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29,695 records
Etching x
A Large Linden Tree Before an Inn
Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 17th century
Medium: Etching; second state of three
Accession Number: 47.100.35
Rembrandt's Mother with Hand on Chest: Small Bust (reverse copy)
After Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: n.d.
Medium: Etching
Accession Number: 17.3.1390
The Pillaging of a Farm, from De Droeve Ellendigheden van den Oorloogh (The Miseries and Misfortunes of War), plate 5
Gerrit van Schagen
(Dutch, born 1642)
Date: after 1642
Medium: Etching
Accession Number: 21.36.19(5)
New York from Brooklyn Heights
William James Bennett
(American, London 1787–1844 New York)
Date: 1837
Medium: Aquatint printed in colors, first state
Accession Number: 54.90.586
Turc Sellant Son Cheval (A Turk Saddling His Horse)
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1824
Medium: Aquatint printed in black ink on heavy wove paper, with additions in graphite, by hand
Accession Number: 1998.529
Banditti Taking His Post (from Fifteen Etchings Dedicated to Sir Joshua Reynolds)
Designed, etched and published by John Hamilton Mortimer
(British, Eastbourne 1740–1779 London)
Date: December 8, 1778
Medium: Etching
Accession Number: 62.602.157
Copyist At The Metropolitan Museum
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1908
Medium: Etching
Accession Number: 26.92.27(10)
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
Etched and published by Richard Livesay
(British, 1753–1823)
Date: March 1, 1782
Medium: Etching
Accession Number: 32.35(84)
Man Enslaved by Satan, from The Road to Eternal Bliss, plate 1
After Dirk Volckertsz Coornhert
(Netherlandish, Amsterdam 1519/22–1590 Gouda)
Date: 1550
Medium: Etching
Accession Number: 66.548.14
La Istoria d'Italia
Written by Francesco Guicciardini
(Italian, 1483–1540)
Date: 1738
Medium: Printed book with etched and engraved illustrations
Accession Number: 47.44(1,2)
A Vain Woman Ascends a Staircase as Fortuna Descents It, from Proverbi Figurati, plate 45
Giuseppe Maria Mitelli
(Italian, Bologna (?) 1634–1718 Bologna)
Date: 1678
Medium: Etching
Accession Number: 44.81.2(46)
Another view of the Temple of teh Sibyl in Tivoli, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1762
Medium: Etching; first state of five (Hind)
Accession Number: 56.581.6
Circe Changing Ulysses's Men to Swine (Ulyssis socij a Circe in porcos), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 135
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Medium: Etching
Accession Number: 35.6(136)
Table of Contents in this Second Volume and in the Third, from Le Antichità Romane (Roman Antiquities), tome 2, tavola 3
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Medium: Etching
Accession Number: 41.71.1.2(3)
Two putti with one playing a horn with a satyr in a lunette below in the Camera di S. Paolo, from a Series of Prints Depicting the Frescoes of Correggio & Parmigianino in San Giovanni Evangelista at Parma
Carlo Raimondi
(Italian, Bocche di Cattoro 1809–1883 Parma)
Date: 19th century
Medium: Etching and engraving
Accession Number: 35.85.14
The Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879
Medium: Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on medium weight ivory laid paper
Accession Number: 17.3.89
Crypt of Kirkstall Abbey, from Liber Studiorum, part VIII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching and mezzotint; second state
Accession Number: 83.1.74
An Old Turk Seated on a Stone
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Medium: Etching
Accession Number: 68.740.1
Le Rendez-Vous Pour Marly (The Assignation at Marly), from Le Monument du Costume
Carl Gottlieb Guttenberg
(German, 1743–1790)
Date: published in 1789
Medium: Etching; first state of six (Bocher)
Accession Number: 33.6.10
Two Men Beside a Woods
Wenceslaus Hollar
(Wenzel Vaclav) (Bohemian, Prague 1607–1677 London)
Date: 1652
Medium: Etching; first state of two
Accession Number: 20.81.2.159
Ste. Lucrèce, vierge (St. Lucretia, Virgin), November 23rd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year)
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1636
Medium: Etching; second state of two (Lieure)
Accession Number: 17.50.17-371(418)
Hab.t de l'Acadie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers'
Date: 1700–1799
Medium: Etching and hand coloring (watercolor)
Accession Number: 59.654.17(20)
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto)
Pietro Paulo Tozzi
Date: October 1, 1604
Medium: Etching and ms
Accession Number: 22.66.5(10)
The Gentleman and Cabinet-Maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste
Designed, printed for, and sold by Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: 1754
Medium: Etching; graphite on the verso of some pages
Accession Number: 52.519.94
A Peasant Woman Herds Two Cows Across a Stream
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: before 1647
Medium: Etching
Accession Number: 23.22.1(35)
Mother and Son
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1922, printed 1961
Medium: Etching
Accession Number: 1983.1212.4
The Deluge
In the style of John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 19th century
Medium: Etching and engraving
Accession Number: 49.125.20
A Large Linden Tree Before an Inn
Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 17th century
Accession Number: 47.100.35
Rembrandt's Mother with Hand on Chest: Small Bust (reverse copy)
After Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: n.d.
