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49 records
Thomas Gainsborough x
Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(11)
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint with soft-ground etching, printed in gray ink; third state
Accession Number: 49.50.105
Ignatius Sancho
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1802
Medium: Stipple engraving and etching; third? state of three
Accession Number: 17.3.756-2151
Lieutenant Colonel Paul Pechell (1724–1800)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Medium: Oil on canvas
Accession Number: 1990.200
Jug
Worcester
Date: ca. 1760
Medium: Soft-paste porcelain
Accession Number: 39.140.20
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, hand-colored; fourth state
Accession Number: 42.27.2
Wooded Landscape with Country Cart, Cottage and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1784–86
Medium: Soft-ground etching; first state
Accession Number: 49.95.61
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, printed in gray ink; second state
Accession Number: 49.95.62
Mrs. Grace Dalrymple Elliott (1754?–1823)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1778
Medium: Oil on canvas
Accession Number: 20.155.1
Open Landscape with Herdsman, Cows, and Sheep
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1785
Medium: Brown chalk, washed with black ink and touched with white gouache, on buff wove paper
Accession Number: 07.282.7
A Clump of Trees
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1757
Medium: Graphite, brush and gray wash
Accession Number: 2013.100
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Black chalk and brown wash
Accession Number: 59.23.43
Portrait of a Young Woman, Called Miss Sparrow
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1770s
Medium: Oil on canvas
Accession Number: 17.120.224
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Softground etching; third state
Accession Number: 2004.413
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(4)
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Medium: Plates: hand colored engraving
Accession Number: 67.820.8(1-2)
Wooded Upland Landscape
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: probably 1783
Medium: Oil on canvas
Accession Number: 06.1279
The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1795
Medium: Stipple engraving and etching; fifth state
Accession Number: 48.163.17
Landscape with Figures
Attributed to Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 18th century
Medium: Graphite, brush and gray wash, on buff wove paper
Accession Number: 11.66.2
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Medium: Oil on canvas
Accession Number: 50.145.16
Cottage Children (The Wood Gatherers)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Medium: Oil on canvas
Accession Number: 50.145.17
Landscape with a Figure Herding Cattle Along a Road Beside a Cottage, a Hillside at Left, a Forest in the Valley Below at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(7)
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint, printed in brown ink
Accession Number: 49.95.59
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Medium: Oil on canvas
Accession Number: 15.30.34
The Saturday Review. First Illustrated Supplement. Christmas 1896.
Written by Herbert Percy Horne
(British, London 1864–1916 Florence)
Date: 1896
Medium: Plates: engraving
Accession Number: 64.682.393
Landscape with Figures on Horseback, Another Resting Under a Gnarled Tree, and a Cottage at Right Nestled in Trees (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Medium: Aquatint and soft ground etching
Accession Number: 33.7(2)
Portrait of a Young Woman Seated
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Medium: Black chalk with touches of red wash
Accession Number: 2012.242
Wooded Landscape with a Man Crossing a Bridge
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: early 1780s
Medium: Black and white chalk, brush and gray ink, gray wash and with body color on tan paper
Accession Number: 1975.1.882
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Medium: Black and white chalk with stumping, on blue-gray paper
Accession Number: 07.283.6
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Medium: Mezzotint
Accession Number: 1999.509.5
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.50.105
Ignatius Sancho
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1802
Accession Number: 17.3.756-2151
Lieutenant Colonel Paul Pechell (1724–1800)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date:
Accession Number: 1990.200
Jug
Worcester
Date: ca. 1760
Accession Number: 39.140.20
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 42.27.2
Wooded Landscape with Country Cart, Cottage and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1784–86
Accession Number: 49.95.61
Wooded Landscape with Two Country Carts and Figures
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.62
Mrs. Grace Dalrymple Elliott (1754?–1823)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1778
Accession Number: 20.155.1
Open Landscape with Herdsman, Cows, and Sheep
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1785
Accession Number: 07.282.7
A Clump of Trees
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1757
Accession Number: 2013.100
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 59.23.43
Portrait of a Young Woman, Called Miss Sparrow
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1770s
Accession Number: 17.120.224
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 2004.413
Shore Scene With Cattle in the Foreground and Boats in Shallow Water at Right (from Imitations of Modern Drawings)
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1784–88
Accession Number: 33.7(4)
Bell's Court and Fashionable Magazine
Published by John Bell
(London)
Date: 1806
Accession Number: 67.820.8(1-2)
Wooded Upland Landscape
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: probably 1783
Accession Number: 06.1279
The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1795
Accession Number: 48.163.17
Landscape with Figures
Attributed to Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 18th century
Accession Number: 11.66.2
Charles Rousseau Burney (1747–1819)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1780
Accession Number: 50.145.16
Cottage Children (The Wood Gatherers)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: 1787
Accession Number: 50.145.17
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.59
The Painter's Daughter Mary (1750–1826)
Copy after Thomas Gainsborough
(British, mid-19th century)
Date: mid-19th century
Accession Number: 15.30.34
The Saturday Review. First Illustrated Supplement. Christmas 1896.
Written by Herbert Percy Horne
(British, London 1864–1916 Florence)
Date: 1896
Accession Number: 64.682.393
Portrait of a Young Woman Seated
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: ca. 1760
Accession Number: 2012.242
Wooded Landscape with a Man Crossing a Bridge
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: early 1780s
Accession Number: 1975.1.882
Mountain Landscape with Figures and Buildings
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: mid 1770s
Accession Number: 07.283.6
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Accession Number: 1999.509.5
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