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5,279 records
Chalk x
Meleager, Turning to the Right
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: mid-18th–early 19th century
Medium: Pen and brown ink, gray wash, over black chalk
Accession Number: 1975.1.490
Adam and Eve after Their Expulsion with the Infants Cain and Abel
Giovanni Andrea Carlone
(Italian, Genoa 1639–1697 Genoa)
Date: 1639–97
Medium: Pen and brown ink, brush and pale brown wash, highlighted with white, over black chalk. Squared in black chalk.
Accession Number: 1980.20.1
Centaur Holding Up a Quiver
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Medium: Pen and dark brown ink, brush and gray-brown wash, over black chalk; framing lines in pen and brown ink
Accession Number: 37.165.55
Design for a sculptural group with God the Father in a niche
Pieter Verbruggen the Younger
(Flemish, Antwerp 1648–1691 Antwerp)
Date: late 17th–early 18th century
Medium: Pen and brown ink, brown wash, over black chalk or graphite
Accession Number: 2010.87a
Distant Town Seen across Water and Fields
Style of Jan van Goyen
(Dutch, Leiden 1596–1656 The Hague)
Date: 1652
Medium: Black chalk with gray wash
Accession Number: 1975.1.777
Portrait of a Young Lady
John Briggs Potter
(American, Lansing, Michigan 1864–1949 Boston, Massachusetts)
Date: 1892
Medium: Chalk on paper
Accession Number: 13.18
The Adoration of the Magi
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: 1472–1517
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 1972.118.241
Design for Three Vases
Anonymous, French, 18th century
Date: ca. 1770–85
Medium: Pen and brown ink, black chalk, and watercolor
Accession Number: 61.680.1.8
The Continence of Scipio
François Boucher
(French, Paris 1703–1770 Paris)
Date:
Medium: Brown chalk, brush and brown wash
Accession Number: 66.106
Four Putti on Clouds
Leonardo Scaglia
(Italian, documented Perugia, Ancona, 1640–1650)
Date: 1640–50
Medium: Pen and brown ink, brown wash, over traces of black chalk
Accession Number: 1995.77
Reclining Female Nude
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: early 17th century
Medium: Black and white chalk on faded blue paper.
Accession Number: 1975.1.533
The Last Supper
Nicolas van der Horst
(Flemish, 1598–1646)
Date: early to mid-17th century
Medium: Pen and brown ink, brush and brown washes, over black chalk. Incised. Rubbed with black chalk for transfer. Fragment of sheet with Christ and five apostles behind him cut out, backed, and redrawn by the artist.
Accession Number: 49.93.6
Woman Seated, Seen from Back
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 19th century
Medium: Black chalk on paper
Accession Number: 29.100.944
Four Studies of Recumbent Female Nudes (Galatea)
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Medium: Red chalk on blue paper
Accession Number: 25.62.43v
Study for Saint Gervasius
Eustache Le Sueur
(French, Paris 1616–1655 Paris)
Date: 17th century
Medium: Black chalk heightened with white chalk, on gray-beige paper. Framing lines in pen and brown ink.
Accession Number: 1972.224.5
Crouching Woman with a Boy Behind Her
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1742–57
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.429
Vendéan Fusillé
Clement-August Andrieux
(French, Paris 1829–1880 Fontainebleau)
Date: 1835–80
Medium: Black chalk and stumping
Accession Number: 1994.102
A Woman Distributing Bread from a Basket: Study for "Feed the Hungry," in the Chapel of the Seven Corporal Works of Mercy ("Les Oeuvres de Misèricorde"), Church of Saint-Eustache, Paris
Victor-François-Eloi Biennourry
(French, Bar-sur-Aube 1823–1893 Paris)
Date: ca. 1854
Medium: Black and white chalk, squared with black chalk on blue laid paper
Accession Number: 1998.406.2
Portrait of Agata Dolci
Carlo Dolci
(Italian, Florence 1616–1687 Florence)
Date: 1680s
Medium: Red and black chalk on pale gray paper
Accession Number: 1994.383
Sketchbook #81
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: July 1933
Medium: Black chalk and black crayon on paper
Accession Number: 1979.292.877
Study for the Title Page to the Thesavrvs Antiqvitatvm Romanarvm, 1696
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Pen and grey ink, brush and brown and grey wash, over red chalk.
Accession Number: 58.648.2(3)
Seated River God, Nymph with an Oar, and Putto
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk
Accession Number: 37.165.32
Diana and Endymion
Januarius Zick
(German, Munich before 1730–1797 Ehrenbreitstein)
Date: 1745–97
Medium: Black and white chalk on blue paper
Accession Number: 1975.131.239
Time Holding a Nude Woman, a Putto at Right
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk (recto); contours of drawing traced in black chalk by a later hand (verso)
Accession Number: 37.165.31
Jewelry design
Firm of Fernand Chardon
(French, active ca. 1925)
Date: ca. 1925
Medium: Gouache over black chalk and graphite outline; outlined in pen and black ink.
