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49 records
Thomas Gainsborough x
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Medium: Plates: wood engraving
Accession Number: 63.613.6
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching with aquatint; second state
Accession Number: 49.50.106
A Boy with a Cat—Morning
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Medium: Oil on canvas
Accession Number: 89.15.8
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Medium: Plates: hand colored engraving
Accession Number: 67.820.8(1-2)
Landscape with Figures on Horseback, Another Resting Under a Gnarled Tree, and a Cottage at Right Nestled in Trees (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(2)
The Fine Arts of the English School
Written by John Britton
(British, Kington St. Michael, 1771–1857)
Date: 1812
Medium: Etching and engraving
Accession Number: 23.106.31
Wooded Landscape with a Man Crossing a Bridge
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: early 1780s
Medium: Black and white chalk, brush and gray ink, gray wash and with body color on tan paper
Accession Number: 1975.1.882
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Medium: Black and white chalk with stumping, on blue-gray paper
Accession Number: 07.283.6
Portrait of a Young Woman Seated
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Medium: Black chalk with touches of red wash
Accession Number: 2012.242
John Hobart (1723–1793), 2nd Earl of Buckinghamshire
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 60.71.7
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1775–80
Medium: Soft-ground etching with aquatint, printed in gray ink
Accession Number: 37.43.10
Ignatius Sancho
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1802
Medium: Stipple engraving and etching; third? state of three
Accession Number: 17.3.756-2151
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Oil on canvas
Accession Number: 50.145.16
Studies of Figures by Gainsborough
Drawn on stone by Richard James Lane
(British, Gloucestershire 1800–1872 Campden Hill, Kensington)
Date: January 1, 1825
Medium: Lithography
Accession Number: 21.36.111
Mountain Landscape with a Castle and a Boatman
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Black and white chalks with stumping on blue wove paper
Accession Number: 07.283.5
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint, printed in brown ink
Accession Number: 49.95.59
Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(13)
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Black chalk and brown wash
Accession Number: 59.23.43
Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(7)
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Softground etching; third state
Accession Number: 2004.413
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, hand-colored; second state
Accession Number: 42.27.3
Mrs. William Tennant (Mary Wylde, died 1798)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1780s
Medium: Oil on canvas
Accession Number: 45.59.1
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Medium: Oil on canvas
Accession Number: 15.30.34
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, hand-colored; fourth state
Accession Number: 42.27.2
Francesco d' Ageno
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1785
Medium: Etching and stipple engraving; second state of two
Accession Number: 17.3.547
Wooded Landscape with Country Cart, Cottage and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1784–86
Medium: Soft-ground etching; first state
Accession Number: 49.95.61
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(4)
Queen Charlotte
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 49.7.55
Mrs. Ralph Izard (Alice De Lancey, 1746/47–1832)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 66.88.1
Jug
Worcester
Date: ca. 1760
Medium: Soft-paste porcelain
Accession Number: 39.140.20
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Accession Number: 63.613.6
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.50.106
A Boy with a Cat—Morning
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Accession Number: 89.15.8
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Accession Number: 67.820.8(1-2)
The Fine Arts of the English School
Written by John Britton
(British, Kington St. Michael, 1771–1857)
Date: 1812
Accession Number: 23.106.31
Wooded Landscape with a Man Crossing a Bridge
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: early 1780s
Accession Number: 1975.1.882
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Accession Number: 07.283.6
Portrait of a Young Woman Seated
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Accession Number: 2012.242
John Hobart (1723–1793), 2nd Earl of Buckinghamshire
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 60.71.7
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1775–80
Accession Number: 37.43.10
Ignatius Sancho
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1802
Accession Number: 17.3.756-2151
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 50.145.16
Studies of Figures by Gainsborough
Drawn on stone by Richard James Lane
(British, Gloucestershire 1800–1872 Campden Hill, Kensington)
Date: January 1, 1825
Accession Number: 21.36.111
Mountain Landscape with a Castle and a Boatman
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 07.283.5
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.59
Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(13)
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 59.23.43
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 2004.413
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 42.27.3
Mrs. William Tennant (Mary Wylde, died 1798)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1780s
Accession Number: 45.59.1
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Accession Number: 15.30.34
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 42.27.2
Francesco d' Ageno
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1785
Accession Number: 17.3.547
Wooded Landscape with Country Cart, Cottage and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1784–86
Accession Number: 49.95.61
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(4)
Queen Charlotte
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 49.7.55
Mrs. Ralph Izard (Alice De Lancey, 1746/47–1832)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 66.88.1
Jug
Worcester
Date: ca. 1760
Accession Number: 39.140.20
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