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"Palazzo Congressi Milano Study"
Aldo Rossi
(Italian, Milan 1931–1997 Milan)
Date: 1988
Medium: Graphite and ink on paper
Accession Number: 2001.375
Barton House, sideboard, glass design, elevation
Designed by Frank Lloyd Wright
(American, Richland Center, Wisconsin 1867–1959 Phoenix, Arizona)
Date: 1903–4
Medium: Graphite
Accession Number: 1981.1005.28
Allegory of Winter, after Sébastien Le Clerc
Anonymous, French, 18th century
Date: 18th century
Medium: Gray wash, over red chalk; squared in graphite. Framing lines in pen and brown ink.
Accession Number: 63.223.1
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Medium: folio 1 - Pen and brown ink, brush and brown and blue wash. folio 2 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 3 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 4 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 5 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 6 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 7 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 8 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 9 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 11 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 12 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 13 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 14 - Pen and brown ink, brush and pale brown wash, over black chalk construction lines and traces of black chalk. folio 15 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 16 - Pen and brown ink, over traces of black chalk (the doorway); black chalk (the figures on the pediment). folio 17 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 18 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 19 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 20 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 21 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22v - Red chalk. folio 23 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 24 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 25 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 26 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 27 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 28 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 29 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 29v - Construction lines in black chalk. folio 30 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 31 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 32 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 33 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 33v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 34 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 35 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 36 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 37 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 38 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 39 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Abrasion of drawing surface. folio 40 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 41 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 42 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 43 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 44 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45v - Graphite. folio 46 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Some offsetting and stray marks in red chalk and graphite. folio 47 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 48 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 49 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 50 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 51 - Pen and black and brown ink, brush and brown wash, over graphite or black chalk and red chalk underdrawing. folio 52 - Pen and black and brown ink, brush and pink, blue, brown, ochre and light green wash over graphite or black chalk construction lines. folio 52v - Pen and brown ink and graphite. folio 53 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 54 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 55 - Pen and brown ink. folio 56v - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 57 - Pen and brown ink over graphite construction lines, yellow and pink wash. folio 58 - Pen and brown ink over stylus-incised construction lines. folio 58v - Pen and brown ink over stylus-incised