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180 records
Joseph Mallord William Turner x
Dover
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1851
Medium: Engraving; proof impression
Accession Number: X.772
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.36
Near Blair Athol, Scotland, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.30
Picturesque Views in England and Wales
Written by Hannibal Evans Lloyd
(British, London 1771–1847 Blackheath, Kent)
Date: 1838
Medium: Book: engraving
Accession Number: 51.648.5(2)
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Medium: Engraving on chine collé; first published state
Accession Number: X.775
Samur
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1831
Medium: Engraving
Accession Number: 27.87.1
Little Devil's Bridge over the Russ, above Altdorft, Swiss-d, from Liber Studiorum
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Medium: Etching and mezzotint; third state
Accession Number: 51.648.24
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching and mezzotint; fifth state
Accession Number: 51.648.50
Modern Italy
William Miller
(British, Edinburgh, Scotland 1796–1882 Sheffield)
Date: 1842
Medium: Engraving on chine collé
Accession Number: X.777
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.29
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Medium: Engraving on chine collé; first published state
Accession Number: X.782
The Bell Rock Lighthouse (Good Words for 1864, p. 113)
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.12)
Young Anglers, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; second state
Accession Number: 83.1.73
Mill Near the Grand Chartreuse, Dauphiny, from Liber Studiorum, part XI
Etched and pubished by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.54
Finden's Landscape Illustrations of the Bible
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Medium: Engraving, proofs
Accession Number: 48.124.4(1-26)
Hastings
Robert William Wallis
(British, London 1794–1878 Hove, Sussex)
Date: 1851
Medium: Engraving on chine collé
Accession Number: X.770
The Bridge in Middle Distance, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Medium: Etching and mezzotint; first state
Accession Number: 28.97.13
The Castle above the Meadows, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Medium: Etching only
Accession Number: 23.65.96
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.35
Caligula's Palace and Bridge
Edward Goodall
(British, near Leeds 1795–1870 London)
Date: 1842
Medium: Engraving on chine collé; first published state
Accession Number: X.783
Fighting Temeraire
Thomas Abiel Prior
(British, 1809–1886 Calais)
Date: 1886
Medium: Engraving on chine collé
Accession Number: X.778
East Gate, Winchelsea, Sussex, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; second state
Accession Number: 28.97.67
Chatel Argent and the Val d'Aosta from above Villeneuve
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Medium: Watercolor and gouache over graphite
Accession Number: 40.91.19
Hind Head Hill, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; fourth state
Accession Number: 51.648.30
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Medium: Engraving on chine collé; first published state
Accession Number: X.776
Morpeth North, from Liber Studiorum, part IV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Medium: Etching and mezzotint; first state
Accession Number: 28.97.21
Windmill and Lock, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.27
Fifth Plague of Egypt, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Medium: Etching only
Accession Number: 54.539.7
The Locomotive
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1873
Medium: Etching and drypoint
Accession Number: 1990.1119
Aesacus and Hesperie, from Liber Studiorum, part XIII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; third state (Finberg)
Accession Number: 28.97.66
Dover
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1851
Accession Number: X.772
From Spenser's [sic] Fairy Queen, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 28.97.36
Near Blair Athol, Scotland, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 28.97.30
Picturesque Views in England and Wales
Written by Hannibal Evans Lloyd
(British, London 1771–1847 Blackheath, Kent)
Date: 1838
Accession Number: 51.648.5(2)
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Accession Number: X.775
Samur
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1831
Accession Number: 27.87.1
Little Devil's Bridge over the Russ, above Altdorft, Swiss-d, from Liber Studiorum
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Accession Number: 51.648.24
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 51.648.50
Modern Italy
William Miller
(British, Edinburgh, Scotland 1796–1882 Sheffield)
Date: 1842
Accession Number: X.777
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.29
The Golden Bough
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1856
Accession Number: X.782
The Bell Rock Lighthouse (Good Words for 1864, p. 113)
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1864
Accession Number: 65.629.3(3.12)
Young Anglers, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 83.1.73
Mill Near the Grand Chartreuse, Dauphiny, from Liber Studiorum, part XI
Etched and pubished by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.54
Finden's Landscape Illustrations of the Bible
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Accession Number: 48.124.4(1-26)
Hastings
Robert William Wallis
(British, London 1794–1878 Hove, Sussex)
Date: 1851
Accession Number: X.770
The Bridge in Middle Distance, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Accession Number: 28.97.13
The Castle above the Meadows, from Liber Studiorum, part II
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Accession Number: 23.65.96
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.35
Caligula's Palace and Bridge
Edward Goodall
(British, near Leeds 1795–1870 London)
Date: 1842
Accession Number: X.783
Fighting Temeraire
Thomas Abiel Prior
(British, 1809–1886 Calais)
Date: 1886
Accession Number: X.778
East Gate, Winchelsea, Sussex, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.67
Chatel Argent and the Val d'Aosta from above Villeneuve
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Accession Number: 40.91.19
Hind Head Hill, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 51.648.30
St. Mark's Place Venice
George Hollis
(British, Oxford 1793–1842 London)
Date: 1842
Accession Number: X.776
Morpeth North, from Liber Studiorum, part IV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Accession Number: 28.97.21
Windmill and Lock, from Liber Studiorum, part VI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 28.97.27
Fifth Plague of Egypt, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1808
Accession Number: 54.539.7
The Locomotive
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1873
Accession Number: 1990.1119
Aesacus and Hesperie, from Liber Studiorum, part XIII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.66
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