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49 records
Thomas Gainsborough x
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Medium: Plates: hand colored engraving
Accession Number: 67.820.8(1-2)
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Medium: Mezzotint
Accession Number: 1999.509.5
Woodland Scene with a Peasant, a Horse, and a Cart
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Medium: Watercolor, gouache, gray wash and black chalk, on off-white laid paper
Accession Number: 17.120.235
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint with soft-ground etching, printed in gray ink; third state
Accession Number: 49.50.105
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Medium: Black and white chalk with stumping, on blue-gray paper
Accession Number: 07.283.6
Wooded Landscape with Riders
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint; second state
Accession Number: 49.95.60
Wooded Landscape with Cottage, Cows and Sheep
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1770
Medium: Black chalk, pen and black ink, blue and brown washes, heightened with white gouache
Accession Number: 1972.118.291
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(4)
A Boy with a Cat—Morning
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Medium: Oil on canvas
Accession Number: 89.15.8
Landscape
After Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 18th–19th century
Medium: Soft-ground etching on blue paper with touches of white chalk
Accession Number: 53.531.42
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Black chalk and brown wash
Accession Number: 59.23.43
Cottage Children (The Wood Gatherers)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Medium: Oil on canvas
Accession Number: 50.145.17
Landscape with Figures on Horseback, Another Resting Under a Gnarled Tree, and a Cottage at Right Nestled in Trees (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(2)
Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(7)
Queen Charlotte
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 49.7.55
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Medium: Plates: wood engraving
Accession Number: 63.613.6
Portrait of a Young Woman, Called Miss Sparrow
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1770s
Medium: Oil on canvas
Accession Number: 17.120.224
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1775–80
Medium: Soft-ground etching with aquatint, printed in gray ink
Accession Number: 37.43.10
Lieutenant Colonel Paul Pechell (1724–1800)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 1990.200
Mountain Landscape with a Castle and a Boatman
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Black and white chalks with stumping on blue wove paper
Accession Number: 07.283.5
Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(13)
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1797
Medium: Soft-ground etching, hand-colored; third state
Accession Number: 42.27.1
A Clump of Trees
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1757
Medium: Graphite, brush and gray wash
Accession Number: 2013.100
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, hand-colored; fourth state
Accession Number: 42.27.2
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Oil on canvas
Accession Number: 50.145.16
Mrs. Ralph Izard (Alice De Lancey, 1746/47–1832)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 66.88.1
Mrs. Grace Dalrymple Elliott (1754?–1823)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1778
Medium: Oil on canvas
Accession Number: 20.155.1
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint, printed in brown ink
Accession Number: 49.95.59
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Softground etching; third state
Accession Number: 2004.413
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Medium: Oil on canvas
Accession Number: 15.30.34
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Accession Number: 67.820.8(1-2)
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Accession Number: 1999.509.5
Woodland Scene with a Peasant, a Horse, and a Cart
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Accession Number: 17.120.235
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.50.105
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Accession Number: 07.283.6
Wooded Landscape with Riders
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.60
Wooded Landscape with Cottage, Cows and Sheep
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1770
Accession Number: 1972.118.291
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(4)
A Boy with a Cat—Morning
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Accession Number: 89.15.8
Landscape
After Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 18th–19th century
Accession Number: 53.531.42
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 59.23.43
Cottage Children (The Wood Gatherers)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Accession Number: 50.145.17
Queen Charlotte
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 49.7.55
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Accession Number: 63.613.6
Portrait of a Young Woman, Called Miss Sparrow
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1770s
Accession Number: 17.120.224
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1775–80
Accession Number: 37.43.10
Lieutenant Colonel Paul Pechell (1724–1800)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 1990.200
Mountain Landscape with a Castle and a Boatman
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 07.283.5
Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(13)
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1797
Accession Number: 42.27.1
A Clump of Trees
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1757
Accession Number: 2013.100
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 42.27.2
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 50.145.16
Mrs. Ralph Izard (Alice De Lancey, 1746/47–1832)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 66.88.1
Mrs. Grace Dalrymple Elliott (1754?–1823)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1778
Accession Number: 20.155.1
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.59
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 2004.413
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Accession Number: 15.30.34
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