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Pasquariello Truonno - Meo Squaquara, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(12)
Sig. Lucia - Trastullo, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(5)
The Garroted Man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Medium: Etching
Accession Number: 20.22
Plate 15 from "The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching, drypoint, burin, and burnisher
Accession Number: 32.62.17
Jan Lutma
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1656
Medium: Etching and drypoint on japan paper
Accession Number: 20.46.18
The Death of the Virgin
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1639
Medium: Etching and drypoint
Accession Number: 33.79.14
Taglia Cantoni - Fracasso, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(14)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(6)
The Letter
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Medium: Drypoint, printed in black ink
Accession Number: 16.3.2
The Mouth of a Brook, No. I
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1859
Medium: Etching and drypoint; first state of two (Schneidermann); trial proof a (Harrington)
Accession Number: 17.3.287
The Temptation of St. Anthony
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1635
Medium: Etching; third state of five (Lieure)
Accession Number: 57.650.600
Relics (Speakeasy Corner)
Martin Lewis (American
(born Australia), Castlemaine 1881–1962 New York)
Date: 1928
Medium: Drypoint
Accession Number: 29.7.1
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Medium: Drypoint printed on vellum
Accession Number: 41.1.31
Portrait of George Moore
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1881
Medium: Soft-ground etching
Accession Number: 19.1.1
La Rue des Toiles, Bourges
Charles Meryon
(French, 1821–1868)
Date: 1853
Medium: Etching with drypoint
Accession Number: 17.22.18
Black Lion Wharf
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Medium: Etching
Accession Number: 17.3.35
Two Bridges
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1896
Medium: Etching
Accession Number: 17.3.2209
A Giant Seated in a Landscape, sometimes called 'The Colossus'
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Medium: Burnished aquatint with scraping and strokes of 'lavis' added along the top of the landscape and within the landscape
Accession Number: 35.42
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): ' Ravages of War' (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching, drypoint, burin, and burnisher
Accession Number: 32.62.5
Cap. Cerimonia - Sig. Lauinia, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(23)
Essay on Physiognomy (Essai sur la Physiognomie Destiné à Faire Connoître l'Homme & à le faire Aimer, par Jean Gaspard Lavater, Citoyen de Zurich et Ministre du St. Evangile)
Johann Caspar Lavater
(Swiss, Zurich 1741–1801 Zurich)
Date: 1783
Medium: Etching and engraving
Accession Number: 68.526.18(2)
The White Kimono
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Medium: Etching and drypoint
Accession Number: 17.3.494
A Pier in England (Une Jetée en Angleterre)
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1879
Medium: Etching, drypoint, aquatint, and roulette
Accession Number: 17.3.501
Impressions of Rain, Rouen
Camille Pissarro
(French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)
Date: 1883
Medium: Etching, drypoint, and aquatint
Accession Number: 17.70.4
Turning out the Light, from New York City Life
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1905
Medium: Etching
Accession Number: 26.30.16
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Medium: Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
Accession Number: 40.63.8
Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching and burin
Accession Number: 32.62.6
Guarserro - Mestolino, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(20)
Frontispiece, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Medium: Etching
Accession Number: 57.650.304(1)
Madame Helleu Looking at the Watteau Drawings in the Louvre
Paul-César Helleu
(French, Vannes 1859–1927 Paris)
Date: ca. 1896
Medium: Drypoint
Accession Number: 59.599.19
Pasquariello Truonno - Meo Squaquara, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(12)
Sig. Lucia - Trastullo, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(5)
The Garroted Man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Accession Number: 20.22
Plate 15 from "The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.17
Jan Lutma
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1656
Accession Number: 20.46.18
The Death of the Virgin
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1639
Accession Number: 33.79.14
Taglia Cantoni - Fracasso, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(14)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(6)
The Letter
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Accession Number: 16.3.2
The Mouth of a Brook, No. I
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1859
Accession Number: 17.3.287
The Temptation of St. Anthony
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: 1635
Accession Number: 57.650.600
Relics (Speakeasy Corner)
Martin Lewis (American
(born Australia), Castlemaine 1881–1962 New York)
Date: 1928
Accession Number: 29.7.1
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
(Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Accession Number: 41.1.31
Portrait of George Moore
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1881
Accession Number: 19.1.1
La Rue des Toiles, Bourges
Charles Meryon
(French, 1821–1868)
Date: 1853
Accession Number: 17.22.18
Black Lion Wharf
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1859
Accession Number: 17.3.35
Two Bridges
Sir David Young Cameron
(British, Glasgow, Scotland 1865–1945 Perth, Scotland)
Date: 1896
Accession Number: 17.3.2209
A Giant Seated in a Landscape, sometimes called 'The Colossus'
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Accession Number: 35.42
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): ' Ravages of War' (Estragos de la guerra)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.5
Cap. Cerimonia - Sig. Lauinia, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(23)
The White Kimono
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Accession Number: 17.3.494
A Pier in England (Une Jetée en Angleterre)
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1879
Accession Number: 17.3.501
Impressions of Rain, Rouen
Camille Pissarro
(French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)
Date: 1883
Accession Number: 17.70.4
Turning out the Light, from New York City Life
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1905
Accession Number: 26.30.16
Nocturne: Palaces
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1879–80
Accession Number: 40.63.8
Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.6
Guarserro - Mestolino, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(20)
Frontispiece, from the Balli di Sfessania
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: ca. 1622
Accession Number: 57.650.304(1)
Madame Helleu Looking at the Watteau Drawings in the Louvre
Paul-César Helleu
(French, Vannes 1859–1927 Paris)
Date: ca. 1896
Accession Number: 59.599.19
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