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Five Miscellaneous Designs for the de la Rochejaquelein Family
Eugène-Pierre Gourdet
(French, born Paris, 1820)
Date: second half 19th century
Medium: Graphite and black chalk
Accession Number: 67.827.47
Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland (1738-1808)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Medium: Black and red chalk, varnished, on thin laid paper. Oval.
Accession Number: 55.106.5
Sketchbook #102
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: August 10, 1932
Medium: Black chalk on paper
Accession Number: 1979.292.822
Madonna, after Carlo Maratta
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Black chalk highlighted with white chalk on light brown paper
Accession Number: 87.12.19
Office furniture design: Sofa
Designed by Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Medium: Graphite with colored chalk
Accession Number: 1986.1187.2(2)
Sketchbook #48
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. September 15, 1930
Medium: Black chalk on paper
Accession Number: 1979.292.834
Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: Black chalk, heightened with white chalk, on gray paper
Accession Number: 1989.122.32
Two alternate Design for a wall elevation
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Medium: Pen and brown ink, brush and gray, mauve wash over lead point, with ruled and compass construction. Vertical line on the center of the sheet in lead point on recto, and in black chalk on verso
Accession Number: 65.654.47
Italian Landscape
Anonymous, French, 18th century
Date: 18th century
Medium: Black chalk, brush and gray wash, black wash.
Accession Number: 59.23.37
Large Forest. Verso: a tree-lined lane with figure
Attributed to Johannes Leupenius
(Dutch, Amsterdam 1643–1693 Amsterdam)
Date: 17th century
Medium: Pen and brown ink, brown wash, white heightening. Verso: pen, brown ink and brown wash over black chalk.
Accession Number: 1995.265
Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662-1726)
Workshop of Giuseppe Galli Bibiena
(Italian, Parma 1696–1756 Berlin)
Date: 1696–1756
Medium: Pen, brown ink and gray wash over black chalk
Accession Number: 1972.713.36
The Vision of St. Hubert
Vittorio Amedeo Rapous
(Italian, Turin (?) 1728–before 1800 Turin (?))
Date: 1728–1800
Medium: Pen and brown ink, brown wash, over black chalk. The paper washed blue outside framing lines
Accession Number: 1983.131.2
Scene from Ancient History: Cup Offered to an Invalid
Jacques Louis David
(French, Paris 1748–1825 Brussels)
Date: n.d.
Medium: Black chalk
Accession Number: 61.54.2
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano
Marco Marchetti
(Marco da Faenza) (Italian, Faenza before 1528–1588 Faenza)
Date: 1561–88
Medium: Pen and brown ink, brush and brown wash over traces of black chalk
Accession Number: 2014.754
Head of a Man Wearing a High Collar
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Pen and brown ink, brush with pale and dark brown wash, over traces of black chalk
Accession Number: 1972.118.273
Portrait of a Man
Anonymous, French, 16th century
Date:
Medium: Black and red chalk, heightened with white.
Accession Number: 51.76.3
Sketchbook #103
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: June 4, 1931
Medium: Black chalk on paper
Accession Number: 1979.292.823
Allegory of the Trinitarian Order
Alessandro Tiarini
(Italian, Bologna 1577–1668 Bologna)
Date: 1577–1668
Medium: Pen and brown ink, brush and brown wash, over red chalk. Squared in red chalk. Arched framing lines above in pen and brown ink
Accession Number: 61.130.17
Two Standing Male Figures and Seated Woman with a Child
Francesco Fontebasso
(Italian, Venice 1707–1769 Venice)
Date: 1760s
Medium: Pen and brown ink, brush with brown and gray wash, over black chalk. Vertical ruled stylus lines at left and right
Accession Number: 61.56.2
Nymph and Cupid
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Red chalk on cream paper
Accession Number: 87.12.88
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
(Italian, Florence 1535–1607 Florence)
Date: 1535–1607
Medium: Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper. Framing lines in black chalk
Accession Number: 64.197.2
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Medium: Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with brush and brown wash over black chalk underdrawing (verso)
Accession Number: 56.235.73
Cleric with Raised Arms (lower register?; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: Black chalk, heightened with white chalk, on gray paper
Accession Number: 1989.122.40
Group of Women
Anonymous, Italian, 17th or 18th century
Date: 18th century
Medium: Pen and bistre, over red chalk
Accession Number: 80.3.225
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.326
A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Pen and black ink, brush and brown wash, over traces of red and black chalk.
