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180 records
Joseph Mallord William Turner x
The Bridge and Goats, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching and mezzotint; first state
Accession Number: 28.97.43
Rispah, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Medium: Etching and mezzotint; fourth state
Accession Number: 51.648.51
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; second state
Accession Number: 28.97.65
Martello Towers near Bexhill, Sussex, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1811
Medium: Etching only
Accession Number: 17.21.61
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1816
Medium: Etching only
Accession Number: 29.107.116
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.55
Lake of Thun, Swiss, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Medium: Etching and mezzotint; third state
Accession Number: 17.21.60
Grand Canal, Venice
Copy after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: second half 19th century
Medium: Graphite
Accession Number: 36.82
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; fourth state
Accession Number: 83.1.69
The Fall of the Clyde, from Liber Studiorum, part IV
Drawn and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Medium: Etching and mezzotint; first state
Accession Number: 29.107.115
Near Blair Athol, Scotland, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.30
The Woman and Tambourine, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; third state
Accession Number: 28.97.3
Roger's Poems
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1834
Medium: Engraving
Accession Number: 27.87.3(1-33)
Jason, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; first state
Accession Number: 28.97.6
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Medium: Engraving on chine collé; first published state
Accession Number: X.776
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.32
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; second state
Accession Number: 29.107.121
Liber Fluviorum; or, River Scenery of France
Illustrations after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1853
Medium: Line engraving
Accession Number: 51.648.1
Marine Dabblers, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.29
Bonneville, Savoy, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; first state
Accession Number: 28.97.64
Modern Italy
William Miller
(British, Edinburgh, Scotland 1796–1882 Sheffield)
Date: 1842
Medium: Engraving on chine collé
Accession Number: X.777
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching and mezzotint; first state
Accession Number: 28.97.45
Juvenile Tricks, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 83.1.72
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; third state
Accession Number: 17.3.526
Bridge and Cows, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; second state
Accession Number: 28.97.2
The Temple of Minerva Medica, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.23
Roger's Italy
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1830
Medium: Engraving
Accession Number: 27.87.2(1-25)
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.29
The Fine Arts of the English School
Written by John Britton
(British, Kington St. Michael, 1771–1857)
Date: 1812
Medium: Etching and engraving
Accession Number: 23.106.31
Calm, from Liber Studiorum, part IX
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching , aquatint and mezzotint; third state
Accession Number: 28.97.44
The Bridge and Goats, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.43
Rispah, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Accession Number: 51.648.51
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.65
Martello Towers near Bexhill, Sussex, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1811
Accession Number: 17.21.61
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1816
Accession Number: 29.107.116
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.55
Lake of Thun, Swiss, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Accession Number: 17.21.60
Grand Canal, Venice
Copy after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: second half 19th century
Accession Number: 36.82
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 83.1.69
The Fall of the Clyde, from Liber Studiorum, part IV
Drawn and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Accession Number: 29.107.115
Near Blair Athol, Scotland, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 28.97.30
The Woman and Tambourine, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.3
Roger's Poems
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1834
Accession Number: 27.87.3(1-33)
Jason, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.6
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Accession Number: X.776
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.32
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 29.107.121
Liber Fluviorum; or, River Scenery of France
Illustrations after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1853
Accession Number: 51.648.1
Marine Dabblers, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 28.97.29
Bonneville, Savoy, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.64
Modern Italy
William Miller
(British, Edinburgh, Scotland 1796–1882 Sheffield)
Date: 1842
Accession Number: X.777
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.45
Juvenile Tricks, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 83.1.72
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 17.3.526
Bridge and Cows, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.2
The Temple of Minerva Medica, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 28.97.23
Roger's Italy
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1830
Accession Number: 27.87.2(1-25)
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.29
The Fine Arts of the English School
Written by John Britton
(British, Kington St. Michael, 1771–1857)
Date: 1812
Accession Number: 23.106.31
Calm, from Liber Studiorum, part IX
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.44
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