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4,319 records
Intaglio prints x
XIIeme Vue d'Italie. Le Bas
Joseph Vernet
(French, Avignon 1714–1789 Paris)
Date: 18th century
Medium: intaglio
Accession Number: 53.600.1547
A Shepherd and Shepherdess (Three Sheep)
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: 1803
Medium: Mezzotint, hand-colored
Accession Number: 14.1.51
Old Mill, St. Ives, England
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.126
The Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879
Medium: Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on medium weight ivory laid paper
Accession Number: 17.3.89
Oeuvres Choisies de Gavarni. Études de Moeurs Contemporaines: Le Carnaval a Paris, Paris le Matin, Les Étudiantes de Paris
Jacques-Adrien Lavieille
(French, 1818–1862)
Date: 1847
Medium: Wood engravings
Accession Number: 61.538.5.1
Imaginary Portrait Head of a Soldier
Johann Lorenz Haid
(German, Kleineislingen 1702–1750 Augsburg)
Date: n.d.
Medium: Mezzotint printed in blue
Accession Number: 69.574.6
Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burnisher
Accession Number: 22.60.25(4)
Limehouse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Medium: Etching and drypoint; fifth state of six (Glasgow); black ink on fine laid Japan paper
Accession Number: 17.3.33
Greenwich Park
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Medium: Etching and drypoint; third state of three (Glasgow); dark brown ink on cream laid paper
Accession Number: 17.21.71
Vendress
Doris Spiegel
(American, born New York 1907)
Date: 1935–43
Medium: Drypoint
Accession Number: 43.33.154
Boys Bathing – Garçons Baignant
Edmund Scott
(British, 1746–1810)
Date: December 9, 1790
Medium: Stipple engraving
Accession Number: 53.600.1873
Whiskers
Dox Thrash
(American, Griffin, Georgia 1893–1965 Philadelphia, Pennsylvania)
Date: 1935–43
Medium: Carborundum mezzotint
Accession Number: 43.46.78
Titans (Titanen), from Brahms Fantasies, Opus XII, plate 20
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1892
Medium: Etching, engraving, and mezzotint with corrections by the artist in pen and brown ink and white gouache; first state of six
Accession Number: 2010.78
Portrait of George Campbell
Caroline Watson
(British, London 1760/61–1814 London)
Date: 1760–1814
Medium: Stipple engraving in sepia ink
Accession Number: 17.3.756-2028
Venus Attired by the Graces
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1784
Medium: Stipple engraving, printed in brown ink; second state
Accession Number: 67.539.304
Her Royal Highness, Princess Charlotte of Wales
John Samuel Agar
(British, ca. 1773–1858)
Date: March 21, 1814
Medium: Stipple engraving
Accession Number: 42.119.254
General Gates
Cornelius Tiebout
(American, New York ca. 1773–1832 Kentucky)
Date: 18th–19th century
Medium: Stipple engraving
Accession Number: 83.2.2032
Il Goffredo ovvero Gerusalemme liberata
Written by Torquato Tasso
(Italian, 1544–1595)
Date: 1760–61
Medium: Printed book with intaglio illustration.
Accession Number: 1996.282.1-2
The Crucifixion
James G. S. Lucas
(British, active 1831–35)
Date: 1835
Medium: Mezzotint
Accession Number: 67.797.39
The Angry Farmer
Edmund Scott
(British, 1746–1810)
Date: December 9, 1790
Medium: Stipple engraving and etching, printed in color and hand-colored
Accession Number: 14.1.10
Leaf from Aedes Walpolianae mounted with two prints: (a): Inigo Jones, from The Iconography; (b): Portrait of Johanne Locke (John Locke)
Robert van Voerst
(Dutch, Deventer 1597–1636 London)
Date: before 1636–1721
Medium: (a): engraving; (b): mezzotint
Accession Number: 25.62.31r(a,b)
Stage Designs
Written by Cavaliere Francesco Fontanesi
Date: 1812–14
Medium: Aquatints printed in shades of brown.
