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10,262 records
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Captain Concay (?) Commanding The New (?) Santa Maria (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Medium: Graphite on wove paper with gilt edges, bound in a leather cover
Accession Number: 1995.379.3a
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1938
Medium: Graphite and wash on paper
Accession Number: 1979.292.695
Heads
John Singer Sargent
(American, Florence 1856–1925 London)
Date: ca. 1870
Medium: Pen, ink, and graphite on light buff wove paper
Accession Number: 50.130.110
Leaf and Tree Study (from Sketchbook)
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date:
Medium: Graphite on paper
Accession Number: 33.176.11 recto
Mirror, in Chippendale Drawings, Vol. I
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Medium: Brown ink, graphite
Accession Number: 20.40.1(68)
View of Four Mountains from the Gorner Grat, Rock (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Medium: Watercolor and graphite on off-white wove paper
Accession Number: 50.130.146e
Studies of a Sitting Woman; verso: Studies of Men
Eduard Julius Friedrich Bendemann
(German, Berlin 1811–1889 Düsseldorf)
Date: 1811–89
Medium: Graphite
Accession Number: 2007.431.4
Panorama of St. Andrews, Jamaica (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date: 1834, 1838
Medium: Graphite on wove paper
Accession Number: 1998.381.2 verso
Land of Benjamin (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Medium: Graphite on paper
Accession Number: 50.130.150qq recto
Design for Settee
Anonymous, German, 18th century
Date: 18th century
Medium: Graphite and pen and black ink
Accession Number: 49.63.223
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Graphite
Accession Number: 53.668.110
Office furniture design: Desk
Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Medium: Graphite with colored chalk
Accession Number: 1986.1187.1(10)
Design for the painted decoration of a ceiling
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: 1830–97
Medium: graphite, watercolor, and gold paint on wove paper; mounted on laid paper
Accession Number: 67.827.299
Artist's Studio Havana 1959
Emilio Sanchez
(American, born Cuba 1921–1999)
Date: 1959
Medium: Graphite
Accession Number: 65.713.187
Study of a Male Nude Shouldering a Wooden Block
Christen Købke
(Danish, Copenhagen 1810–1848 Copenhagen)
Date: ca. 1832
Medium: Graphite
Accession Number: 2011.223
Designs featuring the allegories of the arts
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Medium: Graphite and watercolor
Accession Number: 67.827.508
Portrait of Sir Benjamin Thompson, Count von Rumford
Jean-Baptiste-François Bosio
(French, Monaco 1764–1827 Paris)
Date: n.d.
Medium: Brush and brown wash over graphite underdrawing.
Accession Number: 49.19.107
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Medium: Watercolor over graphite
Accession Number: 53.668.69
Serbelloni, Bellagio (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Medium: Graphite on off-white wove paper
Accession Number: 50.130.147g
Reclining nude female figure
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: n.d.
Medium: Graphite
Accession Number: 13.164.3
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1825–90
Medium: Graphite, heightened with white
Accession Number: 53.668.28
Rocks and Cliffs (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Medium: Graphite and watercolor on off-white wove paper
Accession Number: 50.130.147m
Ornamental Iron Fence Designs, for church
Richardson Ellson & Co.
(British)
Date: 1870–1900
Medium: Ink over graphite
Accession Number: 60.632.137
Motor House and Loft (Timber frame)
Ernest Geldart
(British, London 1848–1929)
Date: late 19th–early 20th century
Medium: Pen and ink, over graphite, with watercolor
Accession Number: 60.724.61
A Giant Monkey in Uniform Holding up Pierrot and a Man with a Whip
Anonymous, French, Austrian or German, second decade19th century
Date: after 1825
Medium: Lithograph touched with pen and brown ink and graphite
Accession Number: 1990.1064.1
Tree Branches (Smaller Italian Sketchbook, leaf 30 recto)
Joseph Wright
(Wright of Derby) (British, Derby 1734–1797 Derby)
Date: 1774–75 (?)
