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Le Antichità Romane, tome III
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Medium: Etching
Accession Number: 41.71.1.3
Frontispiece to Les Gardes Françaises
Abraham Bosse
(French, Tours 1602/1604–1676 Paris)
Date: 1632
Medium: Etching; undescribed first state before letter
Accession Number: 57.584.2
Prophetic Man / Prophetic Image
Leonard Baskin
(American, New Brunswick, New Jersey 1922–2000 Northampton, Massachusetts)
Date: 1968
Medium: Etching
Accession Number: 2002.397.39
Farmyard with Chickens
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.109
Aeneas Arriving at Carthage, from a Series of Six Plates Depicting Fables, plate 3, bound in Oeuvres. Vol. I
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 17th century
Medium: Etching; second state of two (Préaud)
Accession Number: 33.84(1.14)
Le Feu d'Artifice sur l'Arno (Fireworks on the Arno), from Les Caprices Series B, The Nancy Set
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1617–20
Medium: Etching; first state of two (Lieure)
Accession Number: 57.650.300(46)
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni
Robert van Audenaerde
(Flemish, Ghent 1663–1743 Ghent)
Date: 1683–87
Medium: Etching
Accession Number: 67.809.39
Amador Jean-Baptiste de Vignerod, abbe de Richelieu
Jean Morin
(French, Paris ca. 1605–1650 Paris)
Date:
Medium: Etching, third state
Accession Number: 41.56.24
Venus Callipyge, from Classical Statues in Rome
Francesco Piranesi
(Italian, Rome 1758–1810 Paris)
Date: 1783
Medium: Etching
Accession Number: 41.71.1.18(33)
Illustration for Canto IX, from Tasso's Gerusalemme Liberata III (Jerusalem Delivered III), plate 9
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date:
Medium: Etching
Accession Number: 59.644.108(3)
The Steady Beauty (Beauté Déterminée), from Principles of Beauty Relative to the Human Head
Designed and published by Alexander Cozens
(British, Russia 1717–1786 London)
Date: April 10, 1777
Medium: Engraving and etching
Accession Number: 24.63.1129
Le Rossignol Posé sur un Buisson (A Nightengale Standing on a Bush), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 14
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1646
Medium: Etching and letterpress; second state of two (Lieure)
Accession Number: 57.650.422(14)
Frogs (from L'Estampe originale, Album VIII)
Charles Louis M. Houdard
(French, late 19th century)
Date: 1894
Medium: Aquatint in three colors
Accession Number: 22.82.1-73
The Peace of Munster
Wenceslaus Hollar
(Wenzel Vaclav) (Bohemian, Prague 1607–1677 London)
Date: 1648
Medium: Etching; third state of three
Accession Number: 20.81.1.32
The Coronation of the Virgin, from a Series of Prints Depicting the Frescoes of Correggio & Parmigianino in San Giovanni Evangelista at Parma
Paolo Toschi
(Italian, 1788–1854)
Date: 19th century
Medium: Etching and engraving
Accession Number: 45.78.125
Cabinet ornamented with a battle scene, from Cabinets, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 17th century
Medium: Etching; third state of three (Préaud)
Accession Number: 33.84(3.60)
Death Carrying an Infant
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1648
Medium: Etching, state ii
Accession Number: 59.570.379(2)
Divine Love (Mother and Child)
Sargent Claude Johnson
(American, Boston, Massachusetts 1888–1967 San Francisco, California)
Date: 1930
Medium: Etching
Accession Number: 1999.529.75
A Shepherd and Young Women in a Bower
After François Boucher
(French, Paris 1703–1770 Paris)
Date: 19th century
Medium: Etching in red ink on wove paper
Accession Number: 1971.545.50
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: c. 1645
Medium: Etching
Accession Number: 51.501.4226
Holy Island Cathedral, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 20, 1808
Medium: Etching and mezzotint; first state
Accession Number: 28.97.11
Papa's Birthday
Laguillermie
(French)
Date: 1883
Medium: Etching
Accession Number: 88.2.16
Plate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(33)
Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with a Large Mantle, Viewed from Behind), from Les Caprices Series B, The Nancy Set
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1617–20
Medium: Etching; first state of two (Lieure)
Accession Number: 57.650.300(5)
