It always happens (Siempre sucede)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(8)
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.9
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(42)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(11)
Feminine Folly (Disparate femenino), from the series, Disparates, or Los Proverbios, plate 1
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–62
Accession Number: 32.78.2
Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(70)
Gatesca Pantomima
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(73)
Majas on a Balcony
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1800–1810
Accession Number: 29.100.10
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
Plate 46 from ' Los Caprichos': Correction (Correccion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(46)
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(28)
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.17
Weeping Woman and Three Men
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.4
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 16.4.7
Rabble (Populacho), from The Disasters of War (Los Desastres de la Guerra), plate 28
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(28)
Plate 3 from 'Los Caprichos': Here comes the bogey-man (Que viene el Coco.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(3)
Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.12
A Woman Handing a Mug to an Old Man, from Images of Spain Album (F), 93
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.48
Y esto tambien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(45)
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