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5,387 records
Chalk x
Half-lenth Figure of St. Andrew in an Oval.
Antonio del Castillo y Saavedra
(Spanish, Cordoba 1616–1668 Cordoba)
Date: 1616–68
Medium: Pen and light brown ink over traces of black chalk underdrawing on cream paper. Composition outlined with pen and brown ink in an oval shape
Accession Number: 1975.131.212
Phippsburg, Maine
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: 1932
Medium: Watercolor, chalk, and graphite on paper
Accession Number: 49.70.145
Sacrificial Procession
Anonymous, French, 17th century
Date: 17th century
Medium: Red chalk, washed
Accession Number: 80.3.547
Head of an Old Woman Looking Up
Jean-Baptiste Greuze
(French, Tournus 1725–1805 Paris)
Date: ca.1763
Medium: Red chalk. Framing lines in pen and brown ink.
Accession Number: 49.131.1
Design for Elevation of a Table
Anonymous, French, 18th century
Date: 1770–90
Medium: Pen and brown and black ink, black and red chalk, and graphite
Accession Number: 63.547.14(2)
Head of a Mourning Woman in Profile to the Left
Girolamo Macchietti (Italian, Florence
(?) ca. 1535–1592 Florence)
Date: ca. 1575–80
Medium: Red chalk and white gouache on reddish ocher prepared paper
Accession Number: 2013.152
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)
Giovanni Lanfranco
(Italian, Parma 1582–1647 Rome)
Date: 1634–35
Medium: Black chalk, partly reworked by the artist in pen and brown ink
Accession Number: 2004.295
Two Women Winding Yarn
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: early 17th century
Medium: Red chalk with touches of black chalk
Accession Number: 06.1042.19
Saint Peter's, apse, exterior elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 49.92.91
Martyrdom of Saint Ursula? Saint Paula?
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink, brush and black and gray wash, highlighted with white gouache on light brown paper. Squared for transfer in black chalk
Accession Number: 1975.131.80
Landscape with Road Approaching the City
Jean-François Raffaëlli
(French, Paris 1850–1924 Paris)
Date: ca. 1880
Medium: Charcoal, orange chalk, and gray wash with white gouache highlights on papier bleuté, mounted on stiff cardboard with all borders gilded
Accession Number: 1975.1.683
Landscape with Figure
George Morland
(British, London 1763–1804 London)
Date: 1763–1804
Medium: Black chalk on off-white wove paper, laid on gray wash-line mount, laid on board
Accession Number: 08.227.6
Saint Matthew Seated in a Niche
attributed to Fabrizio Boschi
(Italian, Florence 1572–1642 Florence)
Date: 1572–1642
Medium: Black chalk
Accession Number: 80.3.120
Punchinello as a Dressmaker
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1800
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.466
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Black chalk on paper
Accession Number: 1979.292.129
Studies for an Adoration of the Shepherds
Adriaen Brouwer
(Flemish, Oudenaarde 1605/6–1638 Antwerp)
Date: early 17th century
Medium: Pen and brown ink, over black chalk; framing line in pen and brown ink, probably by a later hand
Accession Number: 2015.102
Standing Male Nude with Hands behind Back
Battista Franco
(Italian, Venice ca. 1510–1561 Venice)
Date: 1510–61
Medium: Red chalk
Accession Number: 62.119.10
Study for "The Siege of Gibraltar": Officer in Four Poses
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1785–86
Medium: Black chalk on blue laid paper
Accession Number: 60.44.17 verso
A Group of Punchinelli Seated
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1760
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.438
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.337
Street Crowd
Théophile-Alexandre Steinlen (French
(born Switzerland), Lausanne 1859–1923 Paris)
Date: late 19th–early 20th century
Medium: Black chalk on paper
Accession Number: 56.89.1
Untitled (male nude studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Black chalk and graphite on paper
Accession Number: 1979.292.319
John, 2nd Viscount Dudley and Ward, and 7th Baron Ward, LL.D (1724-1788)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Medium: Black and red chalk, varnished, on thin laid paper. Oval.
Accession Number: 55.106.1
The Judgment of Solomon
Constantijn Daniel van Renesse
(Maarsen 1626–Eindhoven 1680)
Date: 1649–50
Medium: Pen and brush and brown ink, brown wash, over black chalk, with traces of corrections in white.
