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Figure 48: Mild weeping, pity and feeble false laughter
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.26
Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.21
Electro–Physiologie, Figure 64
Adrien Tournachon
(French, 1825–1903)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2012.140
Eugène Pelletan
Nadar
(French, Paris 1820–1910 Paris)
Date: 1855–59
Medium: Salted paper print from glass negative
Accession Number: 1991.1198
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 1993.248
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.10
Figure 82: Lady Macbeth, strong expression of cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.45
Figure 15: Mediation, mental concentration
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.8
Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.3
Figure 47: A suggestion of this same weeping
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.25
Faradisation du muscle frontal
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.229
Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.1
Anatomie du gladiateur combattant applicable aux beaux arts, ou Traité des os, des muscles, du mécanisme de mouvemens, de proportions et des caractères du corps humain (Anatomy of the Fighting Gladiator), Paris (Salvage), 1812
Written and illustrated and published by Jean-Galbert Salvage
(French, 1770–1813)
Date: 1812
Medium: Folio volume (74 pp.) illustrated with 22 engravings printed in black and red ink; bound in red boards; red leather spine with gold-stamped ornament
Accession Number: 52.546.4
Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.28
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.22
Figure 57: Astonishment, stupefaction, amazement
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.34
On the Expression of the Emotions in Man and Animals
Charles Robert Darwin
(British, Shrewsbury 1809–1882 Downe, Bromley)
Date: 1872
Medium: Heliotypes
Accession Number: JFMPL.30620010664166
Laocoön and his two sons standing on a pedestal and being attacked by serpents, set before a decaying wall
Marco Dente
(Italian, Ravenna, active by 1515–died 1527 Rome)
Date: ca. 1515–27
Medium: Engraving
Accession Number: 49.97.122
Figure 16: Expression of severity
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.9
Figure 56: Surprise
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.33
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.16
Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.46
Figure 73: Head of Niobe
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.41
Essay on Physiognomy (Essai sur la Physiognomie Destiné à Faire Connoître l'Homme & à le faire Aimer, par Jean Gaspard Lavater, Citoyen de Zurich et Ministre du St. Evangile)
Johann Caspar Lavater
(Swiss, Zurich 1741–1801 Zurich)
Date: ?1781–1803
Medium: Etching and engraving
Accession Number: 68.526.18(1-4)
Figure 81: Lady Macbeth, moderate expression of cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.44
Figure 78: Scene of coquetry
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.43
[Hypnotism]
John Adams Whipple
(American, 1822–1891)
Date: ca. 1845
Medium: Daguerreotype
Accession Number: 2005.100.76
Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver prints from glass negatives
Accession Number: 2013.173.1–.48
Figure 26: Expression of painful attention and attention, attentive gaze.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.18
Figure 70: Head of the Laocoön of Rome
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Medium: Albumen silver print from glass negative
Accession Number: 2013.173.39
Figure 48: Mild weeping, pity and feeble false laughter
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.26
Figure 36: Scornful laughter and scornful disgust
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.21
Electro–Physiologie, Figure 64
Adrien Tournachon
(French, 1825–1903)
Date: 1854–56, printed 1862
Accession Number: 2012.140
Eugène Pelletan
Nadar
(French, Paris 1820–1910 Paris)
Date: 1855–59
Accession Number: 1991.1198
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 1993.248
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.10
Figure 82: Lady Macbeth, strong expression of cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.45
Figure 15: Mediation, mental concentration
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.8
Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.3
Figure 47: A suggestion of this same weeping
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.25
Faradisation du muscle frontal
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.229
Figure 3: The face of an old man... photographed in repose.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.1
Figure 50: Affected weeping and face in repose
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.28
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.22
Figure 57: Astonishment, stupefaction, amazement
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.34
On the Expression of the Emotions in Man and Animals
Charles Robert Darwin
(British, Shrewsbury 1809–1882 Downe, Bromley)
Date: 1872
Accession Number: JFMPL.30620010664166
Laocoön and his two sons standing on a pedestal and being attacked by serpents, set before a decaying wall
Marco Dente
(Italian, Ravenna, active by 1515–died 1527 Rome)
Date: ca. 1515–27
Accession Number: 49.97.122
Figure 16: Expression of severity
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.9
Figure 56: Surprise
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.33
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.16
Figure 83: Lady Macbeth, ferocious cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.46
Figure 73: Head of Niobe
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.41
Figure 81: Lady Macbeth, moderate expression of cruelty
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.44
Figure 78: Scene of coquetry
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.43
[Hypnotism]
John Adams Whipple
(American, 1822–1891)
Date: ca. 1845
Accession Number: 2005.100.76
Mécanisme de la physionomie humaine ou Analyse électro-physiologique de l’expression des passions applicable à la pratique des arts plastiques
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.1–.48
Figure 26: Expression of painful attention and attention, attentive gaze.
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.18
Figure 70: Head of the Laocoön of Rome
Guillaume-Benjamin-Armand Duchenne de Boulogne
(French, 1806–1875)
Date: 1854–56, printed 1862
Accession Number: 2013.173.39
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