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5,328 records
Chalk x
Design from the Workshop of Froment-Meurice
Workshop of Jacques-Charles-François-Marie Froment-Meurice
(French, 1864–1948)
Date: n.d.
Medium: Pen and brown ink, red chalk over graphite
Accession Number: 56.500.177
Sketchbook #160
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Medium: Black chalk, crayon, graphite, and watercolor on paper
Accession Number: 1979.292.794
Adoration of the Magi
Attributed to Cesare Pollini
(Cesare dal Francia) (Italian, Perugia (?) ca. 1560–ca. 1630 Perugia)
Date: 1560–1630
Medium: Red and white chalk on paper
Accession Number: 53.127.2
Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3)
Godfried Maes
(Antwerp 1649–1700 Antwerp)
Date: late 17th century
Medium: Black chalk, pen and brown ink, brown and gray wash
Accession Number: 2002.425.3
Caricature of Paul Meurice
Hippolyte Mailly
(French, 1829–1863)
Date: 1859
Medium: Black chalk on brown paper
Accession Number: 2012.401.19
Design for Upright Decorative Panel
Anonymous, French, 18th century
Date: 18th century
Medium: Red chalk over black chalk with traces of brown wash
Accession Number: 69.552.2
The Assumption of the Virgin
Attributed to Bernardino Poccetti
(Italian, San Marino di Valdelsa 1548–1612 Florence)
Date: 1548–1612
Medium: Red chalk, over charcoal, squared for transfer
Accession Number: 65.66.8
Design for Fantasy Branches of Flowers
Jean Pillement
(French, Lyons 1728–1808 Lyons)
Date: n.d.
Medium: Red and black chalk
Accession Number: 1983.1132
The Family of Darius before Alexander (recto); Sketch of a Horse-Drawn Cart, and Studies of Male Heads and an Infant (verso)
Gaspare Diziani
(Italian, Belluno 1689–1767 Venice)
Date:
Medium: Pen and brown ink, brush and gray wash, over traces of black chalk; squared in graphite or lead (recto). Framing lines in pen and brown ink; red chalk (verso)
Accession Number: 65.131.1
Illustration for a Book: Soldiers Surrendering to an Emperor, with a City in the Background
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
Accession Number: 59.600.184
Five Miscellaneous Designs for the de la Rochejaquelein Family
Eugène-Pierre Gourdet
(French, born Paris, 1820)
Date: second half 19th century
Medium: Graphite and black chalk
Accession Number: 67.827.47
To Each His Own Pastime, "Elck Sijn Tijt-Verdrijff"
Adriaen van de Venne
(Dutch, Delft 1589–1662 The Hague)
Date: 17th century
Medium: Red chalk; verso: the design partially traced in red-brown chalk and wash
Accession Number: 1994.52
Studies of Armor
Anonymous, French, 17th century
Date: 17th century
Medium: Black and red chalk
Accession Number: x.815
Isabella Hunter, Cousin of the Artist
John Downman
(British, Ruabon, Wales 1750–1824 Wrexham, Wales)
Date: 1781
Medium: Watercolor, colored chalk, and graphite
Accession Number: 50.145.12
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Black chalk on paper
Accession Number: 1979.292.140
The Abduction of Helen
Giuseppe Salviati
(Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520–ca. 1575 Venice)
Date: mid-16th century
Medium: Pen and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk, on light blue paper.
Accession Number: 1975.1.405
Adoration of the Shepherds
Nicolas Bertin
(French, Paris 1668–1736 Paris)
Date: n.d.
Medium: Red chalk, red wash
Accession Number: 1991.191
Imaginary Hilly Landscape with Ruins
Anonymous, Netherlandish, 16th century
Date: 16th century
Medium: Brush and brown wash over traces of black chalk, heightened with white
Accession Number: 26.169.3
Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Medium: Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black chalk underdrawing. Lower border of composition outlined with pen and dark brown ink. On off-white paper
Accession Number: 56.235.7
Ecce Homo
Juan Carreño de Miranda
(Spanish, Avilés 1614–1685 Madrid)
Date: 1666–75
Medium: Red chalk and charcoal on gray-blue paper
Accession Number: 1998.266
Drawings for the Hôtel de Sauvage
Anonymous, French, 19th century
Date: ca. 1862–69
Medium: Pen and black ink, gray wash, graphite, red chalk, blue, brown, gray, and yellow watercolor, white gouache.
Accession Number: 43.65.15
Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
Made by, Probably Tiberio Titi
(Florence 1573–1622 Florence)
Date: 1590–1600
Medium: Pen and light brown ink, over black chalk; some reworking of contours in black chalk(?) (recto); black chalk (verso)
Accession Number: 49.116.3
Portrait of a Man
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1830
Medium: Conté crayon and white-chalk heightening on heavy, toned (formerly blue) wove paper
Accession Number: 54.181 verso
Wall at St. Tropez
André Roberty
(French, 1877–1963)
Date: 1921
Medium: Watercolor and chalk on paper
Accession Number: 69.41.1
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: 1612–50
Medium: Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink
Accession Number: 1980.12
The Massacre of the Innocents
Giovanni Battista della Rovere
(Italian, Milan ca. 1575–ca. 1630 Milan (?))
