Quantcast
The Collection Online / 397,928 records
413 records
Goya (Francisco de Goya y Lucientes) x
Plate 48 from' Los Caprichos': Tale-Bearers--Blasts of Wind (Soplones.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(48)
Not This Time Either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, burnished aquatint, drypoint, burin, and burnisher on laid paper
Accession Number: 1987.1014
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.13
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(42)
The Caprices (Los Caprichos), plates 1-80
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(1-80)
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Pen with brown ink and brown wash on laid paper
Accession Number: 1972.118.9
They Got the Confessor to Climb in by the Window
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.15
Nightmare; Witches and Old Women; Album (D), page 20
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1819–23
Medium: Brush, black ink, and wash on Netherlandish laid paper
Accession Number: 19.27
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 20.60.4
Gaspar de Guzman, Count of Olivares and Duke of Sanlucar (D. Gaspar de Guzman, Conde de Olivares, Duque de Sanlucar)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching and drypoint; First edition, 1778
Accession Number: 31.31.15
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(42)
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching and burin on laid paper
Accession Number: 32.62.6
Unholy Union
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1801–3 or ca. 1813–19
Medium: Brush with Indian ink and wash and traces of pen and ink on laid paper
Accession Number: 1975.1.975
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza); La Tauromaquia, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Medium: Etching, burnished aquatint and drypoint; posthumous seventh edition, 1937
Accession Number: 1986.1180.896
Folly of Fear, plate 2 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, burnishing, aquatint, and drypoint (?)
Accession Number: 36.20(2)
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(27)
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Medium: Etching,burnished aquatint and/or lavis
Accession Number: 1972.507.1
Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(1)
Why? (Por qué?), from The Disasters of War (Los Desastres de la Guerra), plate 32
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(32)
The Disasters of War
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1937
Medium: Books
Accession Number: 1994.265.341
Self-Portrait
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1795–97
Medium: Brush and gray wash on laid paper
Accession Number: 35.103.1
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(11)
Clamores en vano
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(54)
Pllate 44 from 'Los Caprichos':They spin finely (Hilan delgado.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(44)
An Heroic Feat! With Dead Men! (Grande hazaña! Con muertos!), from The Disasters of War (Los Desastres de la Guerra), plate 39
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and drypoint on wove paper
Accession Number: 22.60.25(39)
Picador Caught by a Bull (Bravo toro), from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 20.60.2
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.40
Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint on laid paper
Accession Number: 18.64(68)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
Sebastián Martínez y Pérez (1747–1800)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1792
Medium: Oil on canvas
Accession Number: 06.289
Plate 48 from' Los Caprichos': Tale-Bearers--Blasts of Wind (Soplones.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(48)
Not This Time Either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 1987.1014
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.13
Todo va revuelto
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(42)
The Caprices (Los Caprichos), plates 1-80
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(1-80)
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 1972.118.9
They Got the Confessor to Climb in by the Window
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.15
Nightmare; Witches and Old Women; Album (D), page 20
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1819–23
Accession Number: 19.27
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 20.60.4
Gaspar de Guzman, Count of Olivares and Duke of Sanlucar (D. Gaspar de Guzman, Conde de Olivares, Duque de Sanlucar)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 31.31.15
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(42)
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.6
Unholy Union
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1801–3 or ca. 1813–19
Accession Number: 1975.1.975
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza); La Tauromaquia, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Accession Number: 1986.1180.896
Folly of Fear, plate 2 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(2)
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(27)
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Accession Number: 1972.507.1
Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(1)
Why? (Por qué?), from The Disasters of War (Los Desastres de la Guerra), plate 32
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(32)
The Disasters of War
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1937
Accession Number: 1994.265.341
Self-Portrait
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1795–97
Accession Number: 35.103.1
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(11)
Clamores en vano
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(54)
Pllate 44 from 'Los Caprichos':They spin finely (Hilan delgado.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(44)
An Heroic Feat! With Dead Men! (Grande hazaña! Con muertos!), from The Disasters of War (Los Desastres de la Guerra), plate 39
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(39)
Picador Caught by a Bull (Bravo toro), from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 20.60.2
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.40
Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(68)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
Sebastián Martínez y Pérez (1747–1800)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1792
Accession Number: 06.289
  • Results per page:
  • 30
  • 60
  • 90

Close