Accession Number: 58.648.2(27)
Design for a Heavily-Decorated Wall Elevation
Anonymous, Italian, 19th century
Date: 1800–1900
Medium: Pen, chalk, and white wash on brown paper
Accession Number: 52.570.51
A Horse Attended by an Oriental Groom on a Country Road
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: after 1770
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.515
King Saul
Anonymous, Dutch, 17th century
Date: 1611 or later
Medium: Red chalk.
Accession Number: 80.3.86
Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso).
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink over traces of black and brown chalk (recto). Pen and brown ink over traces of black chalk (verso)
Accession Number: 59.600.107
Five Miscellaneous Designs for the de la Rochejaquelein Family
Eugène-Pierre Gourdet
(French, born Paris, 1820)
Date: second half 19th century
Accession Number: 67.827.47
Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland (1738-1808)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Accession Number: 55.106.5
Sketchbook #102
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: August 10, 1932
Accession Number: 1979.292.822
Madonna, after Carlo Maratta
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 87.12.19
Office furniture design: Sofa
Designed by Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Accession Number: 1986.1187.2(2)
Sketchbook #48
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. September 15, 1930
Accession Number: 1979.292.834
Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Accession Number: 1989.122.32
Two alternate Design for a wall elevation
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Accession Number: 65.654.47
Italian Landscape
Anonymous, French, 18th century
Date: 18th century
Accession Number: 59.23.37
Large Forest. Verso: a tree-lined lane with figure
Attributed to Johannes Leupenius
(Dutch, Amsterdam 1643–1693 Amsterdam)
Date: 17th century
Accession Number: 1995.265
Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662-1726)
Workshop of Giuseppe Galli Bibiena
(Italian, Parma 1696–1756 Berlin)
Date: 1696–1756
Accession Number: 1972.713.36
The Vision of St. Hubert
Vittorio Amedeo Rapous
(Italian, Turin (?) 1728–before 1800 Turin (?))
Date: 1728–1800
Accession Number: 1983.131.2
Scene from Ancient History: Cup Offered to an Invalid
Jacques Louis David
(French, Paris 1748–1825 Brussels)
Date: n.d.
Accession Number: 61.54.2
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano
Marco Marchetti
(Marco da Faenza) (Italian, Faenza before 1528–1588 Faenza)
Date: 1561–88
Accession Number: 2014.754
Head of a Man Wearing a High Collar
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 1972.118.273
Portrait of a Man
Anonymous, French, 16th century
Date:
Accession Number: 51.76.3
Sketchbook #103
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: June 4, 1931
Accession Number: 1979.292.823
Allegory of the Trinitarian Order
Alessandro Tiarini
(Italian, Bologna 1577–1668 Bologna)
Date: 1577–1668
Accession Number: 61.130.17
Two Standing Male Figures and Seated Woman with a Child
Francesco Fontebasso
(Italian, Venice 1707–1769 Venice)
Date: 1760s
Accession Number: 61.56.2
Nymph and Cupid
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 87.12.88
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
(Italian, Florence 1535–1607 Florence)
Date: 1535–1607
Accession Number: 64.197.2
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Accession Number: 56.235.73
Cleric with Raised Arms (lower register?; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Accession Number: 1989.122.40
Group of Women
Anonymous, Italian, 17th or 18th century
Date: 18th century
Accession Number: 80.3.225
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.326
A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(27)
Design for a Heavily-Decorated Wall Elevation
Anonymous, Italian, 19th century
Date: 1800–1900
Accession Number: 52.570.51
A Horse Attended by an Oriental Groom on a Country Road
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: after 1770
Accession Number: 1975.1.515
King Saul
Anonymous, Dutch, 17th century
Date: 1611 or later
Accession Number: 80.3.86
Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso).
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 59.600.107
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