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5,343 records
Chalk x
Study of a Seated Putto Looking at His Right (recto); A Woman's Head, Study after the Antique (verso)
Anonymous
Date: 1590-1630
Medium: Red chalk (recto and verso), framing in black chalk (recto)
Accession Number: 17.236.47
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.425
Angel Supporting a Heraldic Shield
Date: 1505–15
Medium: Glass, vitreous paint, sanguine, enamel, and silver stain
Accession Number: 2005.141
The Scolding Fishwife
Nicolaes Maes
(Dutch, Dordrecht 1634–1693 Amsterdam)
Date: 17th century
Medium: Pen and ink, brush and brown wash, with traces of red chalk.
Accession Number: 47.127.4
Portrait of a Clergyman or a Jurist (?)
Johann Daniel Preissler
(German, Nuremberg 1666–1737 Nuremberg)
Date: late 17th–early 18th century
Medium: Red chalk. Framing line in pen and brush and black ink.
Accession Number: 2007.429
Untitled (nude and clothed figure studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.462
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Medium: Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer.
Accession Number: 52.570.149
Man Leaning on a Wall (recto)
Jean-Baptiste Joseph Pater
(French, Valenciennes 1695–1736 Paris)
Date: early 18th century
Medium: Red chalk heightened with white, on blue paper
Accession Number: 1996.23
The Adoration of the Shepherds
François Le Moyne
(French, Paris 1688–1737 Paris)
Date: early 18th century
Medium: Black chalk heightened with white on blue paper.
Accession Number: 61.130.5
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Accession Number: 12.56.5a
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.234
Sketchbook #72
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925–54
Medium: Black chalk, colored crayon, ink, and graphite on paper
Accession Number: 1979.292.859
Seated Allegorical Female Figure
Morazzone
(Pier Francesco Mazzucchelli) (Italian, Morazzone 1573–?1626 Piacenza)
Date: 1573–1626
Medium: Pen and brown ink, gray wash over black chalk, highlighted with white, on light gray washed paper
Accession Number: 1992.229.2
Nemesis and Themis
Nicolai Abraham Abildgaard
(Danish, Copenhangen 1743–1809 Frederiksdal)
Date: mid 18th–early 19th century
Medium: Pen and brown ink, brown wash, heightened with white gouache, over black chalk
Accession Number: 2011.254
The Young David Playing the Harp
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: 1492–1554
Medium: Black chalk, brush and gray wash, on blue paper. Squared in pen and brown ink
Accession Number: 61.123.2
Studies for a Seated Figure of a Man with a Shovel
Bernardino Poccetti
(Italian, San Marino di Valdelsa 1548–1612 Florence)
Date: ca. 1603
Medium: Black and red chalk.
Accession Number: 2008.648
Design for a Rosette Relief
Anonymous, French, 19th century
Date: ca. 1825–50
Medium: Graphite, black chalk, heightened with white. Framing lines in black chalk.
Accession Number: 63.712.15
Group of Artists in Jean-Baptiste Isabey's Studio
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: n.d.
Medium: Conté crayon, stumping, heightened with white chalk
Accession Number: 2010.449
a. Study for Clovis (middle register); b. Study for Clovis (middle register); c. St. Dominic and another Friar, after Fra Angelico; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: a, b. Black chalk, heightened with white chalk, on tracing paper; c. graphite
Accession Number: 1989.122.6a, b, c
Wind Mill at Antwerp
Johan Barthold Jongkind
(Dutch, Latrop 1819–1891 La-Côte-Saint-André)
Date: 1866
Medium: Watercolor over black chalk.
Accession Number: 67.187.19
The Virgin with Female Attendant Appearing to Four Male Saints
Attributed to Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1680–95
Medium: Pen and brown ink, brush and gray wash, over red chalk
Accession Number: 64.295.2
Untitled (Male nude studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1926
Medium: Black chalk on paper
Accession Number: 1979.292.14
Design for Suspended Censer
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, brush and gray wash over traces of black chalk
Accession Number: 52.570.240
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia
John Vanderlyn
(American, Kingston, New York 1775–1852 Kingston, New York)
Date: ca. 1840–43
Medium: Charcoal and white chalk (lightly affixed) on light gray laid paper
Accession Number: 1989.301
Portrait of a Woman.
Attributed to Ottavio Leoni
("Il Padovano") (Italian, Rome 1578–1630 Rome)
Date: n.d.