construction lines. folio 59 - Pen and brown ink, brush and brown wash over stylus-incised construction lines with traces of red chalk. folio 60 - Pen and brown ink over stylus-incised construction lines. folio 60v - Pen and brown ink over stylus-incised construction lines. folio 61 - Pen and brown ink over stylus-incised construction lines. folio 61v - Pen and brown ink over stylus-incised construction lines. folio 62 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 63 - Pen and brown ink over stylus-incised construction lines. folio 63v - Pen and brown ink over stylus-incised construction lines. folio 64 - Pen and brown ink and graphite. folio 65 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 65v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite
Accession Number: 1979.62.1(1-66)
Scrapbook with Jewelry Designs in Watercolor
Date: ca. 1870–1930
Medium: Modern scrapbook containing colored and heightened graphite drawings on paper
Accession Number: 53.626.2(1-22)
A Group of Figures
George Cruikshank
(British, London 1792–1878 London)
Date: ca. 1850
Medium: Pen and brown ink over graphite
Accession Number: 1992.1054.13
Star-shaped Ornament for a Brooch or Pendant
Edgar Gilstrap Simpson (British, 1867–1945
(presumed))
Date: 1899
Medium: Graphite
Accession Number: 59.508.94(1)
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Graphite
Accession Number: 53.668.196
Art Nouveau Fish Bowl
Joe Brainard
(American, Salem, Arkansas 1942–1994 New York)
Date: 1975
Medium: Cut and pasted printed and painted papers, gouache, and graphite on paper
Accession Number: 1997.404.9
Tree (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: 1890
Medium: Graphite on wove paper
Accession Number: 1995.379.4ww recto
Scribble (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Medium: Graphite, pen, ink, and watercolor on paper
Accession Number: 1979.581.47
Cupid and Pysche, Faces and Heads (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Medium: Graphite on off-white wove paper
Accession Number: 50.130.147e recto
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Graphite
Accession Number: 53.668.12
Clam Chowder Picnic (from McGuire Scrapbook)
William Holbrook Beard
(1824–1900)
Date:
Medium: Graphite on off-white wove paper
Accession Number: 26.216.72
Sketchbook
Max Beckmann
(German, Leipzig 1884–1950 New York)
Date: ca. 1923
Medium: Graphite on paper
Accession Number: 2007.49.17
Mythological Figure on Horseback (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Medium: Graphite, pen, ink, and watercolor on paper
Accession Number: 1979.581.14
Original Designs for Porcelain and Pottery for Samuel Alcock & Company, Staffordshire
Alfred Henry Forrester [Alfred Crowquill]
(British, London 1804–1872 London)
Date: 1845–55
Medium: Pen and Ink, wash, graphite, watercolor, and gouache
Accession Number: 56.527(1–77)
Poor Mother
Percy Frederick Albee
(American, Bridgeport, Connecticut 1883–1959)
Date: 1931–32
Medium: Graphite
Accession Number: 62.606.25(2)
BAUHAUS ARCHIVE
Hilde Reindl
(German, Hedingen/Hohenzollern 1909–1990 Munich)
Date: 20th century
Medium: Crayon and graphite on paper
Accession Number: 1985.198.130.1
Sketch of a Man Seated; Sketch of a Dead Deer (from Sketchbook)
Thomas Hewes Hinckley
(1813–1896)
Date: ca. 1860–ca. 1864
Medium: Graphite on beige paper
Accession Number: 1992.373.27
Christ in the Garden of Gethsemane
Robert Walter Weir
(American, New Rochelle, New York 1803–1889 New York)
Date:
Medium: Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper
Accession Number: 1973.209 recto
Rockaway, no. 20216
Brewster & Co.
(American, New York)
Date: 1893
Medium: Graphite on wove paper with linen tape attached to left edge, perforated for binding
Accession Number: 23.112.2131
Conductor: study from life
George Du Maurier
(British, Paris 1834–1896 London)
Date: second half 19th century
Medium: Graphite
Accession Number: 37.150.2
Fabric Design, liquor and prohibition motif
Stuart Davis
(American, Philadelphia, Pennsylvania 1892–1964 New York)
Date: ca. 1934
Medium: Black ink over graphite
Accession Number: 1981.1002.12
Table Design with Bacchus and Boar's Head, and Alternate Design
Anonymous, British, 19th century
Date: 19th century
Medium: Graphite
Accession Number: 60.724.110
Tobias Takes Leave of his Father
Carl Gottlieb Peschel
(German, Dresden 1798–1879 Dresden)
Date: 1829
Medium: Graphite
Accession Number: 2007.101.1
