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1,990 records
Scottish x
Map of South Carolina
Henry Schenk
(American, 1787–1858)
Date: April 10, 1822
Medium: Etching, engraving, and water color
Accession Number: 33.120.208b
Baron Carlo Marochetti in his Studio
Vincent Brooks
(British, 1814–1885)
Date: ca. 1865
Medium: Hand-colored lithograph
Accession Number: 49.40.77
Burnside, Fife / Island in the Almond River
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Medium: Salted paper print from paper negative
Accession Number: 37.98.1.47
Hot milk jug
James Ker
Date: 1727–28
Medium: Silver
Accession Number: 1983.224
The Seven Ages of Man, from Shakespeare's "As You Like It"
J. B. Lippincott Company
(Philadelphia)
Date: 1885
Medium: Illustrations: wood engraving on chine collé
Accession Number: 21.36.66
Venice from the Lido
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1894
Medium: Photogravure
Accession Number: 49.55.280
Hugo Arnot, Esq., Advocate, Giving Alms to a Beggar Called "Gingerbread Jockey"
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1784
Medium: Etching
Accession Number: 33.30(33)
Campo San Margherita, Venice
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1894
Medium: Photogravure
Accession Number: 49.55.278
Photographs of Scottish Scenery
George Washington Wilson (British, Grampian
(Baffshire), Scotland 1823–1893 Abedeen, Scotland)
Date: 1860s
Medium: Albumen silver prints
Accession Number: 1981.1229.80
Tartan
Date: 20th century
Medium: wool
Accession Number: C.I.63.29.115
[Newhaven Fisherwomen]/[Mrs. Logan and Two Unknown Women]
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Medium: Salted paper print from paper negative
Accession Number: 46.1.150
Rev D.T.K. Drummond
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Medium: Salted paper print from paper negative
Accession Number: 37.98.2.112
Mary, Queen of Scots
James Fraser
(London)
Date: early 19th century
Medium: Engraving
Accession Number: 58.549.152
Courtship, a Laughable Couple Indeed
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1784
Medium: Etching
Accession Number: 33.30(7)
Tartan
Date: 20th century
Medium: wool
Accession Number: C.I.63.29.25
Dinner fork (one of twelve)
Bayne and Napier
Date: 1750–65
Medium: Silver
Accession Number: 1988.84.37
Sir David Brewster, Earle Monteith, Dr. Welsh & Two Others
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Medium: Salted paper print from paper negative
Accession Number: 37.98.2.48
Edinburgh. The Scott Monument
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Medium: Salted paper print from paper negative
Accession Number: 37.98.1.31
Mr. Clinch and Mrs. Yates in the Characters of the Duke and Duchess of Braganza
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1785
Medium: Etching
Accession Number: 17.3.888-44
Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire
Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1779–82
Medium: Pen, watercolor and green wash
Accession Number: 34.78.2(20)
Shawl
Date: 1840–60
Medium: wool
Accession Number: 2009.300.2340
Mary, Queen of Scots (from A New and Authentic History of England)
Charles White
(British, London 1751–1785 London)
Date: ca. 1777–79
Medium: Engraving
Accession Number: 58.549.78
Sugar bowl
James Tait
(adm. 1704)
Date: 1727–28
Medium: Silver
Accession Number: 1983.133a, b
Adam's Hut
John Clerk of Eldin
(British, Penicuik, Scotland 1728–1812 Eldin)
Date: 1770–82
Medium: Etching and aquatint; second state of two
Accession Number: 59.508.17
Rural Architecture
John White (British
(born Scotland), active 19th century)
Date: 1856
Medium: Illustrations: lithography
Accession Number: 62.570.2
Leaves From the Journal of Our Life in the Highlands, From 1848 to 1861
Queen Victoria
(British, London 1819–1901 Isle of Wight)
Date: 1868
Medium: Illustrations: steel engraving, chromolithography, wood engraving
Accession Number: 65.542
Design drawing
Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1883, based on earlier design
Medium: Graphite, ink, and gouache
Accession Number: 1992.1046.20
[Group of 20 Early Stereograph Views of Ireland and Scotland]
Unknown
(British)
Date: 1850s–1910s
Medium: Albumen silver prints
Accession Number: 1982.1182.791–.810
