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136 records
Joseph Swain x
At the Sepulchre (Good Words for 1864, opp. p. 728)
After Arthur Hughes
(British, London 1832–1915 Kew Green)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.68)
"They Cry 'Peace, Peace, When There is No Peace' " (Good Words for 1864, opp. p. 840)
After Florence Anne Claxton
(British, 1840–1879)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.80)
"Martin Hurried On, In the Strength of Madness" (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 785)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: November 1, 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.22)
Oswald Cray is Surprised (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 286)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.28)
"'Villain!' Cried Hereward, Seizing Him" (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 347)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.12)
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.13)
Polly (Good Words for 1864, opp. p. 248)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.23)
"O the lark is singing in the sky" (Good Words for 1864, p. 66)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.6)
Millais's Illustrations: A Collection of Drawings on Wood
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1866
Medium: Wood engraving
Accession Number: 62.629.15
How Hereward Won the Magic Armour (illustration to "Hereward, the Last of the English," Good Words for 1865, p. 257 )
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.9)
Bessy's Spectacles (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 233)
Joseph Swain
(British, Oxford 1820–1909 London)
Date: 1860
Medium: Wood engraving
Accession Number: 35.53.109(4)
A Year at the Shore–October, plate XXX (Good Words for 1864, p. 816)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.78)
"If thou would'st truly, nobly live, Give,–ever give" (Good Words for 1864, opp. p. 641)
After Robert Barnes
(British, 1840–1895)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.60)
A Year at the Shore–June, plate XVII (Good Words for 1864, p. 525)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.49)
"At the word 'Heaven,' Mrs. Hagart Pressed Her Face Down Upon the Bed-clothes" (illustration to Alfred Hagart's Household, Good Words for 1865, opp. p. 365)
After Robert Barnes
(British, 1840–1895)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.13)
"She hath reach'd a tree whose head, Still is green, whose heart is dead" (Good Words for 1864, opp. p. 542)
After Sir John Tenniel
(British, London 1820–1914 London)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.52)
The Cottage in the Highlands (Good Words for 1864, opp. p. 427)
After George John Pinwell
(British, HIgh Wycombe 1842–1875 London)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.41)
"Here's Dame Hundley Flying On to Us Sir" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 33)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.5)
A Year at the Shore–July, plate XX (Good Words for 1864, p. 596)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.56)
A Year at the Shore–June, plate XVIII (Good Words for 1864, p. 528)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.50)
Touches of Nature: By Eminent Artists and Authors
Engraved by Dalziel Brothers
(British, active 1839–1893)
Date: 1867
Medium: Wood engraving
Accession Number: 65.629.2
The Princess Giving Her Cup to Hereward (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 97)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.4)
A Year at the Shore–May, plate XIII (Good Words for 1864, p. 405)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.37)
Portrait of Sir Alexander Burnes in the Costume of Bokhara (Good Words for 1865, p. 249)
After Daniel Maclise
(Irish, Cork baptised 1806–1870 London)
Date: 1865
Medium: Wood engraving
Accession Number: 65.629.3(4.8)
Danaë in the Brazen Chamber
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1867
Medium: Wood engraving; proof
Accession Number: 27.37.69(3)
A Year at the Shore–November, plate XXXI (Good Words for 1864, p. 892)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.83)
"Along the shore, along the shore, the Fisher's Wife still hurries on" (Good Words for 1864, opp. p. 777)
After W. Colomb
(British, active 1860s)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.73)
The Life of Man Symbolised by the Months of the Year
Edited by Richard Pigot
(British, active 19th century)
Date: 1866
Medium: Engraving
Accession Number: 69.604.41
"Wrapt in his crimson Comforter, His Basket on his arm, He started (Good Words for 1864, opp. p. 411)
After Robert Barnes
