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413 records
Goya (Francisco de Goya y Lucientes) x
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(41)
Rightly or Wrongly (Con razon ó sin ella), from The Disasters of War (Los Desastres de la Guerra), plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin, and burnisher on wove paper
Accession Number: 22.60.25(2)
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush with gray-brown and irongall washes, with scraping on laid paper
Accession Number: 35.103.31
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Pen with brown ink and brown wash on laid paper
Accession Number: 1972.118.9
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(6)
Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaron!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(8)
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1797–99
Medium: Etching, burnished aquatint and burin
Accession Number: 16.4.10
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper, before 1877
Accession Number: 22.63.145
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching on wove paper
Accession Number: 22.60.25(72)
Acrobats; Images of Spain Album, 67
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.38
Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(76)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
A Man and a Woman on a Mule; Images of Spain Album (F), page 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.21
This Is Worse (Esto es peor), from The Disasters of War (Los Desastres de la Guerra), plate 37
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and drypoint on wove paper
Accession Number: 22.60.25(37)
It serves you right (Bien te se està), from The Disasters of War (Los Desastres de la Guerra), plate 6
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and burin on wove paper
Accession Number: 22.60.25(6)
Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1797–98
Medium: Etching and aquatint, before burnishing of the aquatint
Accession Number: 30.54.43
Philip III, King of Spain (Felipe III. Rey de Espana)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching and drypoint; First edition, 1778
Accession Number: 61.524.1
Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(19)
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(53)
Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de España. Hijo del Rey D. Felipe IV)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching and drypoint printed in black ink
Accession Number: 31.31.10
Manly courage of the celebrated Panjuelera in [the ring] at Saragosa, plate 22 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.22
Que locura!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and burin on wove paper
Accession Number: 22.60.25(68)
Plate 74 from 'Los Caprichos': Don't scream, stupid (No grites, tonta)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(74)
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, aquatint, drypoint, burin, and burnishing
Accession Number: 21.19.1-.34
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burnished lavis on wove paper
Accession Number: 22.60.25(21)
It's a hard step! (Duro es el paso!), from The Disasters of War (Los Desastres de la Guerra), plate 14
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(14)
You'll See Later
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1806–17
Medium: Brush with black and gray wash on laid paper
Accession Number: 35.103.18
And There's Nothing to Be Done (Y no hai remedio), from The Disasters of War (Los Desastres de la Guerra), plate 15
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14, published 1863
Medium: Etching, drypoint, burin, and burnisher on heavy laid paper
Accession Number: 32.62.17
Crowd in a Circle; Images of Spain Album (F), page 42
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–23
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.29
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(7)
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(41)
Rightly or Wrongly (Con razon ó sin ella), from The Disasters of War (Los Desastres de la Guerra), plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(2)
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.31
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 1972.118.9
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(6)
Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaron!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(8)
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1797–99
Accession Number: 16.4.10
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 22.63.145
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(72)
Acrobats; Images of Spain Album, 67
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.38
Plate 76 from 'Los Caprichos':You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(76)
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
A Man and a Woman on a Mule; Images of Spain Album (F), page 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.21
This Is Worse (Esto es peor), from The Disasters of War (Los Desastres de la Guerra), plate 37
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(37)
It serves you right (Bien te se està), from The Disasters of War (Los Desastres de la Guerra), plate 6
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(6)
Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1797–98
Accession Number: 30.54.43
Philip III, King of Spain (Felipe III. Rey de Espana)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 61.524.1
Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(19)
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(53)
Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de España. Hijo del Rey D. Felipe IV)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 31.31.10
Manly courage of the celebrated Panjuelera in [the ring] at Saragosa, plate 22 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.22
Que locura!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(68)
Plate 74 from 'Los Caprichos': Don't scream, stupid (No grites, tonta)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(74)
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.1-.34
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(21)
It's a hard step! (Duro es el paso!), from The Disasters of War (Los Desastres de la Guerra), plate 14
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(14)
You'll See Later
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1806–17
Accession Number: 35.103.18
And There's Nothing to Be Done (Y no hai remedio), from The Disasters of War (Los Desastres de la Guerra), plate 15
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14, published 1863
Accession Number: 32.62.17
Crowd in a Circle; Images of Spain Album (F), page 42
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–23
Accession Number: 35.103.29
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(7)
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