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3,727 records
Engravings x
The Lyon (Recumbent Lion by a Pool)
George Townley Stubbs
(British, Liverpool 1756–1815)
Date: August 12, 1776
Medium: Mezzotint; third state of three
Accession Number: 67.797.36
Christ Summoning Peter and Andrew
Richard Earlom
(British, London 1743–1822 London)
Date: 1776
Medium: Mezzotint with etching
Accession Number: 24.63.327
October / Octobre
Robert Dighton the Elder
(British, London ca. 1752–1814 London)
Date: June 24, 1784
Medium: Hand-colored mezzotint
Accession Number: 67.539.80
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.32
The Camp Laundry
Anonymous, British, 18th century
Date: February 14, 1782
Medium: Mezzotint, hand colored
Accession Number: 1971.600.20
79th Street, Between Columbus Ave and Broadway
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1934
Medium: Drypoint
Accession Number: 67.825.63
Prince Arthur's Vision (Spenser's Faerie Queen)
Peltro William Tomkins
(British, London 1759–1840 London)
Date: April 4, 1788
Medium: Stipple engraving and etching
Accession Number: 42.119.356
Lady Meutas
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 12, 1795
Medium: Etching and stipple engraving, printed in color on pink paper; second state
Accession Number: 42.66.47
Samuel Adams
Samuel Okey
(British, active 1745–80 (emigrated to United States ca. 1771))
Date: April 1775
Medium: Mezzotint
Accession Number: 24.90.61
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 51.530.2(16)
Woman Sitting Half-Dressed beside a Stove
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1658
Medium: Etching, burring, and drypoint
Accession Number: 24.74
David and Bathsheba
James G. S. Lucas
(British, active 1831–35)
Date: 1833–35
Medium: Mezzotint
Accession Number: 24.63.832(58)
Twist in Time
John Newman
(American, born 1952)
Date: 1990
Medium: Etching, drypoint, aquatint
Accession Number: 2003.433.92
Untitled
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: ca. 1944
Medium: Engraving and drypoint, brown Ink
Accession Number: 1975.647.2
Bronx Street
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1930
Medium: Drypoint
Accession Number: 67.825.66
A Brittany Farm
Charles Adams Platt
(American, New York 1861–1933)
Date: 1883
Medium: Drypoint; only state
Accession Number: 19.13.28
Coal Barges, Brooklyn
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1939
Medium: Drypoint
Accession Number: 67.825.12
Satan Viewing the Ascent to Heaven (Paradise Lost of Milton, Book 3, line 501)
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Medium: Mezzotint with touches of drypoint; proof
Accession Number: 67.797.3
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Etching and drypoint, proof
Accession Number: 24.12.2
Florence Farwell Constant
George Constant
(American (born Greece), Arahova 1892–1978 New York)
Date: 1930
Medium: Drypoint
Accession Number: 1991.1302.2
Instruments of Naval Combat, A Sailor Sounding the Trumpet
Reinier Nooms, called Zeeman
(Dutch, Amsterdam ca. 1623–1664 Amsterdam)
Date: 17th century
Medium: Etching and drypoint; state III
Accession Number: 60.623.8(1)
Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco
(Italian, Venice 1550–1620 Venice)
Date: 1596
Medium: Book of engravings with printed dedication page (pages inlaid, modern cloth binding)
Accession Number: 57.506
Glaucus and Scylla
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1661
Medium: Etching and Drypoint
Accession Number: 1986.1180.428
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: May 1, 1796
Medium: Stipple engraving and etching
Accession Number: 17.3.756-1683
They don't like it (No Quieren), from The Disasters of War (Los Desastres de la Guerra), plate 9
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(9)
Figurine: Two Soldiers, One Seated with Sword and Shield
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Medium: Etching and Drypoint
Accession Number: 17.50.17-138
Sleeping Girl with Needlework in her Lap
Gerard Valck
(Dutch, 1651–1726)
Date: n.d.
Medium: Mezzotint
Accession Number: 1988.1089
Mary, Queen of Scots
George Vertue
(British, London 1684–1756)
Date: first half 18th century
Medium: Stipple engraving
Accession Number: 58.549.214
Self Portrait
Henri-Charles Guérard
(French, Paris 1846–1897 Paris)
Date: c. 1890
Medium: Etching with roulette and mezzotint
Accession Number: 2013.940
Solitude, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Medium: Etching and mezzotint; first state
Accession Number: 83.1.76
The Lyon (Recumbent Lion by a Pool)
George Townley Stubbs
(British, Liverpool 1756–1815)
Date: August 12, 1776
Accession Number: 67.797.36
Christ Summoning Peter and Andrew
Richard Earlom
(British, London 1743–1822 London)
Date: 1776
Accession Number: 24.63.327
October / Octobre
Robert Dighton the Elder
(British, London ca. 1752–1814 London)
Date: June 24, 1784
Accession Number: 67.539.80
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.32
The Camp Laundry
Anonymous, British, 18th century
Date: February 14, 1782
Accession Number: 1971.600.20
79th Street, Between Columbus Ave and Broadway
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1934
Accession Number: 67.825.63
Prince Arthur's Vision (Spenser's Faerie Queen)
Peltro William Tomkins
(British, London 1759–1840 London)
Date: April 4, 1788
Accession Number: 42.119.356
Lady Meutas
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 12, 1795
Accession Number: 42.66.47
Samuel Adams
Samuel Okey
(British, active 1745–80 (emigrated to United States ca. 1771))
Date: April 1775
Accession Number: 24.90.61
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(16)
Woman Sitting Half-Dressed beside a Stove
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1658
Accession Number: 24.74
David and Bathsheba
James G. S. Lucas
(British, active 1831–35)
Date: 1833–35
Accession Number: 24.63.832(58)
Twist in Time
John Newman
(American, born 1952)
Date: 1990
Accession Number: 2003.433.92
Untitled
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: ca. 1944
Accession Number: 1975.647.2
Bronx Street
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1930
Accession Number: 67.825.66
A Brittany Farm
Charles Adams Platt
(American, New York 1861–1933)
Date: 1883
Accession Number: 19.13.28
Coal Barges, Brooklyn
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1939
Accession Number: 67.825.12
Satan Viewing the Ascent to Heaven (Paradise Lost of Milton, Book 3, line 501)
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Accession Number: 67.797.3
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.2
Florence Farwell Constant
George Constant
(American (born Greece), Arahova 1892–1978 New York)
Date: 1930
Accession Number: 1991.1302.2
Instruments of Naval Combat, A Sailor Sounding the Trumpet
Reinier Nooms, called Zeeman
(Dutch, Amsterdam ca. 1623–1664 Amsterdam)
Date: 17th century
Accession Number: 60.623.8(1)
Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco
(Italian, Venice 1550–1620 Venice)
Date: 1596
Accession Number: 57.506
Glaucus and Scylla
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1661
Accession Number: 1986.1180.428
Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: May 1, 1796
Accession Number: 17.3.756-1683
They don't like it (No Quieren), from The Disasters of War (Los Desastres de la Guerra), plate 9
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(9)
Figurine: Two Soldiers, One Seated with Sword and Shield
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Accession Number: 17.50.17-138
Sleeping Girl with Needlework in her Lap
Gerard Valck
(Dutch, 1651–1726)
Date: n.d.
Accession Number: 1988.1089
Mary, Queen of Scots
George Vertue
(British, London 1684–1756)
Date: first half 18th century
Accession Number: 58.549.214
Self Portrait
Henri-Charles Guérard
(French, Paris 1846–1897 Paris)
Date: c. 1890
Accession Number: 2013.940
Solitude, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Accession Number: 83.1.76
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