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70 records
Jacopo Palma the Younger x
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(12)
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(18)
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink
Accession Number: 59.79.2
Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(8)
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(6)
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1600
Medium: Black chalk, highlighted with white chalk, on blue paper faded to gray-green
Accession Number: 80.3.417
Studies of Men's Torsos, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(11)
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
(Flemish, Antwerp 1610–1678 Antwerp)
Date: 1656–60
Medium: Etching and engraving
Accession Number: 59.644.105
The Annunciation
Lucas Kilian
(German, Augsburg 1579–1637 Augsburg)
Date: 1600–15
Medium: Engraving
Accession Number: 1988.1157.68
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(7)
Fame, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(20)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 62.635.789
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Medium: Engraving
Accession Number: 53.601.12(18)
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(10)
Christ and the Woman Taken in Adultery, from Principles of Drawing (copy)
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: after 1611
Medium: Etching
Accession Number: 17.3.1875
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(16)
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: ca. 1570-1628
Medium: Etching
Accession Number: 2012.136.286
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(260)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(258)
Studies of Children, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(19)
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(13)
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(4)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(17)
Venus and Cupid, Galerie du Palais Royal
Henri Marais
(French, 1768?–1830s)
Date: 1786–1808
Medium: Etching and engraving
Accession Number: 24.63.1488
Studies of Arms, Shoulders and Hands
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink, brush and brown wash, over red chalk
Accession Number: 1975.131.41
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(1)
Christ giving the keys to Saint Peter
Andrea Scacciati
(Italian, 1725–1771)
Date: 1760s
Medium: Etching with sulphur tone printed in green ink
Accession Number: 33.13(13)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 17.3.1876
Delilah cutting Samson's Hair
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Medium: Etching
Accession Number: 26.70.3(259)
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(12)
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(18)
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Accession Number: 59.79.2
Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(8)
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(6)
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1600
Accession Number: 80.3.417
Studies of Men's Torsos, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(11)
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
(Flemish, Antwerp 1610–1678 Antwerp)
Date: 1656–60
Accession Number: 59.644.105
The Annunciation
Lucas Kilian
(German, Augsburg 1579–1637 Augsburg)
Date: 1600–15
Accession Number: 1988.1157.68
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(7)
Fame, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(20)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 62.635.789
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Accession Number: 53.601.12(18)
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(10)
Christ and the Woman Taken in Adultery, from Principles of Drawing (copy)
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: after 1611
Accession Number: 17.3.1875
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(16)
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: ca. 1570-1628
Accession Number: 2012.136.286
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(260)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(258)
Studies of Children, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(19)
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(13)
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(4)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(17)
Venus and Cupid, Galerie du Palais Royal
Henri Marais
(French, 1768?–1830s)
Date: 1786–1808
Accession Number: 24.63.1488
Studies of Arms, Shoulders and Hands
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Accession Number: 1975.131.41
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(1)
Christ giving the keys to Saint Peter
Andrea Scacciati
(Italian, 1725–1771)
Date: 1760s
Accession Number: 33.13(13)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 17.3.1876
Delilah cutting Samson's Hair
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Accession Number: 26.70.3(259)
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