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5,356 records
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Design for a Bucket
Erasmus Hornick
(Netherlandish, Antwerp ca. 1520–1583 Prague)
Date: 16th century
Medium: Pen and black ink, brush with yellow and gray wash over traces of red and black chalk
Accession Number: 1975.131.72
Portrait of a Clergyman or a Jurist (?)
Johann Daniel Preissler
(German, Nuremberg 1666–1737 Nuremberg)
Date: late 17th–early 18th century
Medium: Red chalk. Framing line in pen and brush and black ink.
Accession Number: 2007.429
Design for a Stage Set at the Opéra, Paris
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Medium: Graphite, black chalk, heightened with white
Accession Number: 53.668.51
Angry Swan
Jean-Baptiste Oudry
(French, Paris 1686–1755 Beauvais)
Date: 18th century
Medium: Black and white chalk on blue paper
Accession Number: 1970.133
Sketchbook #188
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1940
Medium: Pen and india ink, watercolor, chalk, graphite, and wash on paper
Accession Number: 1979.292.909
Jupiter Fighting the Giants.
Jacopo Zucchi
(Italian, Florence ca. 1540–1596 Rome)
Date: 1540–96
Medium: Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper
Accession Number: 1999.163
Drapery Study for a Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: Black and white chalk, traces of red chalk, on gray paper
Accession Number: 1989.122.30
Design from the Workshop of Froment-Meurice
Workshop of Jacques-Charles-François-Marie Froment-Meurice
(French, 1864–1948)
Date: n.d.
Medium: Pen and brown ink, red chalk over graphite
Accession Number: 56.500.177
Album of Ornament Drawings
Guiseppe Mannocchi
(Italian, 1731–1782)
Date: 1765
Medium: Album pages with pastings of drawings in various media: red chalk drawings (counterproofs); drawings in pen and black ink and gray wash; drawings in pen and brown ink and brown wash; drawings in leadpoint or graphite; drawings in watercolor (forty-nine folios).
Accession Number: 47.112
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins
Anonymous, Italian, first half of the 18th century
Date: 18th century
Medium: Pen and brown ink, brush with brown wash, over black chalk on cream laid paper. Groundline stylus-incised
Accession Number: 1975.600
Portrait of a Man
Thomas Bluget De Valdenuit
(1763–1846)
Date: 1797
Medium: Conté crayon and white chalk on off-white laid paper coated with gouache
Accession Number: 11.60.181
Triumphal Scene
Lelio Orsi
(called Lelio da Novellara) (Italian, Novellara 1508/11–1587 Novellara)
Date: 1511–87
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk
Accession Number: 1998.129.2
Design for a Piano
L. & J. G. Stickley of Fayetteville, New York
Date: ca. 1901–1916
Medium: graphite, black chalk, pen and black ink
Accession Number: 1984.1055.572
Woodland Scene
attributed to Girolamo Muziano
(Italian, Acquafredda, Brescia 1528–1592 Rome)
Date: 1528–92
Medium: Pen and brown ink, brush and brown wash, over black chalk, on buff paper
Accession Number: 80.3.389
Adoration of the Magi
Flemish
Date: first quarter 16th century
Medium: Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around.
Accession Number: 1975.1.832
A View of the Obelisk and Saint John in Lateran (above) and a View of an Egyptian Site (?) (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Black and brown ink and grey wash over graphite and red chalk. Incised.
Accession Number: 58.648.2(25)
Design for a Pendentive: Youthful Musicians with Stringed Instruments
Pomponio Amalteo
(Italian, Molta di Livenza 1505–1588 San Vito al Tagliamento)
Date: 1505–88
Medium: Pen and brown ink, brush and brown wash, highlighted with white, over red chalk, on blue paper
Accession Number: 1977.249a
George Montagu, 4th Duke of Manchester (1737-1788), William, 2nd Viscount Courtenay, de jure 8th Earl of Devon (1742-1788), and George William, 6th Earl of Coventry (1722-1809)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–1802
Medium: Black and red chalk, varnished, on thin laid paper. Oval.
Accession Number: 55.106.2
Mexican Sacrifice to the God of Hunting
Bernard Picart
(French, Paris 1673–1733 Amsterdam)
Date: 1722
Medium: Pen and gray ink, brush and gray wash, over traces of graphite and red chalk, heightened with white. Contours incised. Verso reddened for transfer.