Design for a ceiling
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Medium: Graphite, gouache, and watercolor
Accession Number: 67.827.484
Untitled
Moses Soyer (American
(born Russia), Borisoglebsk 1899–1974 New York)
Date: ca. 1942
Medium: Ink, watercolor, and graphite on paper
Accession Number: 1980.85.3
Study of a Hand
Anonymous, French, 19th century
Date: 19th century
Medium: Graphite heightened with white on greenish paper
Accession Number: 07.282.15
Elevation and Section of a Columbarium
Pietro Paolo Coccetti (Cocchetti)
(Italian, documented Rome, 1710–1727)
Date: 1710–27
Medium: Pen and brown ink, brush and gray wash, over ruling in graphite
Accession Number: 60.632.48
"Palazzo Congressi Milano Study"
Aldo Rossi
(Italian, Milan 1931–1997 Milan)
Date: 1988
Accession Number: 2001.375
Barton House, sideboard, glass design, elevation
Designed by Frank Lloyd Wright
(American, Richland Center, Wisconsin 1867–1959 Phoenix, Arizona)
Date: 1903–4
Accession Number: 1981.1005.28
Allegory of Winter, after Sébastien Le Clerc
Anonymous, French, 18th century
Date: 18th century
Accession Number: 63.223.1
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Accession Number: 1979.62.1(1-66)
Scrapbook with Jewelry Designs in Watercolor
Date: ca. 1870–1930
Accession Number: 53.626.2(1-22)
A Group of Figures
George Cruikshank
(British, London 1792–1878 London)
Date: ca. 1850
Accession Number: 1992.1054.13
Star-shaped Ornament for a Brooch or Pendant
Edgar Gilstrap Simpson (British, 1867–1945
(presumed))
Date: 1899
Accession Number: 59.508.94(1)
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.196
Art Nouveau Fish Bowl
Joe Brainard
(American, Salem, Arkansas 1942–1994 New York)
Date: 1975
Accession Number: 1997.404.9
Tree (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: 1890
Accession Number: 1995.379.4ww recto
Scribble (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Accession Number: 1979.581.47
Cupid and Pysche, Faces and Heads (from Switzerland 1869 Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1869
Accession Number: 50.130.147e recto
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.12
Clam Chowder Picnic (from McGuire Scrapbook)
William Holbrook Beard
(1824–1900)
Date:
Accession Number: 26.216.72
Sketchbook
Max Beckmann
(German, Leipzig 1884–1950 New York)
Date: ca. 1923
Accession Number: 2007.49.17
Mythological Figure on Horseback (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Accession Number: 1979.581.14
Original Designs for Porcelain and Pottery for Samuel Alcock & Company, Staffordshire
Alfred Henry Forrester [Alfred Crowquill]
(British, London 1804–1872 London)
Date: 1845–55
Accession Number: 56.527(1–77)
Poor Mother
Percy Frederick Albee
(American, Bridgeport, Connecticut 1883–1959)
Date: 1931–32
Accession Number: 62.606.25(2)
BAUHAUS ARCHIVE
Hilde Reindl
(German, Hedingen/Hohenzollern 1909–1990 Munich)
Date: 20th century
Accession Number: 1985.198.130.1
Sketch of a Man Seated; Sketch of a Dead Deer (from Sketchbook)
Thomas Hewes Hinckley
(1813–1896)
Date: ca. 1860–ca. 1864
Accession Number: 1992.373.27
Christ in the Garden of Gethsemane
Robert Walter Weir
(American, New Rochelle, New York 1803–1889 New York)
Date:
Accession Number: 1973.209 recto
Rockaway, no. 20216
Brewster & Co.
(American, New York)
Date: 1893
Accession Number: 23.112.2131
Conductor: study from life
George Du Maurier
(British, Paris 1834–1896 London)
Date: second half 19th century
Accession Number: 37.150.2
Fabric Design, liquor and prohibition motif
Stuart Davis
(American, Philadelphia, Pennsylvania 1892–1964 New York)
Date: ca. 1934
Accession Number: 1981.1002.12
Table Design with Bacchus and Boar's Head, and Alternate Design
Anonymous, British, 19th century
Date: 19th century
Accession Number: 60.724.110
Tobias Takes Leave of his Father
Carl Gottlieb Peschel
(German, Dresden 1798–1879 Dresden)
Date: 1829
Accession Number: 2007.101.1
Design for a ceiling
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Accession Number: 67.827.484
Untitled
Moses Soyer (American
(born Russia), Borisoglebsk 1899–1974 New York)
Date: ca. 1942
Accession Number: 1980.85.3
Study of a Hand
Anonymous, French, 19th century
Date: 19th century
Accession Number: 07.282.15
Elevation and Section of a Columbarium
Pietro Paolo Coccetti (Cocchetti)
(Italian, documented Rome, 1710–1727)
Date: 1710–27
Accession Number: 60.632.48
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