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13,435 records
Relief prints x
Tigre Pastoral
Edgar Imler
(American, Clairsville, Pennsylvania 1896–1973 Altoona, Pennsylvania)
Date: 1935–43
Medium: Wood engraving
Accession Number: 43.33.101
View of the Imperial Carriage
Utagawa Kunitoshi
(Japanese, active 2nd half of 19th century)
Date: 1889 (Meiji 22)
Medium: One sheet of a triptych of polychrome woodblock prints; ink and color on paper
Accession Number: JP3232
Sea Wall
Hyman J. Warsager
(American, New York 1909–1974 New York (?))
Date: 1935–43
Medium: Colored woodcut
Accession Number: 43.33.1024
Page from Shi Zhu Zhai
Accession Number: CP233
Date:
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: CP233
Mill Workers
James Lesesne Wells
(American, Altanta, Georgia 1902–1993 Washington, D.C.)
Date: ca. 1940
Medium: Linocut
Accession Number: 1999.529.181
Two Hundred Stories and Select Pieces for Children; Adapted to Lead them to Love and Obey Their Parents, To be Kind and Obliging to Their Companions, and Merciful to Animals
Written by A Minister of the Gospel
(American, 19th century)
Date: 1851
Medium: Woodcuts
Accession Number: 41.102.13
Shiba Shinmeisha Uchi (Shatetsu-ro)
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP1171
Woman Cutting Her Nails after GatHering Herbs
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Medium: Polychrome woodblock print (surimono); ink and color on paper
Accession Number: JP2134
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP10
The Deposition, from The Small Passion
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: n.d.
Medium: Woodcut
Accession Number: 1975.653.50
One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities
Date: 19th–20th century
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: CP478
The Musician
Engraved by Timothy Cole
(American, London 1852–1931 Poughkeepsie, New York)
Date: 1884
Medium: Wood engraving
Accession Number: 66.582.12
Giant (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Medium: Wood engraving; working proof
Accession Number: 2011.220.3
Good Words for 1865
Edited by Norman Macleod
(British, Campbeltown, Argyll, Scotland 1812–1872 Glasgow)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4)
The Swallow and Other Birds
Illustrated by Thomas Bewick
(British, Eltringham, Northumberland 1753–1828 Gateshead)
Date: ca. 1980–90
Medium: Wood engraving
Accession Number: 2008.194.1
Kanagawa
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1838
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP69
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
After Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1857–1903
Medium: Wood engraving
Accession Number: 25.78.631
Shōtenyama
Torii Kiyonaga
(Japanese, 1752–1815)
Date: ca. 1779
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP919
Meditazione Sopra la Passione del Nostro Signore
Attributed to the Pseudo- Saint Bonaventura
(Italian, Tuscany ca. 1217–1274)
Date: April 26, 1490
Medium: Printed book with woodcut illustrations
Accession Number: 19.62.1
The Actor Arashi Wakano as a wakashu (youth) in a kappa (raincoat)
Nishikawa Yoshinobu
Date: ca. 1725
Medium: Polychrome woodblock print; ink and color on paper (Urushi-e)
Accession Number: JP820
Les Singuliers et Nouveaux Portraicts... page 70 (recto)
Federic de Vinciolo
Date: 1588
Medium: Woodcut
Accession Number: 18.68(89)
The Butter Churner
Copy after Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: n.d.
Medium: Woodcut
Accession Number: 25.25.1
True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa
Utagawa
(Gountei) Sadahide (Japanese, 1807–1878/79)
Date: 3rd month, 1860
Medium: Triptych of polychrome woodblock prints; ink and color on paper
Accession Number: 2007.49.111a–c
Yahagi Bridge at Okazaki on the Tōkaidō (Tōkaidō Okazaki Yahagi no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: 1827–30
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP1380
The Comical History of Lord Flutter, Lord Spindle and Sir Harry Hopscotch; or, the Bee, the Wasp, and the Ant
Published by Arthur Park
(London)
Date: 19th century
Medium: Wood engraving, hand colored
Accession Number: 64.629.3
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 13 (recto)
Matteo Pagano
(Italian, 1515–1588)
Date: 1556
Medium: Woodcut
Accession Number: 29.59.1(25)
Carriage Stopping, from the Kabuki play, "Sugawara's Secrets of Calligraphy"
Katsukawa Shunshō
(Japanese, 1726–1792)
Date:
Medium: One sheet of a triptych of polychrome woodblock prints; ink and color on paper
Accession Number: JP464
The Hare and the Frogs
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: ca. 1868
Medium: Wood engraving
Accession Number: 19.48.8(3)
Tsuchiyama
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP800
The Work of Antonio Frasconi 1952-1963: Woodcuts, Lithographs and Books
Written by Charles Parkhurst
(American, 20th century)
Date: 1963
Medium: Photomechanical reproductions of woodcuts and lithographs; cover: color woodcut
Accession Number: 1981.1500.2
Tigre Pastoral
Edgar Imler
(American, Clairsville, Pennsylvania 1896–1973 Altoona, Pennsylvania)
Date: 1935–43
Accession Number: 43.33.101
View of the Imperial Carriage
Utagawa Kunitoshi
(Japanese, active 2nd half of 19th century)
Date: 1889 (Meiji 22)
Accession Number: JP3232
Sea Wall
Hyman J. Warsager
(American, New York 1909–1974 New York (?))
