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180 records
Joseph Mallord William Turner x
The Keepsake
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1828–37
Medium: Engraving
Accession Number: 27.87.4(1-17)
Hind Head Hill, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.25
The Harbours of England
Written by John Ruskin
(British, London 1819–1900 Brantwood, Cumbria)
Date: 1856
Medium: Aquatints on steel
Accession Number: 51.648.2
Inverary Pier, Loch Fyne, Morning, from Liber Studiorum, part VII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; fourth state
Accession Number: 17.21.59
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; second state
Accession Number: 28.97.65
Italy
Written by Samuel Rogers
(British, Middlesex 1763–1855 London)
Date: 1830
Medium: Engraving
Accession Number: 17.3.2641(17)
Calm, from Liber Studiorum, part IX
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching , aquatint and mezzotint; third state
Accession Number: 28.97.44
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.32
Fighting Temeraire
Thomas Abiel Prior
(British, 1809–1886 Calais)
Date: 1886
Medium: Engraving on chine collé
Accession Number: X.778
Turner's Annual Tours. 1833, 1834, 1835; The Rivers of France (Liber Fluriorum or River Scenery of France)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1833–35
Medium: Engraving
Accession Number: 27.87.6(1-60)
Sheerness, from Ports of England
Thomas Goff Lupton
(British, London 1791–1873 London)
Date: May 1, 1828
Medium: Mezzotint
Accession Number: 58.580.28
"Dark Prison (Carcere Oscura)", after Piranesi
Attributed to Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1790–99
Medium: Watercolor over graphite
Accession Number: 06.1051.3
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; second state
Accession Number: 29.107.121
Water Mill, from Liber Studiorum, part VIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 1, 1812
Medium: Etching and mezzotint; first state
Accession Number: 28.97.37
The Alcove, Isleworth, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; third state
Accession Number: 29.52.14
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Medium: Engraving on chine collé; first published state
Accession Number: X.781
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.55
Coast of Yorkshire, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.24
Ben Arthur, Scotland, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; second state
Accession Number: 28.97.69
Hedging and Ditching, from Liber Studiorum, part X
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Medium: Etching and mezzotint; first state
Accession Number: 28.97.47
Liber Fluviorum; or, River Scenery of France
Illustrations after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1853
Medium: Line engraving
Accession Number: 51.648.1
Dunstanborough Castle, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Medium: Etching and mezzotint; first state
Accession Number: 28.97.14
Ben Arthur, Scotland, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; third state
Accession Number: 51.648.74
Mt. St. Gothard, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Medium: Etching and mezzotint; first state
Accession Number: 28.97.9
The Castle above the Meadows, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Medium: Etching only
Accession Number: 17.22.21
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1816
Medium: Etching only
Accession Number: 29.107.116
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Medium: Engraving on chine collé; first published state
Accession Number: X.782
Solway Moss, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.52
Chatel Argent and the Val d'Aosta from above Villeneuve
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Medium: Watercolor and gouache over graphite
Accession Number: 40.91.19
The Keepsake
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1828–37
Accession Number: 27.87.4(1-17)
Hind Head Hill, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 28.97.25
The Harbours of England
Written by John Ruskin
(British, London 1819–1900 Brantwood, Cumbria)
Date: 1856
Accession Number: 51.648.2
Inverary Pier, Loch Fyne, Morning, from Liber Studiorum, part VII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 17.21.59
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.65
Italy
Written by Samuel Rogers
(British, Middlesex 1763–1855 London)
Date: 1830
Accession Number: 17.3.2641(17)
Calm, from Liber Studiorum, part IX
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.44
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.32
Fighting Temeraire
Thomas Abiel Prior
(British, 1809–1886 Calais)
Date: 1886
Accession Number: X.778
Turner's Annual Tours. 1833, 1834, 1835; The Rivers of France (Liber Fluriorum or River Scenery of France)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1833–35
Accession Number: 27.87.6(1-60)
Sheerness, from Ports of England
Thomas Goff Lupton
(British, London 1791–1873 London)
Date: May 1, 1828
Accession Number: 58.580.28
"Dark Prison (Carcere Oscura)", after Piranesi
Attributed to Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1790–99
Accession Number: 06.1051.3
St. Catharine's Hill near Guilford, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 29.107.121
Water Mill, from Liber Studiorum, part VIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 1, 1812
Accession Number: 28.97.37
The Alcove, Isleworth, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 29.52.14
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Accession Number: X.781
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.55
Coast of Yorkshire, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 28.97.24
Ben Arthur, Scotland, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.69
Hedging and Ditching, from Liber Studiorum, part X
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Accession Number: 28.97.47
Liber Fluviorum; or, River Scenery of France
Illustrations after Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1853
Accession Number: 51.648.1
Dunstanborough Castle, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Accession Number: 28.97.14
Ben Arthur, Scotland, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 51.648.74
Mt. St. Gothard, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Accession Number: 28.97.9
The Castle above the Meadows, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Accession Number: 17.22.21
Inverary Castle and Town, Scotland, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1816
Accession Number: 29.107.116
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Accession Number: X.782
Solway Moss, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.52
Chatel Argent and the Val d'Aosta from above Villeneuve
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Accession Number: 40.91.19
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