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14,286 records
Relief prints x
Two Women, from the series Spring Poems on Ushiwaka for the Year of the Ox (Ushiwaka haru)
Hishikawa Sōri
(active ca. 1797–1813)
Date: 1805
Medium: Polychrome woodblock print (surimono); ink and color on paper
Accession Number: JP3002
Page from Ein new kunstlich Modelbuch...(Page 25r)
Peter Quentel
(German, active Cologne, 16th century)
Date: 1544
Medium: Woodcut
Accession Number: 22.84.1(25r)
Goyu
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP786
The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date:
Medium: Woodcut
Accession Number: 20.11.36
Anatomical Study of a Man Seen in Profile, from Icones Anatomicae (New York Academy of Medecine and Munich, University Library, 1934)
After John of Calcar
(John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499–1546/50 Naples (active Italy))
Date: printed 1934
Medium: Woodcut
Accession Number: 47.14(6)
One hundred thirty-five woodblock prints including New Year's pictures (nianhua), door gods, historical figures and Taoist deities
Date: 19th–20th century
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: CP466
Teatro delle Nobili et Virtuose Donne..., page 44 (recto)
Isabella Catanea Parasole
(Italian, ca. 1575–ca. 1625)
Date: 1616
Medium: Woodcut, engraving
Accession Number: 19.51(44)
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.13)
Two Women Accompanied by a Maid
Katsukawa Shunchō
(Japanese, active ca. 1783–95)
Date:
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP2806
The War – Making Havelocks for the Volunteers (from Harper's Weekly, Vol. V)
Winslow Homer
(American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Date: June 29, 1861
Medium: Wood engraving
Accession Number: 29.88.1(3)
Coal Yard
Grace Arnold Albee
(American, North Scituate, Rhode Island 1890–1985 Bristol, Rhode Island)
Date: 1950
Medium: Wood engraving
Accession Number: 62.674.217
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 8 (recto)
Cesare Vecellio
(Italian, Pieve di Cadore 1521–1601 Venice)
Date: 1620
Medium: Woodcut
Accession Number: 60.718.1(9)
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 16 (recto)
Federic de Vinciolo
Date: 1603
Medium: Woodcut
Accession Number: 39.30(19)
Paine's Furniture Company
Paine Furniture Company
(Boston, Massachusetts)
Date: ca. 1890
Medium: Wood engraving
Accession Number: 42.130.5
A Man Praying before a Crucifix, from Hymmelwagen auff dem, wer wol lebt...
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: 1517
Medium: Woodcut
Accession Number: 59.507.157(1)
The Poetical Works of Samuel Rogers
Written by Samuel Rogers
(British, Middlesex 1763–1855 London)
Date: 1869
Medium: Wood engraving
Accession Number: 38.60
Print
Isoda Koryūsai
(Japanese, 1735–ca. 1790)
Date:
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP891
"Dear child! he comes–Nay, blush not so to have your secret known (illustration to "Unspoken Dialogue," The Cornhill Magazine, vol. I, January–June, 1860, opp. 194)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1860
Medium: Wood engraving
Accession Number: 35.53.109(3)
Le Pompe: Opera Nova, page 4 (verso)
Giovanni Battista & Marchio Sessa
Date: 1557
Medium: Woodcut
Accession Number: 37.74(8)
Portrait of Rikyū (?)
Shibata Zeshin
(Japanese, 1807–1891)
Date: ca. 1875
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP2745
Autumn Evening ( A Poem by Saigyō), from the series Sanseki waka
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: late 18th century
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP2781
Illustrations of Bank and Office Furniture and Fine Hard Wood Fittings
A. H. Andrews & Co.
(Chicago, Illinois and New York, NY)
Date: 1876 (?)