(British, 1840–1895)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.40)
Manoli
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1862
Medium: Wood engraving
Accession Number: 26.99.60
At the Sepulchre (Good Words for 1864, opp. p. 728)
After Arthur Hughes
(British, London 1832–1915 Kew Green)
Date: 1864
Accession Number: 65.629.3(3.68)
"They Cry 'Peace, Peace, When There is No Peace' " (Good Words for 1864, opp. p. 840)
After Florence Anne Claxton
(British, 1840–1879)
Date: 1864
Accession Number: 65.629.3(3.80)
"Martin Hurried On, In the Strength of Madness" (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 785)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: November 1, 1865
Accession Number: 65.629.3(4.22)
Oswald Cray is Surprised (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 286)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.28)
"'Villain!' Cried Hereward, Seizing Him" (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 347)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Accession Number: 65.629.3(4.12)
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.13)
Polly (Good Words for 1864, opp. p. 248)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 65.629.3(3.23)
"O the lark is singing in the sky" (Good Words for 1864, p. 66)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 65.629.3(3.6)
Millais's Illustrations: A Collection of Drawings on Wood
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1866
Accession Number: 62.629.15
How Hereward Won the Magic Armour (illustration to "Hereward, the Last of the English," Good Words for 1865, p. 257 )
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Accession Number: 65.629.3(4.9)
Bessy's Spectacles (illustration to "Lovel the Widower," the Cornhill Magazine, vol. I, January–June, 1860, opp. p. 233)
Joseph Swain
(British, Oxford 1820–1909 London)
Date: 1860
Accession Number: 35.53.109(4)
A Year at the Shore–October, plate XXX (Good Words for 1864, p. 816)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.78)
"If thou would'st truly, nobly live, Give,–ever give" (Good Words for 1864, opp. p. 641)
After Robert Barnes
(British, 1840–1895)
Date: 1864
Accession Number: 65.629.3(3.60)
A Year at the Shore–June, plate XVII (Good Words for 1864, p. 525)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.49)
"She hath reach'd a tree whose head, Still is green, whose heart is dead" (Good Words for 1864, opp. p. 542)
After Sir John Tenniel
(British, London 1820–1914 London)
Date: 1864
Accession Number: 65.629.3(3.52)
The Cottage in the Highlands (Good Words for 1864, opp. p. 427)
After George John Pinwell
(British, HIgh Wycombe 1842–1875 London)
Date: 1864
Accession Number: 65.629.3(3.41)
"Here's Dame Hundley Flying On to Us Sir" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 33)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.5)
A Year at the Shore–July, plate XX (Good Words for 1864, p. 596)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.56)
A Year at the Shore–June, plate XVIII (Good Words for 1864, p. 528)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.50)
Touches of Nature: By Eminent Artists and Authors
Engraved by Dalziel Brothers
(British, active 1839–1893)
Date: 1867
Accession Number: 65.629.2
The Princess Giving Her Cup to Hereward (illustration to "Hereward, the Last of the English," Good Words for 1865, opp. p. 97)
After Paul Mary Gray
(Irish, Dublin 1842–1866 London)
Date: 1865
Accession Number: 65.629.3(4.4)
A Year at the Shore–May, plate XIII (Good Words for 1864, p. 405)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.37)
Portrait of Sir Alexander Burnes in the Costume of Bokhara (Good Words for 1865, p. 249)
After Daniel Maclise
(Irish, Cork baptised 1806–1870 London)
Date: 1865
Accession Number: 65.629.3(4.8)
Danaë in the Brazen Chamber
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1867
Accession Number: 27.37.69(3)
A Year at the Shore–November, plate XXXI (Good Words for 1864, p. 892)
After Philip Henry Gosse
(British, Worcester 1810–1888 Sandhurst)
Date: 1864
Accession Number: 65.629.3(3.83)
"Along the shore, along the shore, the Fisher's Wife still hurries on" (Good Words for 1864, opp. p. 777)
After W. Colomb
(British, active 1860s)
Date: 1864
Accession Number: 65.629.3(3.73)
The Life of Man Symbolised by the Months of the Year
Edited by Richard Pigot
(British, active 19th century)
Date: 1866
Accession Number: 69.604.41
"Wrapt in his crimson Comforter, His Basket on his arm, He started (Good Words for 1864, opp. p. 411)
After Robert Barnes
(British, 1840–1895)
Date: 1864
Accession Number: 65.629.3(3.40)
Manoli
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1862
Accession Number: 26.99.60

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