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26,865 records
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Bridge of St. Martin, Toledo
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1914
Medium: Photogravure
Accession Number: 49.55.270
Mace
After an original by Benjamin Pyne
(active 1693–1727)
Date: 19th century
Medium: Electroformed copper, gilt
Accession Number: 08.78.3
Watch clock
Date: 17th–18th century
Medium: Brass gilt
Accession Number: 13.173.190
Suit
Alexander McQueen
(British, founded 1992)
Date: spring/summer 1997
Medium: a) synthetics b) cotton
Accession Number: 1997.250.1a, b
Drawings for scenes from Vanity Fair: "Jos and Becky"
James Barret
(British, London, active 1785–1819 London)
Date: 1800–1819
Medium: Watercolor over graphite
Accession Number: 66.736.3
The Idle "Prentice Executed at Tyburn (Industry and Idleness, plate 11)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; third state of three
Accession Number: 91.1.19
Watch clock
Date: 17th–18th century
Medium: Brass gilt
Accession Number: 13.173.213
Commode (one of a pair) (part of a set)
Date: ca. 1772
Medium: Marquetry of various woods, bronze and gilt-bronze mounts
Accession Number: 66.64.3
Mount Horels (Ras Susafeh)
Francis Frith
(British, Chesterfield, Derbyshire 1822–1898 Cannes, France)
Date: ca. 1857
Medium: Albumen silver print from glass negative
Accession Number: 1973.597.1
Alecto and Her Train, at the Gate of Pandaemonium:–or–The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service
James Gillray
(British, Chelsea 1756–1815 London)
Date: July 4, 1791
Medium: Hand-colored etching
Accession Number: 42.121(12)
Oxfords
Date: early 1920s
Medium: leather
Accession Number: C.I.61.54.10a, b
Snuffer tray
Date: ca. 1755
Medium: Silver plate
Accession Number: 65.27.1
Boots
The Chelsea Cobbler
Date: ca. 1972
Medium: Leather
Accession Number: 2009.300.5994a, b
Creamer
Date: 1700–1800
Medium: Blown pattern-molded lead colorless and blue glass
Accession Number: 14.120.17
Compilation of 27 weekly publications of The London Mechanics' Register (some issues missing), volume 1, third edition
Cowie and Strange
(London)
Date: 1827
Medium: Illustrations: wood engraving
Accession Number: 1975.529
The heaventree of stars
Richard Hamilton
(British, London 1922–2011 Oxfordshire)
Date: 1998
Medium: Ink jet (Iris) print
Accession Number: 1999.266.7
Textile Sample Book
Date: 19th century
Medium: Textiles-Sample Books
Accession Number: 156.415 Sa4Q10
Burdock
George Richmond
(British, Brompton 1809–1896 London)
Date: 1820–90
Medium: Black and white chalk on blue-gray paper
Accession Number: 2013.92
Photograph
Attributed to John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Medium: Albumen silver print from glass negative
Accession Number: 2005.100.494.11
Sconce
Date: 1795–1815
Medium: Silver plate on copper
Accession Number: 42.197.3a–e
Evening dress
Thea Porter
(British, Jerusalem 1927–2000 London)
Date: fall/winter 1972–73
Medium: silk
Accession Number: 1974.55.2a, b
Armchair (one of four)
Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
Date: ca. 1755–65
Medium: Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter)
Accession Number: 64.101.990
Cartoons from Punch
Sir John Tenniel
(British, London 1820–1914 London)
Date: [1863–95] (?)
Medium: Illustrations: wood engraving
Accession Number: 17.3.2641(3)
St. George Fighting the Dragon
Abraham Cooper
(British, London 1787–1868 Greenwich)
Date: 1800–1868
Medium: Graphite
Accession Number: 23.68.1(23b)
The Finishing Touches to The Bright Cloud, from The Valley of Vision Revisited
Michael Tingle
(British, born Skegness 1954)
Date: by 1988
Medium: Etching printed in brown ink
Accession Number: 2005.53.6
Portrait of a Boy, after Rembrandt (?)
