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3,788 records
Engravings x
Drouet (C.L. Drouet, Sculptor)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Medium: Etching and drypoint; second state of two, from the cancelled plate (Glasgow); printed in black ink on fine ivory Japan
Accession Number: 17.3.47
The Three Favorite Aerial Travelers: V. Lunardi, G. Biggin and Mrs. Sage
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 20, 1783
Medium: Stipple engraving, etching and engraving, hand colored; fourth state
Accession Number: 62.696.38
Old Westminster Bridge
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Medium: Etching and drypoint; third state of four (Glasgow); black ink on fine fibrous laid Japan paper
Accession Number: 17.3.32
House among the Dunes
George Constant
(American (born Greece), Arahova 1892–1978 New York)
Date: ca. 1933
Medium: Drypoint
Accession Number: 2003.35.8
A Scholar in His Study ('Faust')
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1652
Medium: Etching, drypoint, and burin; third state of three
Accession Number: 17.37.197
The Ledge
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.4
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; fourth state
Accession Number: 51.648.41
The Tragic Muse
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: February 1, 1784
Medium: Stipple engraving and etching, printed in color; fourth state of four
Accession Number: 17.3.756-2325
End of Day or Close of Day
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.59
Corps Perdu
Written by Philippe Soupault
(French, Chaville 1897–1990 Paris)
Date: 1926
Medium: drypoints
Accession Number: 69.595.2
Owl
Jack Coughlin
(American, 1932–2013)
Date: 1969
Medium: Drypoint etching (blue/black ink)
Accession Number: 1986.1180.1272
March at Table
Milton Avery
(American, Altmar, New York 1885–1965 New York)
Date: 1948
Medium: Drypoint
Accession Number: 2012.136.895
The Actress Ellen Andrée
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: 1879
Medium: Drypoint on laid paper; second state of three (unique impression)
Accession Number: 49.127.8
View of the Convent of the Barefooted Carmelites at Lyon (Vue des Carmes-Déchaussés à Lyon)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1807
Medium: Etching with drypoint; fourth state of five
Accession Number: 2000.361.35
Low Tide
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.203
Repose
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1890
Medium: Drypoint; fifth state of five
Accession Number: 29.107.84
Broadway, Monhegan
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.50
The Old Entrance to the Palais de Justice, Paris
Charles Meryon
(French, 1821–1868)
Date: 1854
Medium: Etching and drypoint printed in brown ink on laid paper; second (final) state
Accession Number: 67.630.152
London from Greenwich, from Liber Studiorum, V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.26
Plate 16 from 'The Disasters of War' (Los Desastres de La Guerra):' They make use of them.' (Se aprovechan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 51.530.2(16)
The Old Mill
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.88
New York Waterfront, No. 2
Emil Ganso
(American (born Germany), Halberstadt 1895–1941 Iowa City, Iowa)
Date: 1930
Medium: Etching, drypoint and aquatint
Accession Number: 2000.465
Midnight Revel (Le Réveillon)
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: second half 19th century
Medium: Etching, roulette, aquatint, drypoint, burnishing, and stop-out; third state of four
Accession Number: 17.3.2403
Monks in the Desert (Les pères du désert)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Medium: Etching with drypoint and roulette; fourth state of six
Accession Number: 67.798.1
Mary, Queen of Scots
Portrait of Mary, Queen of Scots
(Linlithgow 1542–1587 Fotheringhay, England)
Date: 19th century (?)
Medium: Stipple engraving
Accession Number: 58.549.472
Lady Artist
Peggy Bacon
(American, Ridgefield, Connecticut 1895–1987 Cape Porpoise, Maine)
Date: 1925
Medium: Drypoint
Accession Number: 26.10.2
Barberinai Aulae Fornix
After the frescoed ceiling by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: ca. 1648–77
Medium: Engravings
Accession Number: 43.94.1
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Medium: Stipple engraving
Accession Number: 42.119.540
Whistler's Funeral
Frank Arthur Nankivell
(American, born Australia 1869–1959)
Date: ca. 1903
Medium: Drypoint
Accession Number: 34.60
Portrait of Stephen Manuel
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: ca. 1885
Medium: Etching and drypoint; second state
Accession Number: 2007.49.445
Drouet (C.L. Drouet, Sculptor)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Accession Number: 17.3.47
The Three Favorite Aerial Travelers: V. Lunardi, G. Biggin and Mrs. Sage
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 20, 1783
Accession Number: 62.696.38
Old Westminster Bridge
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Accession Number: 17.3.32
House among the Dunes
George Constant
(American (born Greece), Arahova 1892–1978 New York)
Date: ca. 1933
Accession Number: 2003.35.8
A Scholar in His Study ('Faust')
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1652
Accession Number: 17.37.197
The Ledge
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.4
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 51.648.41
The Tragic Muse
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: February 1, 1784
Accession Number: 17.3.756-2325
End of Day or Close of Day
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.59
Corps Perdu
Written by Philippe Soupault
(French, Chaville 1897–1990 Paris)
Date: 1926
Accession Number: 69.595.2
Owl
Jack Coughlin
(American, 1932–2013)
Date: 1969
Accession Number: 1986.1180.1272
March at Table
Milton Avery
(American, Altmar, New York 1885–1965 New York)
Date: 1948
Accession Number: 2012.136.895
The Actress Ellen Andrée
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: 1879
Accession Number: 49.127.8
View of the Convent of the Barefooted Carmelites at Lyon (Vue des Carmes-Déchaussés à Lyon)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1807
Accession Number: 2000.361.35
Low Tide
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.203
Repose
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1890
Accession Number: 29.107.84
Broadway, Monhegan
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.50
The Old Entrance to the Palais de Justice, Paris
Charles Meryon
(French, 1821–1868)
Date: 1854
Accession Number: 67.630.152
London from Greenwich, from Liber Studiorum, V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 28.97.26
Plate 16 from 'The Disasters of War' (Los Desastres de La Guerra):' They make use of them.' (Se aprovechan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(16)
The Old Mill
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.88
New York Waterfront, No. 2
Emil Ganso
(American (born Germany), Halberstadt 1895–1941 Iowa City, Iowa)
Date: 1930
Accession Number: 2000.465
Midnight Revel (Le Réveillon)
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: second half 19th century
Accession Number: 17.3.2403
Monks in the Desert (Les pères du désert)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Accession Number: 67.798.1
Mary, Queen of Scots
Portrait of Mary, Queen of Scots
(Linlithgow 1542–1587 Fotheringhay, England)
Date: 19th century (?)
Accession Number: 58.549.472
Lady Artist
Peggy Bacon
(American, Ridgefield, Connecticut 1895–1987 Cape Porpoise, Maine)
Date: 1925
Accession Number: 26.10.2
Barberinai Aulae Fornix
After the frescoed ceiling by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: ca. 1648–77
Accession Number: 43.94.1
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Accession Number: 42.119.540
Whistler's Funeral
Frank Arthur Nankivell
(American, born Australia 1869–1959)
Date: ca. 1903
Accession Number: 34.60
Portrait of Stephen Manuel
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: ca. 1885
Accession Number: 2007.49.445
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