Medium: Graphite
Accession Number: 57.102.1(30)
View of Fingal's Cave
David Octavius Hill
(British, Perth, Scotland 1802–1870 Edinburgh, Scotland)
Date: 1820–70
Medium: Pen and black ink and ink wash over graphite
Accession Number: 59.532.4
Untitled (Female nude and caricatures)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925
Medium: Black crayon and graphite on paper
Accession Number: 1979.292.61
Two Studies of a Reclining Man
Wilhelm Lehmbruck
(German, Duisburg 1881–1919 Berlin)
Date: ca. 1903
Medium: Graphite on paper
Accession Number: 1984.433.240ab
Interior with a Man Writing on a Long Table
Anonymous, French, 16th century
Date: 16th century
Medium: Pen and brown ink, brush and gray and brown wash, over faint sketch in graphite
Accession Number: 1972.118.214
Captain Concay (?) Commanding The New (?) Santa Maria (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Accession Number: 1995.379.3a
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1938
Accession Number: 1979.292.695
Heads
John Singer Sargent
(American, Florence 1856–1925 London)
Date: ca. 1870
Accession Number: 50.130.110
Leaf and Tree Study (from Sketchbook)
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date:
Accession Number: 33.176.11 recto
Mirror, in Chippendale Drawings, Vol. I
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Accession Number: 20.40.1(68)
View of Four Mountains from the Gorner Grat, Rock (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Accession Number: 50.130.146e
Studies of a Sitting Woman; verso: Studies of Men
Eduard Julius Friedrich Bendemann
(German, Berlin 1811–1889 Düsseldorf)
Date: 1811–89
Accession Number: 2007.431.4
Panorama of St. Andrews, Jamaica (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date: 1834, 1838
Accession Number: 1998.381.2 verso
Land of Benjamin (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Accession Number: 50.130.150qq recto
Design for Settee
Anonymous, German, 18th century
Date: 18th century
Accession Number: 49.63.223
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.110
Office furniture design: Desk
Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Accession Number: 1986.1187.1(10)
Design for the painted decoration of a ceiling
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: 1830–97
Accession Number: 67.827.299
Artist's Studio Havana 1959
Emilio Sanchez
(American, born Cuba 1921–1999)
Date: 1959
Accession Number: 65.713.187
Study of a Male Nude Shouldering a Wooden Block
Christen Købke
(Danish, Copenhagen 1810–1848 Copenhagen)
Date: ca. 1832
Accession Number: 2011.223
Designs featuring the allegories of the arts
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Accession Number: 67.827.508
Portrait of Sir Benjamin Thompson, Count von Rumford
Jean-Baptiste-François Bosio
(French, Monaco 1764–1827 Paris)
Date: n.d.
Accession Number: 49.19.107
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Accession Number: 53.668.69
Serbelloni, Bellagio (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Accession Number: 50.130.147g
Reclining nude female figure
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: n.d.
Accession Number: 13.164.3
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1825–90
Accession Number: 53.668.28
Rocks and Cliffs (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Accession Number: 50.130.147m
Ornamental Iron Fence Designs, for church
Richardson Ellson & Co.
(British)
Date: 1870–1900
Accession Number: 60.632.137
Motor House and Loft (Timber frame)
Ernest Geldart
(British, London 1848–1929)
Date: late 19th–early 20th century
Accession Number: 60.724.61
A Giant Monkey in Uniform Holding up Pierrot and a Man with a Whip
Anonymous, French, Austrian or German, second decade19th century
Date: after 1825
Accession Number: 1990.1064.1
Tree Branches (Smaller Italian Sketchbook, leaf 30 recto)
Joseph Wright
(Wright of Derby) (British, Derby 1734–1797 Derby)
Date: 1774–75 (?)
Accession Number: 57.102.1(30)
View of Fingal's Cave
David Octavius Hill
(British, Perth, Scotland 1802–1870 Edinburgh, Scotland)
Date: 1820–70
Accession Number: 59.532.4
Untitled (Female nude and caricatures)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925
Accession Number: 1979.292.61
Two Studies of a Reclining Man
Wilhelm Lehmbruck
(German, Duisburg 1881–1919 Berlin)
Date: ca. 1903
Accession Number: 1984.433.240ab
Interior with a Man Writing on a Long Table
Anonymous, French, 16th century
Date: 16th century
Accession Number: 1972.118.214
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