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3,758 records
Engravings x
Mary, Queen of Scots
Charles-Michel Geoffroy
(French, Joinville 1819–1882 Passy)
Date: ca. 1850
Medium: Stipple engraving
Accession Number: 58.549.331
Bathing Time
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint, lightly inked
Accession Number: 2001.727.23
Maine Coast
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.17
The Cooper Vignettes
Written by James Fenimore Cooper
(American, Burlington, New Jersey 1789–1851)
Date: 1862
Medium: Engravings, india proofs
Accession Number: 64.667
Equestrian Statue
Harold Frank Collinson
(British, Nottingham 1886–1955 New York)
Date: mid 20th century
Medium: Etching and drypoint
Accession Number: 56.574.5
The Nutting Villager
Published by Robert Sayer
(London, 1725–1794)
Date: June 10, 1786
Medium: Mezzotint
Accession Number: 42.119.155
281 cartoons
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: 1862–1900
Medium: Wood engravings and electrotypes
Accession Number: 33.35.7–.287
Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(30)
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper, before 1877
Accession Number: 22.63.145
The Ingoldsby Legends or Mirth & Marvels
Written by Thomas Ingoldsby [pseudonym]
(British, Canterbury 1788–1845 London)
Date: 1907
Medium: Photomechanicals after watercolors and photomechanicals after wood engravings
Accession Number: 1986.1145.10
Figurine: Two Soldiers Facing a Third who Holds a Shield
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Medium: Etching and Drypoint
Accession Number: 17.50.17-128
Grand Canal, America, 1933
Gerald Geerlings
(American, Milwaukee, Wisconsin 1897–1998 New Canaan, Connecticut)
Date: 1933
Medium: Drypoint
Accession Number: 69.504.12
Resurrection
Max Beckmann
(German, Leipzig 1884–1950 New York)
Date: 1918
Medium: Drypoint
Accession Number: 1999.232.14
The Death of Mark Antony – Le Mort de Marc Antoine (from Shakespeare's Antony and Cleopatra)
Jean Marie Delattre
(French, Abbeville 1745–1840 Fulham, London)
Date: January 15, 1805
Medium: Stipple engraving, printed in brown ink
Accession Number: 42.15.9
Figurina: Soldier, Standing Seen from Behind, in a Helmet, Holding a Cane
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Medium: Etching and Drypoint
Accession Number: 17.50.17-115
Man in Profile to the Right, Right Hand at His Chin (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Medium: Mezzotint
Accession Number: 59.570.368
The Fables of Jean de la Fontaine
Written by Jean de La Fontaine
(French, Château-Thierry 1621–1695 Paris)
Date: 1931
Medium: Copper engraving
Accession Number: 57.515.1.(1)-(2)
The Model Resting (Draped Model)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1870
Medium: Drypoint; ninth state of eleven (Glasgow); Printed in black ink on ivory laid paper with watermark: Arms of Ansterdam
Accession Number: 17.3.67
Jacqueline Dressed as a Bride Full Face I
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1961
Medium: Aquatint and drypoint; eleventh state
Accession Number: 1997.90
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Medium: Mezzotint
Accession Number: 63.625.253
Night-time in a Stable
Edmund Blampied
(British, Island of Jersey 1886–1966 London)
Date: 1928
Medium: Drypoint
Accession Number: 1986.1180.1118
John Fisher, Bishop of Rochester
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: November 1, 1793
Medium: Etching and stipple engraving, printed in color on pink paper; second state
Accession Number: 42.66.63
Bachots au bords de la Seine
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1833–1914
Medium: Drypoint on laid paper
Accession Number: 22.1.15
M. Zouch [Mistress Zouch or Mary Zouch]
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: September 1, 1797
Medium: Etching and stipple engraving, printed in color on pink paper
Accession Number: 42.66.69
Fulton Street L with Breecher Monument
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1949
Medium: Drypoint
Accession Number: 67.825.1
Shacks by the Road
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Medium: Mezzotint, first state
Accession Number: 54.647.37
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Medium: Etching and drypoint; tenth state of twelve (Glasgow); printed in brownish-black ink on ivory laid paper
Accession Number: 67.630.58
Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, lavis and drypoint
Accession Number: 53.541
Lady Hobby
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: March 1, 1793
Medium: Etching and stipple engraving, printed in color on pink paper; second state
Accession Number: 42.66.40
Quietude
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1891
Medium: Drypoint; fifth state
Accession Number: 16.3.6
Mary, Queen of Scots
Charles-Michel Geoffroy
(French, Joinville 1819–1882 Passy)
Date: ca. 1850
Accession Number: 58.549.331
Bathing Time
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.23
Maine Coast
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.17
The Cooper Vignettes
Written by James Fenimore Cooper
(American, Burlington, New Jersey 1789–1851)
Date: 1862
Accession Number: 64.667
Equestrian Statue
Harold Frank Collinson
(British, Nottingham 1886–1955 New York)
Date: mid 20th century
Accession Number: 56.574.5
The Nutting Villager
Published by Robert Sayer
(London, 1725–1794)
Date: June 10, 1786
Accession Number: 42.119.155
281 cartoons
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: 1862–1900
Accession Number: 33.35.7–.287
Plate 30 from 'Los Caprichos': Why hide them? (Porque esconderlos?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(30)
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 22.63.145
The Ingoldsby Legends or Mirth & Marvels
Written by Thomas Ingoldsby [pseudonym]
(British, Canterbury 1788–1845 London)
Date: 1907
Accession Number: 1986.1145.10
Figurine: Two Soldiers Facing a Third who Holds a Shield
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Accession Number: 17.50.17-128
Grand Canal, America, 1933
Gerald Geerlings
(American, Milwaukee, Wisconsin 1897–1998 New Canaan, Connecticut)
Date: 1933
Accession Number: 69.504.12
Resurrection
Max Beckmann
(German, Leipzig 1884–1950 New York)
Date: 1918
Accession Number: 1999.232.14
The Death of Mark Antony – Le Mort de Marc Antoine (from Shakespeare's Antony and Cleopatra)
Jean Marie Delattre
(French, Abbeville 1745–1840 Fulham, London)
Date: January 15, 1805
Accession Number: 42.15.9
Figurina: Soldier, Standing Seen from Behind, in a Helmet, Holding a Cane
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1656–57
Accession Number: 17.50.17-115
Man in Profile to the Right, Right Hand at His Chin (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Accession Number: 59.570.368
The Fables of Jean de la Fontaine
Written by Jean de La Fontaine
(French, Château-Thierry 1621–1695 Paris)
Date: 1931
Accession Number: 57.515.1.(1)-(2)
The Model Resting (Draped Model)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1870
Accession Number: 17.3.67
Jacqueline Dressed as a Bride Full Face I
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1961
Accession Number: 1997.90
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Accession Number: 63.625.253
Night-time in a Stable
Edmund Blampied
(British, Island of Jersey 1886–1966 London)
Date: 1928
Accession Number: 1986.1180.1118
John Fisher, Bishop of Rochester
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: November 1, 1793
Accession Number: 42.66.63
Bachots au bords de la Seine
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1833–1914
Accession Number: 22.1.15
M. Zouch [Mistress Zouch or Mary Zouch]
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: September 1, 1797
Accession Number: 42.66.69
Fulton Street L with Breecher Monument
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1949
Accession Number: 67.825.1
Shacks by the Road
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Accession Number: 54.647.37
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Accession Number: 67.630.58
Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 53.541
Lady Hobby
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: March 1, 1793
Accession Number: 42.66.40
Quietude
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1891
Accession Number: 16.3.6
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