Accession Number: 17.3.1390
The Pillaging of a Farm, from De Droeve Ellendigheden van den Oorloogh (The Miseries and Misfortunes of War), plate 5
Gerrit van Schagen
(Dutch, born 1642)
Date: after 1642
Accession Number: 21.36.19(5)
New York from Brooklyn Heights
William James Bennett
(American, London 1787–1844 New York)
Date: 1837
Accession Number: 54.90.586
Turc Sellant Son Cheval (A Turk Saddling His Horse)
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1824
Accession Number: 1998.529
Banditti Taking His Post (from Fifteen Etchings Dedicated to Sir Joshua Reynolds)
Designed, etched and published by John Hamilton Mortimer
(British, Eastbourne 1740–1779 London)
Date: December 8, 1778
Accession Number: 62.602.157
Copyist At The Metropolitan Museum
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1908
Accession Number: 26.92.27(10)
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
Etched and published by Richard Livesay
(British, 1753–1823)
Date: March 1, 1782
Accession Number: 32.35(84)
Man Enslaved by Satan, from The Road to Eternal Bliss, plate 1
After Dirk Volckertsz Coornhert
(Netherlandish, Amsterdam 1519/22–1590 Gouda)
Date: 1550
Accession Number: 66.548.14
La Istoria d'Italia
Written by Francesco Guicciardini
(Italian, 1483–1540)
Date: 1738
Accession Number: 47.44(1,2)
A Vain Woman Ascends a Staircase as Fortuna Descents It, from Proverbi Figurati, plate 45
Giuseppe Maria Mitelli
(Italian, Bologna (?) 1634–1718 Bologna)
Date: 1678
Accession Number: 44.81.2(46)
Another view of the Temple of teh Sibyl in Tivoli, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1762
Accession Number: 56.581.6
Circe Changing Ulysses's Men to Swine (Ulyssis socij a Circe in porcos), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 135
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Accession Number: 35.6(136)
Table of Contents in this Second Volume and in the Third, from Le Antichità Romane (Roman Antiquities), tome 2, tavola 3
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Accession Number: 41.71.1.2(3)
The Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879
Accession Number: 17.3.89
Crypt of Kirkstall Abbey, from Liber Studiorum, part VIII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 83.1.74
An Old Turk Seated on a Stone
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Accession Number: 68.740.1
Le Rendez-Vous Pour Marly (The Assignation at Marly), from Le Monument du Costume
Carl Gottlieb Guttenberg
(German, 1743–1790)
Date: published in 1789
Accession Number: 33.6.10
Two Men Beside a Woods
Wenceslaus Hollar
(Wenzel Vaclav) (Bohemian, Prague 1607–1677 London)
Date: 1652
Accession Number: 20.81.2.159
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto)
Pietro Paulo Tozzi
Date: October 1, 1604
Accession Number: 22.66.5(10)
The Gentleman and Cabinet-Maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture in the Gothic, Chinese and Modern Taste
Designed, printed for, and sold by Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: 1754
Accession Number: 52.519.94
A Peasant Woman Herds Two Cows Across a Stream
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: before 1647
Accession Number: 23.22.1(35)
Mother and Son
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1922, printed 1961
Accession Number: 1983.1212.4
The Deluge
In the style of John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 19th century
Accession Number: 49.125.20
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