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5,291 records
Intaglio prints x
Passage of the Red Sea / Le Passage de la Mer Rouge
James G. S. Lucas
(British, active 1831–35)
Date: 1833–35
Medium: Mezzotint and etching
Accession Number: 24.63.832(57)
The Death of Mark Antony – Le Mort de Marc Antoine (Shakespeare, Antony and Cleopatra, Act 4, Scene 15)
Jean Marie Delattre
(French, Abbeville 1745–1840 Fulham, London)
Date: January 15, 1805
Medium: Stipple engraving, printed in brown ink
Accession Number: 47.15.9
Evangelischer Bilder-Katechismus
Written by Martin Luther
(German, Eisleben 1483–1546 Eisleben)
Date: n.d.
Medium: Wood engravings
Accession Number: 60.545
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Medium: Etching and drypoint; fourth state of twelve (Glasgow); printed in dark brownish-black ink on medium weight ivory laid paper
Accession Number: 40.3.2
Ostrich, from Picasso: Original Etchings for the Texts of Buffon
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1936, printed 1942
Medium: Sugar-lift aquatint and drypoint
Accession Number: 1997.385.4
The Cairngorms
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1914
Medium: Drypoint; trial state
Accession Number: 17.3.2345
Two Women Looking at a Nude Model
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1923, printed 1929
Medium: Drypoint and etching
Accession Number: 38.9
Shylock's House–Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5)
Peter Simon
(British, London ca. 1764–1813 Paris)
Date: December 1, 1795
Medium: Stipple engraving
Accession Number: 42.119.544
Three river gods
Salvator Rosa (Italian, Arenella
(Naples) 1615–1673 Rome)
Date: ca. 1660–61
Medium: Etching and Drypoint
Accession Number: 17.50.17-154
Affection
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: October 1785
Medium: Stipple engraving, printed in color; first state of two
Accession Number: 26.79.3
A Tyger
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: published 1791
Medium: Mezzotint
Accession Number: 37.17.33
Seated Woman in Bonnet and Shawl
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1879
Medium: Aquatint, drypoint, and etching; printed from canceled plate
Accession Number: 63.625.21
The Webb Farm
Julian Alden Weir
(American, West Point, New York 1852–1919 New York)
Date: 1880-1890
Medium: Etching and drypoint; first state of two
Accession Number: 18.59.38
Little Venice (The Little Venice)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Medium: Etching and drypoint; second state of two (Glasgow); printed in black ink with selectively wiped ink on medium weight cream wove paper
Accession Number: 17.3.85
Hand Painting
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1870
Medium: Etching and drypoint; first (final) state (Harrington); second state of four (Schneiderman)
Accession Number: 17.3.823
Evocation (from the series Brahms Fantasies)
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1894
Medium: Etching, engraving, aquatint, and mezzotint
Accession Number: 24.4.62
Architectural Catalogue 1885, . . .Architectural Iron Work. . .and Machinery Castings
Dearborn Foundry Co.
(Chicago, Illinois)
Date: 1885
Medium: Illustrations: woodcuts and engravings
Accession Number: 60.666.7
Officers Playing Backgammon
Captain William E. Baillie
(Irish, County Kilbride 1723–1810 London)
Date: n.d.
Medium: Mezzotint
Accession Number: 17.3.2847
Yvon
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1911
Medium: Etching and drypoint; first state of three
Accession Number: 17.3.2347
Scaffolding
Roger Vieillard
(French, 1907–1989)
Date: 20th century
Medium: intaglio
Accession Number: 47.56.4
Venus and Adonis
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 21, 1778
Medium: Etching and stipple engraving; fourth state
Accession Number: 17.3.3131
Roslin Castle I
John Clerk of Eldin
(British, Penicuik, Scotland 1728–1812 Eldin)
Date: 1770–82
Medium: Etching and drypoint; second state
Accession Number: 26.72.215
St. Bénézet Bridge, Avignon / St. Benezet-Brücke in Avignon
Alfred Bentley
(British, 1879–1923)
Date: 1914
Medium: Drypoint
Accession Number: 23.52.25(1)
Principes du dessin dans le genre du Paysage (Principles of Drawing in the Genre of Landscape)
Gilles Demarteau
(French, Liège 1722–1776 Paris)
Date: ca. 1773
Medium: A suite of sixteen chalk manner engravings printed in red ink with printed commentary on each plate
Accession Number: 2007.425.1–.16
Trafalgar Tavern, Greenwich
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: 1878
Medium: Etching and drypoint on laid paper; first state of two
Accession Number: 24.13.4
Trois Contes
Written by Gustave Flaubert
(French, Rouen 1821–1880 Croisset)
Date: 1948
Medium: wood engravings
Accession Number: 68.633
Portrait of Johan Caspar Wolphius
Johann Heinrich Meyer
(Swiss, Zurich 1755–1829)
Date:
Medium: Mezzotint plate
Accession Number: 57.603
Lute-Player and a Standing Man
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Medium: Mezzotint; second state of two
Accession Number: 1980.1077.2
Wilton album, folio 11d: The Adoration of the Magi; the Virgin and Child on the left, the Magi and a cohort of people, horses and camels on the right
Andrea Schiavone (Andrea Medulic or Meldolla) (Italian, Zadar (Zara)
(?) ca. 1510?–1563 Venice)
Date: ca. 1545
Medium: Etching and drypoint, retouched in pen and ink
Accession Number: 27.78.1(32)
The Angel Departing from the Family of Tobias
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1641
Medium: Etching and drypoint
Accession Number: 64.561.20
Passage of the Red Sea / Le Passage de la Mer Rouge
James G. S. Lucas
(British, active 1831–35)
Date: 1833–35
Accession Number: 24.63.832(57)
The Death of Mark Antony – Le Mort de Marc Antoine (Shakespeare, Antony and Cleopatra, Act 4, Scene 15)
Jean Marie Delattre
(French, Abbeville 1745–1840 Fulham, London)
Date: January 15, 1805
Accession Number: 47.15.9
Evangelischer Bilder-Katechismus
Written by Martin Luther
(German, Eisleben 1483–1546 Eisleben)
Date: n.d.