Date: 1935–43
Accession Number: 43.33.1024
Page from Shi Zhu Zhai
Accession Number: CP233
Date:
Accession Number: CP233
Mill Workers
James Lesesne Wells
(American, Altanta, Georgia 1902–1993 Washington, D.C.)
Date: ca. 1940
Accession Number: 1999.529.181
Shiba Shinmeisha Uchi (Shatetsu-ro)
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Accession Number: JP1171
Woman Cutting Her Nails after GatHering Herbs
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Accession Number: JP2134
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Accession Number: JP10
The Deposition, from The Small Passion
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: n.d.
Accession Number: 1975.653.50
The Musician
Engraved by Timothy Cole
(American, London 1852–1931 Poughkeepsie, New York)
Date: 1884
Accession Number: 66.582.12
Giant (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Accession Number: 2011.220.3
Good Words for 1865
Edited by Norman Macleod
(British, Campbeltown, Argyll, Scotland 1812–1872 Glasgow)
Date: 1865
Accession Number: 65.629.3(4)
The Swallow and Other Birds
Illustrated by Thomas Bewick
(British, Eltringham, Northumberland 1753–1828 Gateshead)
Date: ca. 1980–90
Accession Number: 2008.194.1
Kanagawa
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1838
Accession Number: JP69
Mariana in the South (Illustration for "The Palace of Art" in Tennyson's Poems, New York, 1903)
After Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1857–1903
Accession Number: 25.78.631
Shōtenyama
Torii Kiyonaga
(Japanese, 1752–1815)
Date: ca. 1779
Accession Number: JP919
Meditazione Sopra la Passione del Nostro Signore
Attributed to the Pseudo- Saint Bonaventura
(Italian, Tuscany ca. 1217–1274)
Date: April 26, 1490
Accession Number: 19.62.1
The Actor Arashi Wakano as a wakashu (youth) in a kappa (raincoat)
Nishikawa Yoshinobu
Date: ca. 1725
Accession Number: JP820
Les Singuliers et Nouveaux Portraicts... page 70 (recto)
Federic de Vinciolo
Date: 1588
Accession Number: 18.68(89)
The Butter Churner
Copy after Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: n.d.
Accession Number: 25.25.1
True View of the Pleasure Quarters with Cherry Blossoms in Full Bloom in the Miyozki District of the New Port of Yokohama, Kanagawa
Utagawa
(Gountei) Sadahide (Japanese, 1807–1878/79)
Date: 3rd month, 1860
Accession Number: 2007.49.111a–c
The Comical History of Lord Flutter, Lord Spindle and Sir Harry Hopscotch; or, the Bee, the Wasp, and the Ant
Published by Arthur Park
(London)
Date: 19th century
Accession Number: 64.629.3
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 13 (recto)
Matteo Pagano
(Italian, 1515–1588)
Date: 1556
Accession Number: 29.59.1(25)
Carriage Stopping, from the Kabuki play, "Sugawara's Secrets of Calligraphy"
Katsukawa Shunshō
(Japanese, 1726–1792)
Date:
Accession Number: JP464
The Hare and the Frogs
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: ca. 1868
Accession Number: 19.48.8(3)
Tsuchiyama
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Accession Number: JP800
The Work of Antonio Frasconi 1952-1963: Woodcuts, Lithographs and Books
Written by Charles Parkhurst
(American, 20th century)
Date: 1963
Accession Number: 1981.1500.2
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