Reprint of Vue d'Ensemble de la Fête (Overview of the Festival), from La Guerre d'Amour (Guerra d'Amore) (War of Love)
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date:
Medium: Etching
Accession Number: 47.41.9(4)
Landscape with Ornamental Frame
Antonio Fantuzzi
(Italian, active France, 1537–45)
Date: ca. 1543
Medium: Etching
Accession Number: 65.676.1
Getting a Shot
Frederick Bromley
(British, active London, 1832–70)
Date: 1852–70
Medium: Etching and mezzotint, hand-colored
Accession Number: 1974.672.15
Trophée médallique, maritime et naval, from Trophées médalliques des seigneurs de Rostaing, plate 2
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 1661
Medium: Etching
Accession Number: 53.600.28(3)
Le Antichità Romane, tome III
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Accession Number: 41.71.1.3
Frontispiece to Les Gardes Françaises
Abraham Bosse
(French, Tours 1602/1604–1676 Paris)
Date: 1632
Accession Number: 57.584.2
Prophetic Man / Prophetic Image
Leonard Baskin
(American, New Brunswick, New Jersey 1922–2000 Northampton, Massachusetts)
Date: 1968
Accession Number: 2002.397.39
Farmyard with Chickens
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.109
Aeneas Arriving at Carthage, from a Series of Six Plates Depicting Fables, plate 3, bound in Oeuvres. Vol. I
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 17th century
Accession Number: 33.84(1.14)
Le Feu d'Artifice sur l'Arno (Fireworks on the Arno), from Les Caprices Series B, The Nancy Set
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1617–20
Accession Number: 57.650.300(46)
Amador Jean-Baptiste de Vignerod, abbe de Richelieu
Jean Morin
(French, Paris ca. 1605–1650 Paris)
Date:
Accession Number: 41.56.24
Venus Callipyge, from Classical Statues in Rome
Francesco Piranesi
(Italian, Rome 1758–1810 Paris)
Date: 1783
Accession Number: 41.71.1.18(33)
Illustration for Canto IX, from Tasso's Gerusalemme Liberata III (Jerusalem Delivered III), plate 9
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date:
Accession Number: 59.644.108(3)
The Steady Beauty (Beauté Déterminée), from Principles of Beauty Relative to the Human Head
Designed and published by Alexander Cozens
(British, Russia 1717–1786 London)
Date: April 10, 1777
Accession Number: 24.63.1129
Frogs (from L'Estampe originale, Album VIII)
Charles Louis M. Houdard
(French, late 19th century)
Date: 1894
Accession Number: 22.82.1-73
The Peace of Munster
Wenceslaus Hollar
(Wenzel Vaclav) (Bohemian, Prague 1607–1677 London)
Date: 1648
Accession Number: 20.81.1.32
Cabinet ornamented with a battle scene, from Cabinets, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 17th century
Accession Number: 33.84(3.60)
Death Carrying an Infant
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1648
Accession Number: 59.570.379(2)
Divine Love (Mother and Child)
Sargent Claude Johnson
(American, Boston, Massachusetts 1888–1967 San Francisco, California)
Date: 1930
Accession Number: 1999.529.75
A Shepherd and Young Women in a Bower
After François Boucher
(French, Paris 1703–1770 Paris)
Date: 19th century
Accession Number: 1971.545.50
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: c. 1645
Accession Number: 51.501.4226
Holy Island Cathedral, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 20, 1808
Accession Number: 28.97.11
Papa's Birthday
Laguillermie
(French)
Date: 1883
Accession Number: 88.2.16
Plate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(33)
Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with a Large Mantle, Viewed from Behind), from Les Caprices Series B, The Nancy Set
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1617–20
Accession Number: 57.650.300(5)
Reprint of Vue d'Ensemble de la Fête (Overview of the Festival), from La Guerre d'Amour (Guerra d'Amore) (War of Love)
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date:
Accession Number: 47.41.9(4)
Landscape with Ornamental Frame
Antonio Fantuzzi
(Italian, active France, 1537–45)
Date: ca. 1543
Accession Number: 65.676.1
Getting a Shot
Frederick Bromley
(British, active London, 1832–70)
Date: 1852–70
Accession Number: 1974.672.15
Trophée médallique, maritime et naval, from Trophées médalliques des seigneurs de Rostaing, plate 2
Jean Le Pautre
(French, Paris 1618–1682 Paris)
Date: 1661
Accession Number: 53.600.28(3)
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