Accession Number: 60.545
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Accession Number: 40.3.2
Ostrich, from Picasso: Original Etchings for the Texts of Buffon
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1936, printed 1942
Accession Number: 1997.385.4
The Cairngorms
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1914
Accession Number: 17.3.2345
Two Women Looking at a Nude Model
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1923, printed 1929
Accession Number: 38.9
Shylock's House–Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5)
Peter Simon
(British, London ca. 1764–1813 Paris)
Date: December 1, 1795
Accession Number: 42.119.544
Three river gods
Salvator Rosa (Italian, Arenella
(Naples) 1615–1673 Rome)
Date: ca. 1660–61
Accession Number: 17.50.17-154
Affection
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: October 1785
Accession Number: 26.79.3
A Tyger
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: published 1791
Accession Number: 37.17.33
Seated Woman in Bonnet and Shawl
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: ca. 1879
Accession Number: 63.625.21
The Webb Farm
Julian Alden Weir
(American, West Point, New York 1852–1919 New York)
Date: 1880-1890
Accession Number: 18.59.38
Little Venice (The Little Venice)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Accession Number: 17.3.85
Hand Painting
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1870
Accession Number: 17.3.823
Evocation (from the series Brahms Fantasies)
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1894
Accession Number: 24.4.62
Architectural Catalogue 1885, . . .Architectural Iron Work. . .and Machinery Castings
Dearborn Foundry Co.
(Chicago, Illinois)
Date: 1885
Accession Number: 60.666.7
Officers Playing Backgammon
Captain William E. Baillie
(Irish, County Kilbride 1723–1810 London)
Date: n.d.
Accession Number: 17.3.2847
Yvon
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1911
Accession Number: 17.3.2347
Scaffolding
Roger Vieillard
(French, 1907–1989)
Date: 20th century
Accession Number: 47.56.4
Venus and Adonis
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 21, 1778
Accession Number: 17.3.3131
Roslin Castle I
John Clerk of Eldin
(British, Penicuik, Scotland 1728–1812 Eldin)
Date: 1770–82
Accession Number: 26.72.215
St. Bénézet Bridge, Avignon / St. Benezet-Brücke in Avignon
Alfred Bentley
(British, 1879–1923)
Date: 1914
Accession Number: 23.52.25(1)
Principes du dessin dans le genre du Paysage (Principles of Drawing in the Genre of Landscape)
Gilles Demarteau
(French, Liège 1722–1776 Paris)
Date: ca. 1773
Accession Number: 2007.425.1–.16
Trafalgar Tavern, Greenwich
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: 1878
Accession Number: 24.13.4
Trois Contes
Written by Gustave Flaubert
(French, Rouen 1821–1880 Croisset)
Date: 1948
Accession Number: 68.633
Portrait of Johan Caspar Wolphius
Johann Heinrich Meyer
(Swiss, Zurich 1755–1829)
Date:
Accession Number: 57.603
Lute-Player and a Standing Man
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Accession Number: 1980.1077.2
Wilton album, folio 11d: The Adoration of the Magi; the Virgin and Child on the left, the Magi and a cohort of people, horses and camels on the right
Andrea Schiavone (Andrea Medulic or Meldolla) (Italian, Zadar (Zara)
(?) ca. 1510?–1563 Venice)
Date: ca. 1545
Accession Number: 27.78.1(32)
The Angel Departing from the Family of Tobias
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1641
Accession Number: 64.561.20
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