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5,376 records
Chalk x
Designs for Metalwork
Anonymous, Italian, 19th century
Date: 19th century
Medium: Pen and grey ink, brush and watercolor, heightened with white over black chalk
Accession Number: 67.707.8
Design for a Festival Display of Fireworks (recto); Small Figures by a different hand (verso)
Attributed to Laurent Hubert
(French, died ca. 1780)
Date: 18th century
Medium: Black chalk with touches of red chalk (recto); red chalk and graphite (verso)
Accession Number: 68.729.4
A Muse
Bernard Picart
(French, Paris 1673–1733 Amsterdam)
Date: n.d.
Medium: Red chalk; faintly squared in red chalk. Framing lines in black chalk.
Accession Number: 67.100.4
Design for an Incense Bottle
Anonymous, French, 18th century
Date: 18th century
Medium: Black chalk
Accession Number: 55.590.8
Studies of a Seated Nude Male Figure
Giulio Cesare Procaccini
(Italian, Bologna 1574–1625 Milan)
Date: Circa 1602-1605
Medium: Black chalk on blue paper
Accession Number: 64.48.3
Ecorché: Torso of a Male Cadaver
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1820–63
Medium: Black and red chalk, graphite, and white chalk on wove paper
Accession Number: 2013.1135.23
Architectural Fantasy
Jean Laurent Legeay
(French, Paris ca. 1710–after 1788 Rome)
Date: ca. 1785–90
Medium: Red chalk
Accession Number: 1986.1017.2
Dredging a Canal
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 17th century
Medium: Pen and black ink over black chalk, brush and gray wash. Framing line in pen & brown ink.
Accession Number: 1994.88
Untitled (female figure study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.382
Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: ca. 1540–1560
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 68.769.39
Reclining Female Nude
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: early 17th century
Medium: Black and white chalk on blue paper.
Accession Number: 1975.1.536
Having a Good Time ("Se regodean")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Medium: Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides. Traces of black chalk underscript in inscription. Traces of ruling in graphite along lower border of sheet
Accession Number: 39.29.16
Group of Five Male Figures in Half-length
Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1640-1650
Medium: Pen and brown ink, over black chalk; glued onto secondary paper support
Accession Number: 80.3.68
Architectural Drawing
Anonymous, Italian, first half of the 18th century
Date: 18th century
Medium: Pen and black ink, brush and green-gray wash, over black chalk, on beige laid paper
Accession Number: 49.50.144
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Medium: Pen and black ink, with underdrawing in black chalk and traces of white chalk
Accession Number: 44.54.33
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: ca. 1737
Medium: Pen and blue ink with black chalk
Accession Number: 44.54.5
Funerary Figure (Kulap)
Date: late 19th–early 20th century
Medium: Chalk, paint
Accession Number: 1978.412.754
St. Peter Healing the Sick with His Shadow (Acts 5:15-16)
Jean-Baptiste Jouvenet
(French, Rouen 1644–1717 Paris)
Date: ca. 1675
Medium: Red chalk, squared in black chalk on beige paper; contours incised. A sheet measuring 39.1 x 28.8 cm has been affixed to the center of the larger sheet. Verso blackened for transfer.
Accession Number: 1971.238.1
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Medium: Pen with brown and black inks, brush and brown wash, over graphite; outlines selectively pricked and incised with a stylus; verso has been blackened with black chalk.
Accession Number: 49.116.2
Design for a Console or Capital with a Cherub
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 52.570.270
Trofei di Mario, Rome
Louis Chaix
(French, Marseilles 1740–1811 Paris)
Date: 1776
Medium: Black chalk, framing lines in pen and brown ink
Accession Number: 1982.434
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso)
Amico Aspertini
(Italian, Bologna ca. 1474–1552 Bologna)
Date: 1474–1552
Medium: Black chalk, pen and brown ink (recto); pen and brown ink over traces of black chalk (verso)
Accession Number: 19.151.6
Unidentified building, plan (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 49.92.75
Allegorical Figures for a Ceiling Decoration
Michel Corneille the Elder
(French, Orléans 1602–1664 Paris)
Date: 17th century
Medium: Black chalk, heightened with white chalk, on beige paper.
