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70 records
Jacopo Palma the Younger x
The Angels Mourning the Dead Body of Christ, from Theatrum Pictorium
Rombout Eynhoudts
(Dutch, Antwerp 1613–1680 Antwerp)
Date: 1656–60
Medium: Etching and engraving
Accession Number: 62.635.757
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(258)
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(13)
Joseph and Potiphar's Wife, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(256)
Jupiter and Antiope, from Schola Italica Picturae, plate 26
Giuseppe Sforza Perini
(Italian, active 1771–1776)
Date: 1770
Medium: Etching and engraving
Accession Number: 41.71.1.21(55)
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
(Flemish, Antwerp 1610–1678 Antwerp)
Date: 1656–60
Medium: Etching and engraving
Accession Number: 59.644.105
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: ca. 1570-1628
Medium: Etching
Accession Number: 2012.136.284
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink
Accession Number: 1972.118.263
Venus and Cupid, Galerie du Palais Royal
Henri Marais
(French, 1768?–1830s)
Date: 1786–1808
Medium: Etching and engraving
Accession Number: 24.63.1488
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(7)
Various Figure Groups
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink, brush and brown wash
Accession Number: 1996.571
Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(8)
Studies of Men's Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(2)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 62.635.789
Studies of Feet, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(14)
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Medium: Pen and brown ink
Accession Number: 59.79.2
Doubting Thomas, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(261)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(9)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 17.3.1876
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Medium: Engraving
Accession Number: 53.601.12(18)
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1600
Medium: Black chalk, highlighted with white chalk, on blue paper faded to gray-green
Accession Number: 80.3.417
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(18)
Judith with the Head of Holofernes
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Medium: Etching
Accession Number: 26.70.3(257)
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(12)
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(1)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(17)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 1986.1180.236
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Medium: Etching
Accession Number: 49.35.2(6)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Medium: Etching
Accession Number: 26.70.3(255)
The Angels Mourning the Dead Body of Christ, from Theatrum Pictorium
Rombout Eynhoudts
(Dutch, Antwerp 1613–1680 Antwerp)
Date: 1656–60
Accession Number: 62.635.757
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(258)
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(13)
Joseph and Potiphar's Wife, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(256)
Jupiter and Antiope, from Schola Italica Picturae, plate 26
Giuseppe Sforza Perini
(Italian, active 1771–1776)
Date: 1770
Accession Number: 41.71.1.21(55)
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
(Flemish, Antwerp 1610–1678 Antwerp)
Date: 1656–60
Accession Number: 59.644.105
Venus and Cupid, Galerie du Palais Royal
Henri Marais
(French, 1768?–1830s)
Date: 1786–1808
Accession Number: 24.63.1488
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(7)
Various Figure Groups
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Accession Number: 1996.571
Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(8)
Studies of Men's Arms, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(2)
Sheet of Studies with St. Jerome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 62.635.789
Studies of Feet, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(14)
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1548–1628
Accession Number: 59.79.2
Doubting Thomas, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(261)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(9)
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 17.3.1876
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
(Netherlandish, Antwerp 1560–1628 Venice (?))
Date: 1580–1600
Accession Number: 53.601.12(18)
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1600
Accession Number: 80.3.417
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(18)
Judith with the Head of Holofernes
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date:
Accession Number: 26.70.3(257)
Studies of Female Torsos and Heads, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(12)
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(1)
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(17)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 1986.1180.236
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: republished in 1659
Accession Number: 49.35.2(6)
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
(Italian, Venice ca. 1548–1628 Venice)
Date: 1611
Accession Number: 26.70.3(255)
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