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70 records
Jacopo Palma the Younger x
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(9)
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Medium: Engraving
Accession Number: 53.601.12(18)
Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2
The Angels Mourning the Dead Body of Christ, from Theatrum Pictorium
Rombout Eynhoudts
(Dutch, Antwerp 1613–1680 Antwerp)
Date: 1656–60
Medium: Etching and engraving
Accession Number: 62.635.757
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink
Accession Number: 59.79.2
Studies of Feet, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(14)
Ecce Homo
Abraham Bloemaert
(Netherlandish, Gorinchem 1566–1651 Utrecht)
Date: late 16th–mid-17th century
Medium: Pen and brown ink, brown wash, over black chalk, heightened with white gouache
Accession Number: 61.2.3
Descent from the cross and apparition of the Virgin, bound in Monuments des Arts du Dessin, volume 2, plate 138
Baron François Joseph Bosio
(French, 1768–1845)
Date: 1829
Medium: Lithograph
Accession Number: 1994.220(2.78)
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(6)
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(4)
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(18)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 17.3.1876
Fame, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(20)
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(260)
Daniel in the Lion's Den, from Theatrum Pictorium
Jan van Troyen
(Flemish, ca. 1610–after 1666)
Date: 1656–60
Medium: Etching and engraving
Accession Number: 61.658.8
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: ca. 1570-1628
Medium: Etching
Accession Number: 2012.136.284
Christ and the Woman Taken in Adultery, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 24.57.99
Studies of Men's and Women's Torsos, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(3)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(17)
Christ giving the keys to Saint Peter
Andrea Scacciati
(Italian, 1725–1771)
Date: 1760s
Medium: Etching with sulphur tone printed in green ink
Accession Number: 33.13(13)
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(10)
Studies of Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(15)
The Holy Family
Hendrik Danckerts
(Dutch, The Hague ca. 1625–1680 Amsterdam)
Date: mid–late17th century
Medium: Engraving
Accession Number: 24.63.1489
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink
Accession Number: 1972.118.263
The Crucifixion
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Medium: Oil on canvas
Accession Number: 57.170
Joseph and Potiphar's Wife, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(256)
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(12)
Studies of Men's Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(2)
The Annunciation
Lucas Kilian
(German, Augsburg 1579–1637 Augsburg)
Date: 1600–15
Medium: Engraving
Accession Number: 1988.1157.68
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 47.100.1303
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(9)
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Accession Number: 53.601.12(18)
Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2
The Angels Mourning the Dead Body of Christ, from Theatrum Pictorium
Rombout Eynhoudts
(Dutch, Antwerp 1613–1680 Antwerp)
Date: 1656–60
Accession Number: 62.635.757
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Accession Number: 59.79.2
Studies of Feet, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(14)
Ecce Homo
Abraham Bloemaert
(Netherlandish, Gorinchem 1566–1651 Utrecht)
Date: late 16th–mid-17th century
Accession Number: 61.2.3
Descent from the cross and apparition of the Virgin, bound in Monuments des Arts du Dessin, volume 2, plate 138
Baron François Joseph Bosio
(French, 1768–1845)
Date: 1829
Accession Number: 1994.220(2.78)
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(6)
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(4)
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(18)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 17.3.1876
Fame, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(20)
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
After Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(260)
Daniel in the Lion's Den, from Theatrum Pictorium
Jan van Troyen
(Flemish, ca. 1610–after 1666)
Date: 1656–60
Accession Number: 61.658.8
Christ and the Woman Taken in Adultery, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 24.57.99
Studies of Men's and Women's Torsos, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(3)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(17)
Christ giving the keys to Saint Peter
Andrea Scacciati
(Italian, 1725–1771)
Date: 1760s
Accession Number: 33.13(13)
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(10)
Studies of Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(15)
The Holy Family
Hendrik Danckerts
(Dutch, The Hague ca. 1625–1680 Amsterdam)
Date: mid–late17th century
Accession Number: 24.63.1489
The Crucifixion
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Accession Number: 57.170
Joseph and Potiphar's Wife, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(256)
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(12)
Studies of Men's Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(2)
The Annunciation
Lucas Kilian
(German, Augsburg 1579–1637 Augsburg)
Date: 1600–15
Accession Number: 1988.1157.68
Madonna and Child with St. Jerome and St. Francis, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 47.100.1303
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