Accession Number: 1974.206
The Adoration of the Magi
Circle of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th–mid 16th century
Medium: Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
Accession Number: 2014.100
Drapery Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Medium: Black chalk, stumped, white and red chalk, on light gray paper
Accession Number: 1989.122.5
Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso)
Giovanni Alberti
(Italian, Borgo San Sepolcro 1558–1601 Rome)
Date: 1558–1601
Medium: Pen and brown ink, brush with brown and gray wash, ruling and compass work, over traces of black chalk
Accession Number: 1971.513.44
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Medium: Black chalk
Accession Number: 44.54.29
Right and Part of the Left Half of a Design for a Cartouche
Michelangelo Colonna
(Italian, Ravenna/Como 1604–1687 Bologna)
Date: 1604–87
Medium: Pen and ink, over faint traces of black chalk
Accession Number: 52.570.35
Time Holding a Nude Woman, a Putto at Right
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Medium: Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk (recto); contours of drawing traced in black chalk by a later hand (verso)
Accession Number: 37.165.31
Landscape With Figures Crossing a Bridge
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink over black chalk on cream paper. Ruled framing outline in black chalk? along left, right and bottom edge
Accession Number: 80.3.342
A Reconstruction of the Arch of Domitian (above) and View the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Pen and black ink, brush and grey wash over red and black chalk.
Accession Number: 58.648.2(17)
Dennis Morety, Ye Owld Fule
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1905
Medium: Black chalk
Accession Number: 15.152.3
Standing Soldier: Garde Française
Charles Dominique Joseph Eisen
(French, Valenciennes 1720–1778 Brussels)
Date: 18th century
Medium: Red chalk over traces of graphite
Accession Number: 1975.131.132
"In Piazza"
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1791
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.510
Design for a Bucket
Erasmus Hornick
(Netherlandish, Antwerp ca. 1520–1583 Prague)
Date: 16th century
Accession Number: 1975.131.72
Portrait of a Clergyman or a Jurist (?)
Johann Daniel Preissler
(German, Nuremberg 1666–1737 Nuremberg)
Date: late 17th–early 18th century
Accession Number: 2007.429
Design for a Stage Set at the Opéra, Paris
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Accession Number: 53.668.51
Angry Swan
Jean-Baptiste Oudry
(French, Paris 1686–1755 Beauvais)
Date: 18th century
Accession Number: 1970.133
Sketchbook #188
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1940
Accession Number: 1979.292.909
Jupiter Fighting the Giants.
Jacopo Zucchi
(Italian, Florence ca. 1540–1596 Rome)
Date: 1540–96
Accession Number: 1999.163
Drapery Study for a Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Accession Number: 1989.122.30
Design from the Workshop of Froment-Meurice
Workshop of Jacques-Charles-François-Marie Froment-Meurice
(French, 1864–1948)
Date: n.d.
Accession Number: 56.500.177
Album of Ornament Drawings
Guiseppe Mannocchi
(Italian, 1731–1782)
Date: 1765
Accession Number: 47.112
Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins
Anonymous, Italian, first half of the 18th century
Date: 18th century
Accession Number: 1975.600
Portrait of a Man
Thomas Bluget De Valdenuit
(1763–1846)
Date: 1797
Accession Number: 11.60.181
Triumphal Scene
Lelio Orsi
(called Lelio da Novellara) (Italian, Novellara 1508/11–1587 Novellara)
Date: 1511–87
Accession Number: 1998.129.2
Design for a Piano
L. & J. G. Stickley of Fayetteville, New York
Date: ca. 1901–1916
Accession Number: 1984.1055.572
Woodland Scene
attributed to Girolamo Muziano
(Italian, Acquafredda, Brescia 1528–1592 Rome)
Date: 1528–92
Accession Number: 80.3.389
Adoration of the Magi
Flemish
Date: first quarter 16th century
Accession Number: 1975.1.832
A View of the Obelisk and Saint John in Lateran (above) and a View of an Egyptian Site (?) (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(25)
Design for a Pendentive: Youthful Musicians with Stringed Instruments
Pomponio Amalteo
(Italian, Molta di Livenza 1505–1588 San Vito al Tagliamento)
Date: 1505–88
Accession Number: 1977.249a
Mexican Sacrifice to the God of Hunting
Bernard Picart
(French, Paris 1673–1733 Amsterdam)
Date: 1722
Accession Number: 1974.206
The Adoration of the Magi
Circle of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th–mid 16th century
Accession Number: 2014.100
Drapery Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Isidore Pils
(French, Paris 1813/15–1875 Douarnenez)
Date: 19th century
Accession Number: 1989.122.5
Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso)
Giovanni Alberti
(Italian, Borgo San Sepolcro 1558–1601 Rome)
Date: 1558–1601
Accession Number: 1971.513.44
Study for a frontispiece for "Histoire de Miss Jenny"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Accession Number: 44.54.29
Right and Part of the Left Half of a Design for a Cartouche
Michelangelo Colonna
(Italian, Ravenna/Como 1604–1687 Bologna)
Date: 1604–87
Accession Number: 52.570.35
Time Holding a Nude Woman, a Putto at Right
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1696–1770
Accession Number: 37.165.31
Landscape With Figures Crossing a Bridge
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 80.3.342
A Reconstruction of the Arch of Domitian (above) and View the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(17)
Dennis Morety, Ye Owld Fule
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1905
Accession Number: 15.152.3
Standing Soldier: Garde Française
Charles Dominique Joseph Eisen
(French, Valenciennes 1720–1778 Brussels)
Date: 18th century
Accession Number: 1975.131.132
"In Piazza"
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1791
Accession Number: 1975.1.510
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