Accession Number: 1972.224.6
Allegory of Penance and Death
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: 1612–50
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 1973.117
One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Medium: Pen and brown ink, brush and green wash, over lead point or graphite (recto). Red chalk (verso). The sheet that is pasted at lower right represent one reclining figure and three standing figures who threaten on the right
Accession Number: 65.653.25
Pantheon, dome, section details; alcove, section and details (recto) Pantheon, rotonda, upper order, elevation and details (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 68.769.7
A Goose and a Gander with their Goslings Honking in Alarm as Two Foxes with their Cubs Emerge from the Rushes
Johann Heinrich Wilhelm Tischbein
(German, Haina 1751–1829 Eutin)
Date: mid-18th–early 19th century
Medium: Pen and brown ink, brown and gray wash over black chalk, watercolor and bodycolor
Accession Number: 2003.111
Design for a Trophy
René Charpentier
(French, Cuille 1680–1723 Paris)
Date: n.d.
Medium: Red chalk
Accession Number: 48.148(51)
Design for a Statue of Justice with Sketches at Left and Above.
Designed by Giuseppe Bernardino Bison
(Italian, Palmanova 1762–1844 Milan)
Date: n.d.
Medium: Pen and brown ink, brush and gray wash over traces of black chalk or graphite
Accession Number: 49.19.55
Designs for Metalwork
Anonymous, Italian, 19th century
Date: 19th century
Accession Number: 67.707.8
Design for a Festival Display of Fireworks (recto); Small Figures by a different hand (verso)
Attributed to Laurent Hubert
(French, died ca. 1780)
Date: 18th century
Accession Number: 68.729.4
A Muse
Bernard Picart
(French, Paris 1673–1733 Amsterdam)
Date: n.d.
Accession Number: 67.100.4
Design for an Incense Bottle
Anonymous, French, 18th century
Date: 18th century
Accession Number: 55.590.8
Studies of a Seated Nude Male Figure
Giulio Cesare Procaccini
(Italian, Bologna 1574–1625 Milan)
Date: Circa 1602-1605
Accession Number: 64.48.3
Ecorché: Torso of a Male Cadaver
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1820–63
Accession Number: 2013.1135.23
Architectural Fantasy
Jean Laurent Legeay
(French, Paris ca. 1710–after 1788 Rome)
Date: ca. 1785–90
Accession Number: 1986.1017.2
Dredging a Canal
Jacob van Ruisdael
(Dutch, Haarlem 1628/29–1682 Amsterdam)
Date: 17th century
Accession Number: 1994.88
Untitled (female figure study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.382
Reclining Female Nude
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: early 17th century
Accession Number: 1975.1.536
Having a Good Time ("Se regodean")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Accession Number: 39.29.16
Group of Five Male Figures in Half-length
Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1640-1650
Accession Number: 80.3.68
Architectural Drawing
Anonymous, Italian, first half of the 18th century
Date: 18th century
Accession Number: 49.50.144
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Accession Number: 44.54.33
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: ca. 1737
Accession Number: 44.54.5
Funerary Figure (Kulap)
Date: late 19th–early 20th century
Accession Number: 1978.412.754
St. Peter Healing the Sick with His Shadow (Acts 5:15-16)
Jean-Baptiste Jouvenet
(French, Rouen 1644–1717 Paris)
Date: ca. 1675
Accession Number: 1971.238.1
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Accession Number: 49.116.2
Design for a Console or Capital with a Cherub
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.270
Trofei di Mario, Rome
Louis Chaix
(French, Marseilles 1740–1811 Paris)
Date: 1776
Accession Number: 1982.434
Unidentified building, plan (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Accession Number: 49.92.75
Allegorical Figures for a Ceiling Decoration
Michel Corneille the Elder
(French, Orléans 1602–1664 Paris)
Date: 17th century
Accession Number: 1972.224.6
Allegory of Penance and Death
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: 1612–50
Accession Number: 1973.117
One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Accession Number: 65.653.25
Pantheon, dome, section details; alcove, section and details (recto) Pantheon, rotonda, upper order, elevation and details (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Accession Number: 68.769.7
A Goose and a Gander with their Goslings Honking in Alarm as Two Foxes with their Cubs Emerge from the Rushes
Johann Heinrich Wilhelm Tischbein
(German, Haina 1751–1829 Eutin)
Date: mid-18th–early 19th century
Accession Number: 2003.111
Design for a Trophy
René Charpentier
(French, Cuille 1680–1723 Paris)
Date: n.d.
Accession Number: 48.148(51)
Design for a Statue of Justice with Sketches at Left and Above.
Designed by Giuseppe Bernardino Bison
(Italian, Palmanova 1762–1844 Milan)
Date: n.d.
Accession Number: 49.19.55
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