Accession Number: 54.535
Lower Fulton Street
Max Mougel
(American, New York 1895–1988)
Date: 1935–43
Medium: Drypoint
Accession Number: 43.33.283
Saint Mary Magdalen
Angelo Albanesi
(Italian, active London, 1779–84)
Date: January 15, 1779
Medium: Stipple engraving printed in reddish brown ink
Accession Number: 1999.509.4
Venice
Samuel Colman
(American, Portland, Maine 1832–1920 New York)
Date: 19th century
Medium: Etching and drypoint
Accession Number: 29.107.155
Mary, Queen of Scots
Whittingham & Arliss
Date: ca. 1814–16
Medium: Stipple engraving
Accession Number: 58.549.74
The Storm
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1861
Medium: Drypoint; third state of three, from the cancelled plate as published in 1879 by the Fine Art Society (Glasgow); printed in black ink on ivory laid paper
Accession Number: 57.609.26
Nursing
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1890
Medium: Drypoint; third state of three
Accession Number: 1977.582.4
Miss Nelly O'Brien
After Sir Joshua Reynolds
(British, Plympton 1723–1792 London)
Date: 1763–79
Medium: Mezzotint and etching
Accession Number: 24.63.1243
Lion Roaring
Charles Courtry
(French, Paris 1846–1897 Paris)
Date: second half 19th century
Medium: Etching and drypoint
Accession Number: 09.1.4
XIIeme Vue d'Italie. Le Bas
Joseph Vernet
(French, Avignon 1714–1789 Paris)
Date: 18th century
Accession Number: 53.600.1547
A Shepherd and Shepherdess (Three Sheep)
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: 1803
Accession Number: 14.1.51
Old Mill, St. Ives, England
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.126
The Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879
Accession Number: 17.3.89
Oeuvres Choisies de Gavarni. Études de Moeurs Contemporaines: Le Carnaval a Paris, Paris le Matin, Les Étudiantes de Paris
Jacques-Adrien Lavieille
(French, 1818–1862)
Date: 1847
Accession Number: 61.538.5.1
Imaginary Portrait Head of a Soldier
Johann Lorenz Haid
(German, Kleineislingen 1702–1750 Augsburg)
Date: n.d.
Accession Number: 69.574.6
Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(4)
Limehouse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Accession Number: 17.3.33
Greenwich Park
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Accession Number: 17.21.71
Vendress
Doris Spiegel
(American, born New York 1907)
Date: 1935–43
Accession Number: 43.33.154
Boys Bathing – Garçons Baignant
Edmund Scott
(British, 1746–1810)
Date: December 9, 1790
Accession Number: 53.600.1873
Whiskers
Dox Thrash
(American, Griffin, Georgia 1893–1965 Philadelphia, Pennsylvania)
Date: 1935–43
Accession Number: 43.46.78
Titans (Titanen), from Brahms Fantasies, Opus XII, plate 20
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1892
Accession Number: 2010.78
Portrait of George Campbell
Caroline Watson
(British, London 1760/61–1814 London)
Date: 1760–1814
Accession Number: 17.3.756-2028
Venus Attired by the Graces
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1784
Accession Number: 67.539.304
Her Royal Highness, Princess Charlotte of Wales
John Samuel Agar
(British, ca. 1773–1858)
Date: March 21, 1814
Accession Number: 42.119.254
General Gates
Cornelius Tiebout
(American, New York ca. 1773–1832 Kentucky)
Date: 18th–19th century
Accession Number: 83.2.2032
Il Goffredo ovvero Gerusalemme liberata
Written by Torquato Tasso
(Italian, 1544–1595)
Date: 1760–61
Accession Number: 1996.282.1-2
The Crucifixion
James G. S. Lucas
(British, active 1831–35)
Date: 1835
Accession Number: 67.797.39
The Angry Farmer
Edmund Scott
(British, 1746–1810)
Date: December 9, 1790
Accession Number: 14.1.10
Leaf from Aedes Walpolianae mounted with two prints: (a): Inigo Jones, from The Iconography; (b): Portrait of Johanne Locke (John Locke)
Robert van Voerst
(Dutch, Deventer 1597–1636 London)
Date: before 1636–1721
Accession Number: 25.62.31r(a,b)
Stage Designs
Written by Cavaliere Francesco Fontanesi
Date: 1812–14
Accession Number: 54.535
Lower Fulton Street
Max Mougel
(American, New York 1895–1988)
Date: 1935–43
Accession Number: 43.33.283
Saint Mary Magdalen
Angelo Albanesi
(Italian, active London, 1779–84)
Date: January 15, 1779
Accession Number: 1999.509.4
Venice
Samuel Colman
(American, Portland, Maine 1832–1920 New York)
Date: 19th century
Accession Number: 29.107.155
Mary, Queen of Scots
Whittingham & Arliss
Date: ca. 1814–16
Accession Number: 58.549.74
The Storm
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1861
Accession Number: 57.609.26
Nursing
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1890
Accession Number: 1977.582.4
Miss Nelly O'Brien
After Sir Joshua Reynolds
(British, Plympton 1723–1792 London)
Date: 1763–79
Accession Number: 24.63.1243
Lion Roaring
Charles Courtry
(French, Paris 1846–1897 Paris)
Date: second half 19th century
Accession Number: 09.1.4
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