The Prize Cartoons; Being the Eleven Designs to Which the Premiums Were Awarded by The Royal Commissioners on the Fine Arts in the Year 1843
After Edward Armitage
(British, London 1817–1896 Tunbridge Wells, Kent)
Date: 1847
Medium: Illustrations: lithography with tint stones
Accession Number: 1991.1073.1(1–11)
Beggars at the Gate of a Temple, Canton
John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Medium: Albumen silver print from glass negative
Accession Number: 2005.100.494.53
Map of South Carolina
Henry Schenk
(American, 1787–1858)
Date: April 10, 1822
Accession Number: 33.120.208b
Baron Carlo Marochetti in his Studio
Vincent Brooks
(British, 1814–1885)
Date: ca. 1865
Accession Number: 49.40.77
Burnside, Fife / Island in the Almond River
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Accession Number: 37.98.1.47
Hot milk jug
James Ker
Date: 1727–28
Accession Number: 1983.224
The Seven Ages of Man, from Shakespeare's "As You Like It"
J. B. Lippincott Company
(Philadelphia)
Date: 1885
Accession Number: 21.36.66
Venice from the Lido
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1894
Accession Number: 49.55.280
Hugo Arnot, Esq., Advocate, Giving Alms to a Beggar Called "Gingerbread Jockey"
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1784
Accession Number: 33.30(33)
Campo San Margherita, Venice
James Craig Annan
(British, Hamilton, South Lanarkshire, Scotland 1864–1946)
Date: 1894
Accession Number: 49.55.278
Photographs of Scottish Scenery
George Washington Wilson (British, Grampian
(Baffshire), Scotland 1823–1893 Abedeen, Scotland)
Date: 1860s
Accession Number: 1981.1229.80
Tartan
Date: 20th century
Accession Number: C.I.63.29.115
[Newhaven Fisherwomen]/[Mrs. Logan and Two Unknown Women]
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Accession Number: 46.1.150
Rev D.T.K. Drummond
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Accession Number: 37.98.2.112
Mary, Queen of Scots
James Fraser
(London)
Date: early 19th century
Accession Number: 58.549.152
Courtship, a Laughable Couple Indeed
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1784
Accession Number: 33.30(7)
Tartan
Date: 20th century
Accession Number: C.I.63.29.25
Dinner fork (one of twelve)
Bayne and Napier
Date: 1750–65
Accession Number: 1988.84.37
Sir David Brewster, Earle Monteith, Dr. Welsh & Two Others
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Accession Number: 37.98.2.48
Edinburgh. The Scott Monument
Hill and Adamson
(British, active 1843–1848)
Date: 1843–47
Accession Number: 37.98.1.31
Mr. Clinch and Mrs. Yates in the Characters of the Duke and Duchess of Braganza
John Kay
(British, Dalkeith, Scotland 1742–1826 Edinburgh)
Date: 1785
Accession Number: 17.3.888-44
Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire
Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1779–82
Accession Number: 34.78.2(20)
Shawl
Date: 1840–60
Accession Number: 2009.300.2340
Mary, Queen of Scots (from A New and Authentic History of England)
Charles White
(British, London 1751–1785 London)
Date: ca. 1777–79
Accession Number: 58.549.78
Sugar bowl
James Tait
(adm. 1704)
Date: 1727–28
Accession Number: 1983.133a, b
Adam's Hut
John Clerk of Eldin
(British, Penicuik, Scotland 1728–1812 Eldin)
Date: 1770–82
Accession Number: 59.508.17
Rural Architecture
John White (British
(born Scotland), active 19th century)
Date: 1856
Accession Number: 62.570.2
Leaves From the Journal of Our Life in the Highlands, From 1848 to 1861
Queen Victoria
(British, London 1819–1901 Isle of Wight)
Date: 1868
Accession Number: 65.542
Design drawing
Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1883, based on earlier design
Accession Number: 1992.1046.20
[Group of 20 Early Stereograph Views of Ireland and Scotland]
Unknown
(British)
Date: 1850s–1910s
Accession Number: 1982.1182.791–.810
The Prize Cartoons; Being the Eleven Designs to Which the Premiums Were Awarded by The Royal Commissioners on the Fine Arts in the Year 1843
After Edward Armitage
(British, London 1817–1896 Tunbridge Wells, Kent)
Date: 1847
Accession Number: 1991.1073.1(1–11)
Beggars at the Gate of a Temple, Canton
John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1869
Accession Number: 2005.100.494.53
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