Medium: Black chalk on blue paper (now faded)
Accession Number: 53.601.6
Head of a Bearded Man Looking to Upper Left
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Medium: Red chalk on blue paper
Accession Number: 63.98.2
Christ Presented to the People
Georg Vischer
(German, Riedlingen ca. 1595–ca. 1637 Munich (?))
Date: early 17th century
Medium: Pen and brown ink and brown wash with white heightening; squared in red chalk
Accession Number: 1999.309
Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, over traces of black chalk. Verso: pen and brown ink
Accession Number: 52.570.288
The Triumph of Nature Over Art
Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1596–1669
Medium: Pen and brown ink, brush and brown wash, over black chalk
Accession Number: 61.2.1
Allegory of Fertility (Recto)
Jacob Jordaens
(Flemish, Antwerp 1593–1678 Antwerp)
Date: ca. 1640
Medium: Pen and brush and brown ink, watercolor, over traces of preliminary drawing in black chalk. Verso in black chalk.
Accession Number: 1975.1.836
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.425
Angel Supporting a Heraldic Shield
Date: 1505–15
Accession Number: 2005.141
The Scolding Fishwife
Nicolaes Maes
(Dutch, Dordrecht 1634–1693 Amsterdam)
Date: 17th century
Accession Number: 47.127.4
Portrait of a Clergyman or a Jurist (?)
Johann Daniel Preissler
(German, Nuremberg 1666–1737 Nuremberg)
Date: late 17th–early 18th century
Accession Number: 2007.429
Untitled (nude and clothed figure studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.462
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Accession Number: 52.570.149
Man Leaning on a Wall (recto)
Jean-Baptiste Joseph Pater
(French, Valenciennes 1695–1736 Paris)
Date: early 18th century
Accession Number: 1996.23
The Adoration of the Shepherds
François Le Moyne
(French, Paris 1688–1737 Paris)
Date: early 18th century
Accession Number: 61.130.5
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Accession Number: 12.56.5a
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.234
Sketchbook #72
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925–54
Accession Number: 1979.292.859
Seated Allegorical Female Figure
Morazzone
(Pier Francesco Mazzucchelli) (Italian, Morazzone 1573–?1626 Piacenza)
Date: 1573–1626
Accession Number: 1992.229.2
Nemesis and Themis
Nicolai Abraham Abildgaard
(Danish, Copenhangen 1743–1809 Frederiksdal)
Date: mid 18th–early 19th century
Accession Number: 2011.254
The Young David Playing the Harp
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: 1492–1554
Accession Number: 61.123.2
Studies for a Seated Figure of a Man with a Shovel
Bernardino Poccetti
(Italian, San Marino di Valdelsa 1548–1612 Florence)
Date: ca. 1603
Accession Number: 2008.648
Design for a Rosette Relief
Anonymous, French, 19th century
Date: ca. 1825–50
Accession Number: 63.712.15
Group of Artists in Jean-Baptiste Isabey's Studio
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: n.d.
Accession Number: 2010.449
Wind Mill at Antwerp
Johan Barthold Jongkind
(Dutch, Latrop 1819–1891 La-Côte-Saint-André)
Date: 1866
Accession Number: 67.187.19
The Virgin with Female Attendant Appearing to Four Male Saints
Attributed to Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1680–95
Accession Number: 64.295.2
Untitled (Male nude studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1926
Accession Number: 1979.292.14
Design for Suspended Censer
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.240
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia
John Vanderlyn
(American, Kingston, New York 1775–1852 Kingston, New York)
Date: ca. 1840–43
Accession Number: 1989.301
Portrait of a Woman.
Attributed to Ottavio Leoni
("Il Padovano") (Italian, Rome 1578–1630 Rome)
Date: n.d.
Accession Number: 53.601.6
Head of a Bearded Man Looking to Upper Left
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Accession Number: 63.98.2
Christ Presented to the People
Georg Vischer
(German, Riedlingen ca. 1595–ca. 1637 Munich (?))
Date: early 17th century
Accession Number: 1999.309
Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.288
The Triumph of Nature Over Art
Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1596–1669
Accession Number: 61.2.1
Allegory of Fertility (Recto)
Jacob Jordaens
(Flemish, Antwerp 1593–1678 Antwerp)
Date: ca. 1640
Accession Number: 1975.1.836
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