Accession Number: 1980.1013.4
Landscape with the Rest on the Flight into Egypt
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 17th century
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 07.282.1
Christ in the House of Martha and Mary
Ferdinand Pierre Joseph Ignace Delamonce
(French, Munich 1678–1753 Lyon)
Date: n.d.
Medium: Pen and brown ink, brown and gray wash, over traces of graphite. Squared in red chalk and graphite.
Accession Number: 1988.231
Popham Beach, Small Point, Maine
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: 1928
Medium: Watercolor and chalk on paper
Accession Number: 49.70.140
Two Studies of a Seated Arab with a Pipe
Alexandre-Gabriel Decamps
(French, Paris 1803–1860 Fontainebleau)
Date: 1820–60
Medium: Black and white chalk, charcoal, traces of graphite on light brown paper; some stumping
Accession Number: 1991.465
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)
Giovanni Ambrogio Figino
(Italian, Milan 1548–1608 Milan)
Date: 1548–1608
Medium: Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, over red chalk (verso)
Accession Number: 61.179.2
Meleager, Turning to the Right
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: mid-18th–early 19th century
Accession Number: 1975.1.490
Adam and Eve after Their Expulsion with the Infants Cain and Abel
Giovanni Andrea Carlone
(Italian, Genoa 1639–1697 Genoa)
Date: 1639–97
Accession Number: 1980.20.1
Centaur Holding Up a Quiver
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Accession Number: 37.165.55
Design for a sculptural group with God the Father in a niche
Pieter Verbruggen the Younger
(Flemish, Antwerp 1648–1691 Antwerp)
Date: late 17th–early 18th century
Accession Number: 2010.87a
Distant Town Seen across Water and Fields
Style of Jan van Goyen
(Dutch, Leiden 1596–1656 The Hague)
Date: 1652
Accession Number: 1975.1.777
Portrait of a Young Lady
John Briggs Potter
(American, Lansing, Michigan 1864–1949 Boston, Massachusetts)
Date: 1892
Accession Number: 13.18
The Adoration of the Magi
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: 1472–1517
Accession Number: 1972.118.241
Design for Three Vases
Anonymous, French, 18th century
Date: ca. 1770–85
Accession Number: 61.680.1.8
The Continence of Scipio
François Boucher
(French, Paris 1703–1770 Paris)
Date:
Accession Number: 66.106
Four Putti on Clouds
Leonardo Scaglia
(Italian, documented Perugia, Ancona, 1640–1650)
Date: 1640–50
Accession Number: 1995.77
Reclining Female Nude
Domenico Tintoretto
(Italian, Venice 1560–1635 Venice)
Date: early 17th century
Accession Number: 1975.1.533
The Last Supper
Nicolas van der Horst
(Flemish, 1598–1646)
Date: early to mid-17th century
Accession Number: 49.93.6
Woman Seated, Seen from Back
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 19th century
Accession Number: 29.100.944
Four Studies of Recumbent Female Nudes (Galatea)
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Accession Number: 25.62.43v
Study for Saint Gervasius
Eustache Le Sueur
(French, Paris 1616–1655 Paris)
Date: 17th century
Accession Number: 1972.224.5
Crouching Woman with a Boy Behind Her
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1742–57
Accession Number: 1975.1.429
Vendéan Fusillé
Clement-August Andrieux
(French, Paris 1829–1880 Fontainebleau)
Date: 1835–80
Accession Number: 1994.102
Portrait of Agata Dolci
Carlo Dolci
(Italian, Florence 1616–1687 Florence)
Date: 1680s
Accession Number: 1994.383
Sketchbook #81
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: July 1933
Accession Number: 1979.292.877
Study for the Title Page to the Thesavrvs Antiqvitatvm Romanarvm, 1696
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(3)
Seated River God, Nymph with an Oar, and Putto
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 37.165.32
Diana and Endymion
Januarius Zick
(German, Munich before 1730–1797 Ehrenbreitstein)
Date: 1745–97
Accession Number: 1975.131.239
Time Holding a Nude Woman, a Putto at Right
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 37.165.31
Jewelry design
Firm of Fernand Chardon
(French, active ca. 1925)
Date: ca. 1925
Accession Number: 1980.1013.4
Landscape with the Rest on the Flight into Egypt
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 17th century
Accession Number: 07.282.1
Christ in the House of Martha and Mary
Ferdinand Pierre Joseph Ignace Delamonce
(French, Munich 1678–1753 Lyon)
Date: n.d.
Accession Number: 1988.231
Popham Beach, Small Point, Maine
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: 1928
Accession Number: 49.70.140
Two Studies of a Seated Arab with a Pipe
Alexandre-Gabriel Decamps
(French, Paris 1803–1860 Fontainebleau)
Date: 1820–60
Accession Number: 1991.465
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)
Giovanni Ambrogio Figino
(Italian, Milan 1548–1608 Milan)
Date: 1548–1608
Accession Number: 61.179.2
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