Date: 1575–1630
Medium: Pen and brown ink, brush and brown wash, over traces of black chalk (recto). Sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso)
Accession Number: 63.149
Seated Youth Facing Right, Seen from the Back
Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Medium: Red chalk with some white chalk highlights (recto); scribbles in red chalk (verso)
Accession Number: 87.12.83
Illustration for a Book: Siege of a City
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
Accession Number: 59.600.181
Study for a Frontispiece
Willem Pietersz. Buytewech
(Dutch, 1591–1624)
Date: 1621
Medium: Pen and brown ink, gray wash, and black chalk on off white laid paper
Accession Number: 2002.121
Corner of the Ambassador's Staircase at Versailles (recto); Sketches of Figures and Dolphins (verso)
Pierre Lélu
(French, Paris 1741–1810 Paris)
Date: n.d.
Medium: Pen and brown ink, brush and brown wash with touches of gray wash over traces of black chalk (recto); black chalk (verso), with framing lines in pen and brown ink
Accession Number: 68.635
Design from the Workshop of Froment-Meurice
Workshop of Jacques-Charles-François-Marie Froment-Meurice
(French, 1864–1948)
Date: n.d.
Accession Number: 56.500.177
Sketchbook #160
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Accession Number: 1979.292.794
Adoration of the Magi
Attributed to Cesare Pollini
(Cesare dal Francia) (Italian, Perugia (?) ca. 1560–ca. 1630 Perugia)
Date: 1560–1630
Accession Number: 53.127.2
Caricature of Paul Meurice
Hippolyte Mailly
(French, 1829–1863)
Date: 1859
Accession Number: 2012.401.19
Design for Upright Decorative Panel
Anonymous, French, 18th century
Date: 18th century
Accession Number: 69.552.2
The Assumption of the Virgin
Attributed to Bernardino Poccetti
(Italian, San Marino di Valdelsa 1548–1612 Florence)
Date: 1548–1612
Accession Number: 65.66.8
Design for Fantasy Branches of Flowers
Jean Pillement
(French, Lyons 1728–1808 Lyons)
Date: n.d.
Accession Number: 1983.1132
The Family of Darius before Alexander (recto); Sketch of a Horse-Drawn Cart, and Studies of Male Heads and an Infant (verso)
Gaspare Diziani
(Italian, Belluno 1689–1767 Venice)
Date:
Accession Number: 65.131.1
Illustration for a Book: Soldiers Surrendering to an Emperor, with a City in the Background
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 59.600.184
Five Miscellaneous Designs for the de la Rochejaquelein Family
Eugène-Pierre Gourdet
(French, born Paris, 1820)
Date: second half 19th century
Accession Number: 67.827.47
To Each His Own Pastime, "Elck Sijn Tijt-Verdrijff"
Adriaen van de Venne
(Dutch, Delft 1589–1662 The Hague)
Date: 17th century
Accession Number: 1994.52
Studies of Armor
Anonymous, French, 17th century
Date: 17th century
Accession Number: x.815
Isabella Hunter, Cousin of the Artist
John Downman
(British, Ruabon, Wales 1750–1824 Wrexham, Wales)
Date: 1781
Accession Number: 50.145.12
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.140
The Abduction of Helen
Giuseppe Salviati
(Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520–ca. 1575 Venice)
Date: mid-16th century
Accession Number: 1975.1.405
Adoration of the Shepherds
Nicolas Bertin
(French, Paris 1668–1736 Paris)
Date: n.d.
Accession Number: 1991.191
Imaginary Hilly Landscape with Ruins
Anonymous, Netherlandish, 16th century
Date: 16th century
Accession Number: 26.169.3
Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Accession Number: 56.235.7
Ecce Homo
Juan Carreño de Miranda
(Spanish, Avilés 1614–1685 Madrid)
Date: 1666–75
Accession Number: 1998.266
Drawings for the Hôtel de Sauvage
Anonymous, French, 19th century
Date: ca. 1862–69
Accession Number: 43.65.15
Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
Made by, Probably Tiberio Titi
(Florence 1573–1622 Florence)
Date: 1590–1600
Accession Number: 49.116.3
Portrait of a Man
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1830
Accession Number: 54.181 verso
Wall at St. Tropez
André Roberty
(French, 1877–1963)
Date: 1921
Accession Number: 69.41.1
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
(Italian, Lucca 1612–1650 Rome)
Date: 1612–50
Accession Number: 1980.12
The Massacre of the Innocents
Giovanni Battista della Rovere
(Italian, Milan ca. 1575–ca. 1630 Milan (?))
Date: 1575–1630
Accession Number: 63.149
Seated Youth Facing Right, Seen from the Back
Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Accession Number: 87.12.83
Illustration for a Book: Siege of a City
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 59.600.181
Study for a Frontispiece
Willem Pietersz. Buytewech
(Dutch, 1591–1624)
Date: 1621
Accession Number: 2002.121
Corner of the Ambassador's Staircase at Versailles (recto); Sketches of Figures and Dolphins (verso)
Pierre Lélu
(French, Paris 1741–1810 Paris)
Date: n.d.
Accession Number: 68.635
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