Thomas Worlidge
(British, Peterborough 1700–1766 Hammersmith)
Date: 1750–66
Medium: Etching with drypoint
Accession Number: 61.663.63
Pier
Emrys Williams
(British, born 1958)
Date: 1989
Medium: Gouache on cardboard
Accession Number: 1991.80.1
Two Camels
John Frederick Lewis
(British, London 1805–1876 Walton-on-Thames)
Date: ca. 1843
Medium: Watercolors and gouache over black chalk on brownish paper
Accession Number: 61.218.1
Photograph
Attributed to John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Medium: Albumen silver print from glass negative
Accession Number: 2005.100.494.25
Christ Descending into the Grave, from The Grave, a Poem by Robert Blair
Luigi Schiavonetti
(Italian, Bassano del Grappo 1765–1810 London)
Date: March 1, 1813
Medium: Engraving
Accession Number: 17.3.2391
Bridge of St. Martin, Toledo
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1914
Accession Number: 49.55.270
Mace
After an original by Benjamin Pyne
(active 1693–1727)
Date: 19th century
Accession Number: 08.78.3
Watch clock
Date: 17th–18th century
Accession Number: 13.173.190
Suit
Alexander McQueen
(British, founded 1992)
Date: spring/summer 1997
Accession Number: 1997.250.1a, b
Drawings for scenes from Vanity Fair: "Jos and Becky"
James Barret
(British, London, active 1785–1819 London)
Date: 1800–1819
Accession Number: 66.736.3
The Idle "Prentice Executed at Tyburn (Industry and Idleness, plate 11)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 91.1.19
Watch clock
Date: 17th–18th century
Accession Number: 13.173.213
Commode (one of a pair) (part of a set)
Date: ca. 1772
Accession Number: 66.64.3
Mount Horels (Ras Susafeh)
Francis Frith
(British, Chesterfield, Derbyshire 1822–1898 Cannes, France)
Date: ca. 1857
Accession Number: 1973.597.1
Alecto and Her Train, at the Gate of Pandaemonium:–or–The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service
James Gillray
(British, Chelsea 1756–1815 London)
Date: July 4, 1791
Accession Number: 42.121(12)
Oxfords
Date: early 1920s
Accession Number: C.I.61.54.10a, b
Snuffer tray
Date: ca. 1755
Accession Number: 65.27.1
Boots
The Chelsea Cobbler
Date: ca. 1972
Accession Number: 2009.300.5994a, b
Creamer
Date: 1700–1800
Accession Number: 14.120.17
The heaventree of stars
Richard Hamilton
(British, London 1922–2011 Oxfordshire)
Date: 1998
Accession Number: 1999.266.7
Textile Sample Book
Date: 19th century
Accession Number: 156.415 Sa4Q10
Burdock
George Richmond
(British, Brompton 1809–1896 London)
Date: 1820–90
Accession Number: 2013.92
Photograph
Attributed to John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Accession Number: 2005.100.494.11
Sconce
Date: 1795–1815
Accession Number: 42.197.3a–e
Evening dress
Thea Porter
(British, Jerusalem 1927–2000 London)
Date: fall/winter 1972–73
Accession Number: 1974.55.2a, b
Armchair (one of four)
Tapestry probably woven at Royal Manufactory Beauvais 1664-1789
Date: ca. 1755–65
Accession Number: 64.101.990
Cartoons from Punch
Sir John Tenniel
(British, London 1820–1914 London)
Date: [1863–95] (?)
Accession Number: 17.3.2641(3)
St. George Fighting the Dragon
Abraham Cooper
(British, London 1787–1868 Greenwich)
Date: 1800–1868
Accession Number: 23.68.1(23b)
The Finishing Touches to The Bright Cloud, from The Valley of Vision Revisited
Michael Tingle
(British, born Skegness 1954)
Date: by 1988
Accession Number: 2005.53.6
Portrait of a Boy, after Rembrandt (?)
Thomas Worlidge
(British, Peterborough 1700–1766 Hammersmith)
Date: 1750–66
Accession Number: 61.663.63
Pier
Emrys Williams
(British, born 1958)
Date: 1989
Accession Number: 1991.80.1
Two Camels
John Frederick Lewis
(British, London 1805–1876 Walton-on-Thames)
Date: ca. 1843
Accession Number: 61.218.1
Photograph
Attributed to John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Accession Number: 2005.100.494.25
Christ Descending into the Grave, from The Grave, a Poem by Robert Blair
Luigi Schiavonetti
(Italian, Bassano del Grappo 1765–1810 London)
Date: March 1, 1813
Accession Number: 17.3.2391
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