Medium: Wood engraving
Accession Number: 68.562.1
Rickets
Albert Abramowitz
(American, Riga, Russia 1879–1963 Brooklyn, New York)
Date: 1935–43
Medium: Wood engraving
Accession Number: 43.33.135
Page from Ein new kunstlich Modelbuch...(Page 12v)
Peter Quentel
(German, active Cologne, 16th century)
Date: 1544
Medium: Woodcut
Accession Number: 22.84.1(12v)
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 11 (recto)
Willem Vosterman
Date: after 1527
Medium: Woodcut
Accession Number: 53.566.3(21)
Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 3 (recto)
Giovanni Battista Ciotti
Date: 1591
Medium: Woodcut
Accession Number: 33.64.2(4)
A Winter Gale (Good Words for 1864, opp. p. 320)
After Richard Principal Leitch
(British, ca. 1827–1882)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.30)
New Modelbüch allen Nägerin u. Sydenstickern (Page 9r)
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: 1556
Medium: Woodcut
Accession Number: 30.59.2(9r)
Boats Returning to Gyotoku
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1838
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP2478
Anatomical Representation of the Front of a Man, from Icones Anatomicae (New York Academy of Medecine and Munich, University Library, 1934)
After John of Calcar
(John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499–1546/50 Naples (active Italy))
Date: printed 1934
Medium: Woodcut
Accession Number: 47.14(8)
Two Women, from the series Spring Poems on Ushiwaka for the Year of the Ox (Ushiwaka haru)
Hishikawa Sōri
(active ca. 1797–1813)
Date: 1805
Accession Number: JP3002
Page from Ein new kunstlich Modelbuch...(Page 25r)
Peter Quentel
(German, active Cologne, 16th century)
Date: 1544
Accession Number: 22.84.1(25r)
Goyu
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1840
Accession Number: JP786
The Crucifixion, from The Fall and Salvation of Mankind Through the Life and Passion of Christ
Albrecht Altdorfer
(German, (?) ca. 1480–1538 Regensburg)
Date:
Accession Number: 20.11.36
Anatomical Study of a Man Seen in Profile, from Icones Anatomicae (New York Academy of Medecine and Munich, University Library, 1934)
After John of Calcar
(John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499–1546/50 Naples (active Italy))
Date: printed 1934
Accession Number: 47.14(6)
Teatro delle Nobili et Virtuose Donne..., page 44 (recto)
Isabella Catanea Parasole
(Italian, ca. 1575–ca. 1625)
Date: 1616
Accession Number: 19.51(44)
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.13)
Two Women Accompanied by a Maid
Katsukawa Shunchō
(Japanese, active ca. 1783–95)
Date:
Accession Number: JP2806
The War – Making Havelocks for the Volunteers (from Harper's Weekly, Vol. V)
Winslow Homer
(American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Date: June 29, 1861
Accession Number: 29.88.1(3)
Coal Yard
Grace Arnold Albee
(American, North Scituate, Rhode Island 1890–1985 Bristol, Rhode Island)
Date: 1950
Accession Number: 62.674.217
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 8 (recto)
Cesare Vecellio
(Italian, Pieve di Cadore 1521–1601 Venice)
Date: 1620
Accession Number: 60.718.1(9)
Paine's Furniture Company
Paine Furniture Company
(Boston, Massachusetts)
Date: ca. 1890
Accession Number: 42.130.5
A Man Praying before a Crucifix, from Hymmelwagen auff dem, wer wol lebt...
Hans Schäufelein
(German, Nuremberg ca. 1480–ca. 1540 Nördlingen)
Date: 1517
Accession Number: 59.507.157(1)
The Poetical Works of Samuel Rogers
Written by Samuel Rogers
(British, Middlesex 1763–1855 London)
Date: 1869
Accession Number: 38.60
Print
Isoda Koryūsai
(Japanese, 1735–ca. 1790)
Date:
Accession Number: JP891
"Dear child! he comes–Nay, blush not so to have your secret known (illustration to "Unspoken Dialogue," The Cornhill Magazine, vol. I, January–June, 1860, opp. 194)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1860
Accession Number: 35.53.109(3)
Le Pompe: Opera Nova, page 4 (verso)
Giovanni Battista & Marchio Sessa
Date: 1557
Accession Number: 37.74(8)
Portrait of Rikyū (?)
Shibata Zeshin
(Japanese, 1807–1891)
Date: ca. 1875
Accession Number: JP2745
Autumn Evening ( A Poem by Saigyō), from the series Sanseki waka
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: late 18th century
Accession Number: JP2781
Illustrations of Bank and Office Furniture and Fine Hard Wood Fittings
A. H. Andrews & Co.
(Chicago, Illinois and New York, NY)
Date: 1876 (?)
Accession Number: 68.562.1
Rickets
Albert Abramowitz
(American, Riga, Russia 1879–1963 Brooklyn, New York)
Date: 1935–43
Accession Number: 43.33.135
Page from Ein new kunstlich Modelbuch...(Page 12v)
Peter Quentel
(German, active Cologne, 16th century)
Date: 1544
Accession Number: 22.84.1(12v)
Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 3 (recto)
Giovanni Battista Ciotti
Date: 1591
Accession Number: 33.64.2(4)
A Winter Gale (Good Words for 1864, opp. p. 320)
After Richard Principal Leitch
(British, ca. 1827–1882)
Date: 1864
Accession Number: 65.629.3(3.30)
New Modelbüch allen Nägerin u. Sydenstickern (Page 9r)
Hans Hoffmann
(German, Nuremberg ca. 1545/1550–1591/1592 Prague)
Date: 1556
Accession Number: 30.59.2(9r)
Boats Returning to Gyotoku
Utagawa Hiroshige
(Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo))
Date: ca. 1838
Accession Number: JP2478
Anatomical Representation of the Front of a Man, from Icones Anatomicae (New York Academy of Medecine and Munich, University Library, 1934)
After John of Calcar
(John Stephen Calcar) (Netherlandish, Calcar, Cleves 1499–1546/50 Naples (active Italy))
Date: printed 1934
Accession Number: 47.14(8)
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