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Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) .
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, over traces of black chalk (recto); Pen and light brown ink, over traces of black chalk (verso)
Accession Number: 52.570.281
Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso).
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 52.570.290
Study for the Figure of Aeolus
Pellegrino Tibaldi
(Italian, Puria di Valsolda 1527–1596 Milan)
Date: 1549-1551
Medium: Red chalk
Accession Number: 2007.127
Landscape with the Rest on the Flight into Egypt
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 17th century
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 07.282.1
Seated Male Nude Holding a Staff
Franz Xaver Messerschmidt
(German, Weisensteig 1736–1783 Pressburg)
Date: mid-18th–late 18th century
Medium: Black and white chalk on blue paper
Accession Number: 47.155.4
Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: Red, white, and black chalk, on dark gray paper
Accession Number: 1989.122.25
Reclining River God
Jean-Baptiste Greuze
(French, Tournus 1725–1805 Paris)
Date: n.d.
Medium: Red chalk, with framing lines in pen and brown ink
Accession Number: 61.1.2
The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremburg)
Date: 17th century
Medium: Red chalk
Accession Number: 2005.491
Alcibiades Interrupting the Symposium; verso: Sketches of the Baptism of Christ and of a Man
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1640
Medium: Pen and brown ink, over black chalk
Accession Number: 40.91.12
Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Study of a Clothed Figure and a Foot (verso)
Mario Balassi
(Italian, Florence 1605–1667 Florence)
Date: 1605–67
Medium: Red chalk, highlighted with white gouache, on red-washed paper (recto); black chalk studies of drapery which is washed in blue (verso)
Accession Number: 1975.131.3
Captain Downman
John Downman
(British, Ruabon, Wales 1750–1824 Wrexham, Wales)
Date: mid-18th–early 19th century
Medium: Black chalk and graphite
Accession Number: 59.23.29
Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches
Lazzaro Tavarone
(Italian, Genoa 1556–1641 Genoa)
Date: 1556–1641
Medium: Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk
Accession Number: 52.570.124
Saint Francis de Sales (canonized 1665)
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink, brush and brown wash, over red chalk, on light tan paper. Framing outline in brown ink over red chalk. Squared for transfer in red chalk
Accession Number: 80.3.505
A Seated King in Armor (King David?)
Orazio Samacchini
(Italian, Bologna 1532–1577 Bologna)
Date: 16th century
Medium: Pen and brown ink, brush and brown wash, over possible traces of black chalk, squared in red chalk; glued onto secondary paper support.
Accession Number: 60.66.11
Study for a bronze sculpture, Athlète au Repos
Charles-Albert Despiau
(French, Mont-de-Marsan 1874–1946 Paris)
Date: n.d.
Medium: Brown chalk on paper
Accession Number: 56.89.2
Mythological Scene: Venus before Apollo?
Anonymous, Italian, Roman-Bolognese, 16th century
Date: 1520–80
Medium: Pen and brown ink, brush and brown wash, over black chalk, squared for transfer in black chalk (some corrections to squaring grid). Traces of framing outlines in pen and dark brown ink
Accession Number: 61.20.5
The Nurture of Jupiter
Jean-Baptiste Corneille
(French, Paris 1649–1695 Paris)
Date:
Medium: Pen and brown ink, brush and brown wash, over traces of graphite. Squared in black chalk.
Accession Number: 1984.236
Studies for Five Figures of Angels Standing, and Seated on Clouds
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Medium: Pen and light brown ink over black chalk. On off-white paper
Accession Number: 56.235.23
Phryne Before the Areopagus
Jean-Baptiste Deshays
(French, Colleville 1729–1765 Paris)
Date: mid 18th century
Medium: Pen and brown ink, brown wash, heightened with white, over black chalk
Accession Number: 61.126
The Vision of Saint Eustace
Federico Zuccaro
(Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona)
Date: 1542–1609
Medium: Point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over traces of red and black chalk. Lightly squared in black chalk
Accession Number: 62.76
The Bath of Psyche
Pierre Jacques Cazes
(French, Paris 1676–1754 Paris)
Date: n.d.
Medium: Pen and gray ink, gray wash, over black chalk. Oval framing line in pen and gray ink, over black chalk.
Accession Number: 1987.168
Mercury and Argus
Franz Ertinger
(German, Colmar 1640–1710 Paris)
Date: 1679
Medium: Etching; counterproof with additions in black chalk and perhaps some gouache
Accession Number: 66.542.47
Christ in the House of Martha and Mary (Luke 10:38-42)
Paolo Gerolamo Piola
(Italian, Genoa 1666–1724 Genoa)
Date: 1666–1724
Medium: Brush and brown wash, highlighted with white, over black chalk, on blue-green paper
Accession Number: 1983.57
Design for a Table Top
Anonymous, French, 18th century
Date: 1770–90
Medium: Red chalk and graphite
Accession Number: 63.547.14(5)
Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland (1738-1808)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Medium: Black and red chalk, varnished, on thin laid paper. Oval.