Accession Number: 1975.1.806
A Sleeping Swine
Adriaen van de Velde
(Dutch, Amsterdam 1636–1672 Amsterdam)
Date: mid-17th century
Medium: Black chalk; framing line in pen and brown ink
Accession Number: 29.100.940
"In Piazza"
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1791
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.510
Cupid Pouring Water on a Burning Heart
Anonymous, Italian, first half of the 18th century
Date: 18th century
Medium: Red, black and yellow chalk
Accession Number: 80.3.325
Sketchbook #66
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Medium: Black chalk and graphite on paper
Accession Number: 1979.292.740
Design for Suspended Censer
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, brush and brown wash, over traces of black chalk or graphite
Accession Number: 52.570.239
A Castle (on the Rhine?)
Jan van Goyen
(Dutch, Leiden 1596–1656 The Hague)
Date: early 17th–mid 17th century
Medium: Black chalk, gray wash
Accession Number: 2008.178.15
Half-lenth Figure of St. Andrew in an Oval.
Antonio del Castillo y Saavedra
(Spanish, Cordoba 1616–1668 Cordoba)
Date: 1616–68
Accession Number: 1975.131.212
Phippsburg, Maine
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: 1932
Accession Number: 49.70.145
Sacrificial Procession
Anonymous, French, 17th century
Date: 17th century
Accession Number: 80.3.547
Head of an Old Woman Looking Up
Jean-Baptiste Greuze
(French, Tournus 1725–1805 Paris)
Date: ca.1763
Accession Number: 49.131.1
Design for Elevation of a Table
Anonymous, French, 18th century
Date: 1770–90
Accession Number: 63.547.14(2)
Head of a Mourning Woman in Profile to the Left
Girolamo Macchietti (Italian, Florence
(?) ca. 1535–1592 Florence)
Date: ca. 1575–80
Accession Number: 2013.152
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)
Giovanni Lanfranco
(Italian, Parma 1582–1647 Rome)
Date: 1634–35
Accession Number: 2004.295
Two Women Winding Yarn
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: early 17th century
Accession Number: 06.1042.19
Saint Peter's, apse, exterior elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Accession Number: 49.92.91
Martyrdom of Saint Ursula? Saint Paula?
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 1975.131.80
Landscape with Road Approaching the City
Jean-François Raffaëlli
(French, Paris 1850–1924 Paris)
Date: ca. 1880
Accession Number: 1975.1.683
Landscape with Figure
George Morland
(British, London 1763–1804 London)
Date: 1763–1804
Accession Number: 08.227.6
Saint Matthew Seated in a Niche
attributed to Fabrizio Boschi
(Italian, Florence 1572–1642 Florence)
Date: 1572–1642
Accession Number: 80.3.120
Punchinello as a Dressmaker
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1800
Accession Number: 1975.1.466
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.129
Studies for an Adoration of the Shepherds
Adriaen Brouwer
(Flemish, Oudenaarde 1605/6–1638 Antwerp)
Date: early 17th century
Accession Number: 2015.102
Standing Male Nude with Hands behind Back
Battista Franco
(Italian, Venice ca. 1510–1561 Venice)
Date: 1510–61
Accession Number: 62.119.10
Study for "The Siege of Gibraltar": Officer in Four Poses
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1785–86
Accession Number: 60.44.17 verso
A Group of Punchinelli Seated
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1760
Accession Number: 1975.1.438
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.337
Street Crowd
Théophile-Alexandre Steinlen (French
(born Switzerland), Lausanne 1859–1923 Paris)
Date: late 19th–early 20th century
Accession Number: 56.89.1
Untitled (male nude studies)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.319
John, 2nd Viscount Dudley and Ward, and 7th Baron Ward, LL.D (1724-1788)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Accession Number: 55.106.1
The Judgment of Solomon
Constantijn Daniel van Renesse
(Maarsen 1626–Eindhoven 1680)
Date: 1649–50
Accession Number: 1975.1.806
A Sleeping Swine
Adriaen van de Velde
(Dutch, Amsterdam 1636–1672 Amsterdam)
Date: mid-17th century
Accession Number: 29.100.940
"In Piazza"
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1791
Accession Number: 1975.1.510
Cupid Pouring Water on a Burning Heart
Anonymous, Italian, first half of the 18th century
Date: 18th century
Accession Number: 80.3.325
Sketchbook #66
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Accession Number: 1979.292.740
Design for Suspended Censer
Attributed to Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.239
A Castle (on the Rhine?)
Jan van Goyen
(Dutch, Leiden 1596–1656 The Hague)
Date: early 17th–mid 17th century
Accession Number: 2008.178.15
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