Accession Number: 55.106.5
Album de Marine: Sketchbook of 48 folios containing 17 watercolors and 27 black chalk and graphite sketches
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1879–80
Medium: Graphite, watercolor and black chalk on paper
Accession Number: 58.130
Reclining Female Nude Figure
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: 1560–1635
Medium: Black chalk, highlighted with white, on blue paper
Accession Number: 41.187.2
Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink, brush and gray wash over traces of black chalk on light tan paper
Accession Number: 80.3.604
Boy With a Staff
Giovanni Battista Piazzetta
(Italian, Venice 1682–1754 Venice)
Date: 1682–1754
Medium: Charcoal or black chalk, highlighted with white chalk, on blue-gray paper faded to light brown
Accession Number: 36.144
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.328
Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) .
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.281
Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso).
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.290
Study for the Figure of Aeolus
Pellegrino Tibaldi
(Italian, Puria di Valsolda 1527–1596 Milan)
Date: 1549-1551
Accession Number: 2007.127
Landscape with the Rest on the Flight into Egypt
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 17th century
Accession Number: 07.282.1
Seated Male Nude Holding a Staff
Franz Xaver Messerschmidt
(German, Weisensteig 1736–1783 Pressburg)
Date: mid-18th–late 18th century
Accession Number: 47.155.4
Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Accession Number: 1989.122.25
Reclining River God
Jean-Baptiste Greuze
(French, Tournus 1725–1805 Paris)
Date: n.d.
Accession Number: 61.1.2
The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists
Joachim von Sandrart
(German, Frankfurt 1606–1688 Nuremburg)
Date: 17th century
Accession Number: 2005.491
Alcibiades Interrupting the Symposium; verso: Sketches of the Baptism of Christ and of a Man
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1640
Accession Number: 40.91.12
Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Study of a Clothed Figure and a Foot (verso)
Mario Balassi
(Italian, Florence 1605–1667 Florence)
Date: 1605–67
Accession Number: 1975.131.3
Captain Downman
John Downman
(British, Ruabon, Wales 1750–1824 Wrexham, Wales)
Date: mid-18th–early 19th century
Accession Number: 59.23.29
Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches
Lazzaro Tavarone
(Italian, Genoa 1556–1641 Genoa)
Date: 1556–1641
Accession Number: 52.570.124
Saint Francis de Sales (canonized 1665)
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 80.3.505
A Seated King in Armor (King David?)
Orazio Samacchini
(Italian, Bologna 1532–1577 Bologna)
Date: 16th century
Accession Number: 60.66.11
Study for a bronze sculpture, Athlète au Repos
Charles-Albert Despiau
(French, Mont-de-Marsan 1874–1946 Paris)
Date: n.d.
Accession Number: 56.89.2
Mythological Scene: Venus before Apollo?
Anonymous, Italian, Roman-Bolognese, 16th century
Date: 1520–80
Accession Number: 61.20.5
The Nurture of Jupiter
Jean-Baptiste Corneille
(French, Paris 1649–1695 Paris)
Date:
Accession Number: 1984.236
Studies for Five Figures of Angels Standing, and Seated on Clouds
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Accession Number: 56.235.23
Phryne Before the Areopagus
Jean-Baptiste Deshays
(French, Colleville 1729–1765 Paris)
Date: mid 18th century
Accession Number: 61.126
The Vision of Saint Eustace
Federico Zuccaro
(Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona)
Date: 1542–1609
Accession Number: 62.76
The Bath of Psyche
Pierre Jacques Cazes
(French, Paris 1676–1754 Paris)
Date: n.d.
Accession Number: 1987.168
Mercury and Argus
Franz Ertinger
(German, Colmar 1640–1710 Paris)
Date: 1679
Accession Number: 66.542.47
Christ in the House of Martha and Mary (Luke 10:38-42)
Paolo Gerolamo Piola
(Italian, Genoa 1666–1724 Genoa)
Date: 1666–1724
Accession Number: 1983.57
Design for a Table Top
Anonymous, French, 18th century
Date: 1770–90
Accession Number: 63.547.14(5)
Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland (1738-1808)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Accession Number: 55.106.5
Album de Marine: Sketchbook of 48 folios containing 17 watercolors and 27 black chalk and graphite sketches
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1879–80
Accession Number: 58.130
Reclining Female Nude Figure
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: 1560–1635
Accession Number: 41.187.2
Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 80.3.604
Boy With a Staff
Giovanni Battista Piazzetta
(Italian, Venice 1682–1754 Venice)
Date: 1682–1754
Accession Number: 36.144
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.328
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